Music community, record label and events company. Founders of Present Perfect Festival and K-30 space. St Petersburg, Russia.

dj and music lover.

co-founder @konseptroom

for remixes / sending me your wavs: kamikazeloversmusic@gmail.com

aka mr liquid
aka senator bongwater 
aka trips & skips
aka kepler sound district
aka señor friction 
aka taylor freels
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World territories
alexandre@pieces.live

North America
maria@resolutenyc.com

South America
denis@nomadtalent.com

Australia
mitchell@solidcircles.com.au

For general inquiries and press
thibaut@pieces.live

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The singular brand of house music that Taylor Freels produces as Liquid Earth is uniquely transatlantic, infusing the rhythmic sensibilities of London and Berlin with the sun-soaked serenity of his native California. Part '80s sleaze, part '90s deepness, part '00s wiggle, Freels makes dance music cocktails that pop like a twist of lime hitting seltzer. Melodic, crisp, and always refreshing, each track by the California-native is singularly recognizable as he refashions vintage sounds for the clubs of tomorrow.

Under his most recent alias, Liquid Earth, Freels has been pushing, as Resident Advisor put it, "tech house with a twist." His state-of-the-art analog grooves emerged from the ether fully formed in 2019 with some of the deepest basslines and crunchiest melodies out there. Freels' squigly take on contemporary house and techno always comes primed with a dose of California sunshine. Carrying on the legacy of storied California predecessors like Halo and Hipp-E, he's been swiveling heads and moving bodies with releases on labels at the vanguard of the underground, like Kalahari Oyster Cult and Is/Was sub label TerraFirm, collaborations with Tornado Wallace as Dinnervisions, and a remix of his starry-eyed, "Scope Zone" by Youandewan landed him notoriety among the scenesters alike.

More than just a producer, Freels knows how to pack a punch behind the decks, moving from classic West Coast Breaks to UK tech house with aplomb and mastery. His bookings and podcasts have been piling up like hot cakes with best-in-class mixes for the likes of Honey Soundsystem, Butter Side Up and Faciendo and DJ appearances from Dimensions Festival to Panorama Bar.

Freels' music, as both a DJ and a producer, remains unparalleled in its ability to solder funk with deepness. His early releases that propelled him to prominence on labels like Melbourne’s Voyage Recordings and the Amsterdam based Kalahari Oyster Cult, displayed an almost encyclopedic knowledge of house music. As Urulu, Freels zig-zagged across time and space to create music that felt embryonically transatlantic alongside a sugar rush of rave nostalgia. He now uses the Liquid Earth moniker to bring that same intimate knowledge to the trippier corners of the cosmos. With a seemingly endless trove of creativity and energy congealing behind the Liquid Earth project, Freels is poised to continue his take over of club land's headiest and spaciest dance floors

Only music plays a role.

Runned by: @bronxymusic

If you want send demo to us:

— minimum 3 full tracks shared privately (download links only)
— we do not accept previews

Demo submission: ouvertmusic[at]gmail.com (we answer to you if your track for us, thank you for understanding)

Selector/Producer, music share media, Youtube channel & label

Booking: 
novajrecordings@gmail.com

Run by Novaj
https://linktr.ee/novaj______

Sensations & feelings

BOOKINGS :  tim@outlined-am.com

Musical trends may fluctuate over time, but some artists remain pillars unscathed by the change in the tides. One such artist is undoubtedly Stojche Cvetanovski. Native of Skopje, Macedonia, he established himself 
as a notable undeground techno figure. The vibrant scene and the expansion of the Motor City sounds in the Macedonian capital, triggered him to explore his own path in his futuristic music phenomenon called Techno. After a decade devoted to djing, he shifted to producing, and in 2009 he co-founded “Argumento Music”.

Stojche is one of the names on the European circuit that broke through by array of contributions to labels like A.r.t.less, Syncrophone, Fuse Brussels, Conform, Mutual Rytm, alongside many others. In 2011 he launched his 
solo imprint “Tangible Assets”. An outlet that has given him the freedom to explore and refine his trademark Detroit – schooled dubbed out productions. “Tangible Assets” reflects a personal statement with emphasized                                                                                                                                                  appreciation for the history of techno music. His "Minor-scale funk" sound signature, assembled a discographic résumé  that passed the test of time. He is consistent in pushing forward the timeless envelope of the “hi-tech soul” legacy.

In contrast, as a dj that is deep in harmony with the roots of techno, electro or dub, he exudes the kind of tact that speaks nothing but the truth. Whether you find him in the basement of Tresor or Berghain, his dj sets providefurther evidence of many years spent behind the turntables, resulting in pounding yet dynamic journeys with a dose of emotional content. His constant pursuit for inspiration sits balanced with the pulse of the city life, and isworking tirelessly without fanfare to enrich a scene that sits close to his heart. Locked away in his studio in Madrid where passion and process all catalyze into waveforms of intense voyages, executed by a man who is well in tune with his craft.

Dj crew and Label
 
For gigs or soundcloud requests contact us on importedrecordings@gmail.com

GIGS
1.03 Aethernativ Timisoara Romania
11.03 Pop up du label Paris
22.03 Bistrot sauvage Annecy
23.03 Le Telemark Arêches Beaufort
31.03 Alta Festival Arêches Beaufort


LABEL
V/A "Volupté Amère" [IMPRT004] with https://soundcloud.com/martinalix, https://soundcloud.com/majorleaguehouse, https://soundcloud.com/stefano-steve-hammer-urso, https://soundcloud.com/matt-schro

Hey, Gareth here, I'm a graphic designer who start designing for clubs, parties, and labels in the late 90s. Back then, mix CDs were the holy grail of both design and music. I loved them.

But I wasn't the only one, mix cds were the soundtracks of our nights, our days, our afterparties and lives, for everyone. Yet in today's internet age, the art form has been lost (or just changed) to 2-3 hour online mixes and streaming videos, which just don't create the same magic your CD collection did. Just 60 minutes of music and incredible artwork.

The Classic Mix CD Series celebrates these discs, their soundtrack, their box art and your memories. We hope you enjoy it.

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Also, we try to help you find and buy them again by sharing Discogs links on all featured CDs and or direct links to labels where possible.

* We fully support labels and artists. If any disc creates a copyrighting issue let me know and it will be immediately removed. 

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About Gareth:
Digital creative type, gamer, music lover and occasional DJ. Currently living between Dubai & Seoul after setting sail from Sunderland in 2010. As a young designer, club and music culture was the driving force for his work, producing artwork for local club nights and record labels in the North East of England. In particular, DJ mix cds and their packaging were always his 'holy grail of design', especially those from Renaissance, Global Underground and Good Looking Records. It's a pleasure to share these discs back with people and they still influence our tastes to this day. 

For any CD recommendations, bookings, mixes or feedback you can catch me as @asapgareth on Instagram. Or you can check our my design work at www.acid.works

Rfo is following