We Can Never Be Saved

We Can Never Be Saved - With DJayz Shadow

Day mode here...
https://soundcloud.com/thebeautifuldark/universe


I will leave the night mode version. I think it's nice to show driving ideas home at night, not disturbing anyone. You need to deliver by imagining what you are going to do. There's something cool about that and then the wait to deliver it the next day... It's like humming a bass-line in a phone recording but on steroids... It's very important though I think for playing to your instincts as a musician. You are recording your instinct by whisper... You pitch savvy ear will do the rest when lining it up technically the next day meaning you don't lose that power of creative instinct in the idea

Bpm 222 (Timing is 4/4 but beat bounced on a 111 bpm project and dragged in here)
Tuning 432
bars 161
Upload time 01:11am

Guitar 1: Line 6 Spank setting switch 3 (Rhythm)
Guitar 2:Line 6 Lester setting switch 2 (Lead) ~ also has 541ms 1/4 delay 60% wet reverse effect

Universe (Night Mode)

Seansa krematorija 1

Carnival Freaks (Greatest Show On Earth)

A Song wrote for a family wedding that took place a few weeks ago!.........hope you like.......look out for part 2 .....coming soon........thank for all your support  G

Forever Part 1 (Instrumental)

I wrote this in the age of 19 for guitar. This is a variation of it.

variation of Etude 3 (original written for guitar)

Here is a song built on notes of a scale made proportionally to the fibonacci numbers. Each Fibonacci number was multiplied by 100 to get the figures in numbers of hertz that are audible.
So the frequencies we get from lowest to highest are:
100Hz, 200Hz, 300Hz, 500Hz, 800Hz, 1300Hz, 2100Hz, 3400Hz & 14440Hz. Any frequencies beyond this at this proportionality are not audible and I'm not making songs for dogs and dolphins just yet!

The first 5 notes of the scale offer nice harmony. Gets a bit if'ey above that but they are all in there, I just reduced the dominance of the higher notes for now until my ear knows and loves them enough to make them work.. These were voiced by an android frequency app and recorded to DAW from there. I then tuned my acoustic by ear (as far as I'm aware we dont have a tool to tune to this readily available) and played that open tuning along as best as focusing on the first 5 low hotes mainly. Then adlibbed a few choir like vox lines over

Note - Add golden ratio. Chinese bongo beat to this song

I purposely didn't look this up on the Internet when thinking of it. I wanted to discover it for myself and get my results. Now that I do search for it... Haven't found anyone converting it this way yet. Didn't look very hard but it seems most use it to reference existing concert pitch scale and they haven't tuned to the proportionality of it. Could be wrong and would love to be linked up to understand this a bit better if anyone knows good info on this 🙌🏽🔆

harmony frequencies to try
150Hz
250 Hz
400Hz
450 Hz
600Hz
1600Hz

Work out if these are symmetrical extensions on the Fibonacci scale... or work out what frequencies the symmetrical extensions are and see if they are harmonious and usable... although need to think about this.. proportionality is gone when talking extensions so maybe forget these for now... Need to figure out how the extensions relate to nature and not just finance...

The Fibonacci Scale

Sea Glass (2024) Anthology CD2 Track 08

Revolution (2024) Anthology CD2 Track 10

271 — Piano

a2rbeatz - drop trap starter 124bpm

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



271 — Piano

Rich Schuler — Pianist

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