classical punk,  who knew?  Well performed, well done!

🖤 Watch the video: https://youtu.be/_HnZMW9D1ZI

🖤 A Darkwave  soundtrack about depression ... or as we call it, walking the Black Dog 
...
I hope, if you are walking the Black Dog, that your walk leads you to a place of strength and deeper understanding.
I hope that you can find that place,
The part, deep down and buried under all the expectations
That understands that
Pain
Is just another form of pressure
Turning you into a beautiful diamond
💎
And I hope your dog is friendly
And somewhat well trained
Mine was / is more of a werewolf
But I have learned to love it, all the same
🖤

"He owed his foresight of the horror that was to come to the visits of the black dog."
- Winston Churchill 
🖤

Walking The Black Dog

Download

soundcloud.com/velvetsomethingsuperdark/sets/cold-city-soundtrack
-----------------------
Snow*Omen/Velvet Something Superdark collaboration.
Samples from: Snow*Omen: @snow_omen, recording of an improvised live performance, electric guitar: VSS. Sampling, field recording, mixing and production: VSS. All sounds Snow*Omen and VSS. Image: Möckernbrücke Subway Station, Berlin, at night (videostill: VSS).

Cold City: Arterial

started in response to Haiku by Marc Sheridan,"  a splash of colour
cherry tree petals drifting
silently falling" NaviarHaiku https://www.naviarrecords.com/haiku-music-challenge/.    Track features sample instruments using recording of  playing the  'fins' of a computer heatsink and springs from an old couch.

bandcamp single

Life Inside A Drifting Petal (NaviarHaiku 585)

Exploration into the dark depths of the undergrowth......tenor saxes and moog leading the way.

Original recording:
https://soundcloud.com/user-146692255/moo155m3-equatorius-pre-daw?si=c5fbfe9c3dfc42f391d44e5d9645db83&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

EQUATORIOUS

belladonna

270 — Piano

Marco Lucchi : harmonium, synthesizer and piano

*

playing with https://soundcloud.com/user-920947015/skylarks

To a skylark 雲雀 w/anon8924

Song by the Ginger Twins
vocals/synths - Brian Beethoven

Lyrics:
Standing, facing the firing line
Cold hearts without a care I find
Climbing, racing a ticking clock
Path blocked – can’t reach the mountaintop 
Yet again
Yet again
Yet again
Yet again and again and the sky grows dim
I am defeated again
I have retreated again
I am mistreated again
I have retreated again
Mind racing with endless thoughts
Distant memories of love and loss
Staring down at the firing line
No resolution and a truce declined
Yet again
Yet again
Yet again
Yet again and again and the sky grows dim
I am defeated again
I have retreated again
I am mistreated again
I have retreated again
I am defeated again
I have retreated again
Yet again


Yet Again

12 - By Faith

Butterfly Fantasy - Variation for Violin and Piano was composed by IRMINSUL and performed by him on piano with Victoria Kaye on violin. Originally the IV movement of Irminsul's first String Quartet, it was premiered by LA Symphony's first section violinist Nelya Kovalev in 2021.

Butterfly Fantasy - Piano Variation

Outer sections are an elegant, flowing waltz, separated by a long and tranquil middle section which is mostly tender and peaceful, until a rich passage built on the two circles of 5th. Overall, to my ear at least, the piece speaks through beauty to express an underlying sorrow. One of the SWWs which I found deeply moving – and rewarding – to compose

SWW38.4

I play the piano. Unless otherwise noted, everything is played and recorded on a Kawai ca99.


Once upon a time I programed, people called it hacking, I called it learning, I can still do it, but I prefer music, etc., 

The profile picture was taken when I was a teenager in the 1990s. I just liked the old washed out look of it. They were actual physical things back in the day. And phones had cords.

I started playing around age ~8-10 (who remembers, I know i started with the violin but moved on). Over the years I've had to re-teach myself the piano many times due to life getting in the way and not allowing me the time to work on it. The repetition of re-learning has helped with the style and technique I used to play here.

It's sort of like what happens when you learn multiple programming languages.. the syntax, etc., stop mattering as much and you just think about what you need.. works in music too I guess. :)

I have visual snow 🌨️🌨️🌨️ 



270 — Piano

Rich Schuler — Pianist

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Ruby LaRue

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