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Subtract Music is a Los Angeles-based record label, event producer, and artist collective that has shaped the West Coast’s electronic music landscape since 2011. Founded by Anton Tumas and a small circle of like-minded friends, Subtract was built as a platform for forward-thinking artists—emerging and established alike—driven by a belief in music that lasts beyond the moment.

The label’s debut, Black Rock City by a then-rising DAVÍ, paired with a remix from Robert Babicz, set the tone for its identity: atmospheric, meticulous, and unconcerned with trends. From there, Subtract followed a deliberately measured path, curating a catalog that spans deep house, techno, and electronica. Standout moments include Pezzner’s melancholic Evelyn, Babicz’s infectious Beautiful, and Vinayak A’s experimental Set Her Free, alongside remixes from John Digweed, Hernán Cattáneo, Guy J, Matthew Dekay, and Stimming. The interplay between newcomers and seasoned veterans has become a defining feature of the label.

Beyond the studio, Subtract is equally known for its events. Its long-running Subtract On The Pier residency—now in its 10th season—has brought artists from Mathew Jonson and Lee Burridge to Patrice Bäumel and Doc Martin to Long Beach waterfront. As producer of the Love Long Beach Festival, the collective helps draw over 10,000 attendees annually, balancing cutting-edge programming with a strong sense of community. Subtract sound systems have powered some of LA’s most respected underground gatherings and set new benchmarks for immersive audio at Black Rock City.

With a release schedule that favors intention over volume, Subtract Music continues to evolve while holding firm to its original ethos: quality over quantity, artistry over hype. In a culture that moves quickly, it remains a steady voice for the underground.

Eduardo Castillo’s music encompasses his depth in the study of the industry and influences stemming from a South American and European upbringing. His studies in music compositions, orchestration and opera provide him with a vast understanding of harmonies, dynamics, and musical textures. Eduardo uses a subtle ethnomusicologist’s approach to music. His record collection reads like a music history book. In fact, his eclecticism is quite enticing. Sounds of Jazz, Avant-Garde, Middle Eastern, South American, Afro-Cuban folk, Soul, Funk, and Electronic Minimalism, can be heard in his compositions, his singing, his dj sets, and his playing of instruments, whether in their pure from or intertwined with down, mid and up-tempo electronic treatments. Ultimately, simplicity is what Eduardo strives for. An effort is always made to have fresh, organic sound while inevitably providing touches of technological advances shaping music today, never overwhelming and always sophisticated and tasteful.

Eduardo's mission is to always become a storyteller from beginning to end. Every record he plays has a very important intention. The music in his selections does not just fill time, it weaves in and out with dynamic and texture. The music and his improvisational live shows are brush strokes on a canvas that once he's reached the end, will look like a world of realism and fantasy all in one. He's a master at layering the musical with the technical and the surreal with the real.

Eduardo always leaves an indelible mark with his style and impeccable understanding of his environment.

Ricky Ephrom AKA BIGBLOCK is an established action sports photographer DJ/Producer with over 17 years of professional experience. He has had his music, photos and videos published in multiple action sports and entertainment publications including Beatport.com, Jack9.com, sirius satellite radio, On demand, Transwold, Surfing Magazine, Alliance Wakeboard Magazine and Wakeboarding Magazine. With Ricky’s unique and cutting edge eyes and ears, he has created music, videos and print ad campaigns for companies including NoFear, Jet Pilot, Billabong, Body Glove, Sanuk Sandals, Black Flys, Oakley and Mentom Eyewear, just to name a few. Ricky made a name for himself in the wakeboarding world at a young age as the first photographer to ever simultaneously ride behind the athletes and take photos at the same time, creating a new angle which has been used by countless photographers in the wakeboarding industry to this day. Ricky’s passion for photography, music , video production and entertainment developed at a young age, his mother is also a professional photographer and he has been captivated by the camera since the age of two. By the age of 16, he knew that being a photographer, entertainer and producer was his dream and has been able to travel from coast to coast and throughout the world doing what he loves the most.


Quality will find its way.
booking: info@pracht.dk

Anton Tumas moves through the worlds of DJing, promotion, production, and label curation with quiet precision. For well over a decade, his work has been grounded in a deep respect for electronic music’s craft and culture, leaving a lasting mark without the need for fanfare.

From LA’s underground clubs to desert gatherings like Moontribe and Burning Man, and festivals including Lightning in a Bottle, Further Future, and Woogie Weekend, Anton has shared the stage with artists such as Hernán Cattáneo, DJ Tennis, and Danny Howells. His selections traverse the edges of house, techno, and electronica—guided by an ear for the forward-thinking and timeless.

As a promoter, he’s built experiences that speak for themselves. His Subtract On The Pier residency has transformed Long Beach into a destination for world-class talent, hosting everyone from Doc Martin and Lee Burridge to Patrice Bäumel and Mathew Jonson. As producer of the Love Long Beach Festival, he curates with precision and vision, drawing over 10,000 people each year.

Subtract, the record label he founded, reflects the same philosophy: releasing only when the music demands it. Each record is chosen with care, featuring artists from emerging voices to veterans like John Digweed, Stimming, and Matthew Dekay. The label’s consistency speaks to Anton’s uncompromising standard for quality.

In recent years, he’s brought that same discipline to his own productions. His music has appeared on All Day I Dream, Sudbeat, Balance, Endless, Sol Selectas, and his own Subtract imprint, including collaborations with Hernán Cattáneo, Dave DK, and Jamie Stevens. Patient and exacting, his work carries the same refined sensibility that defines his DJ sets and events.

For Anton, the work is never finished. In his own words: “We’re in an ever-evolving landscape, inventing it as we go. One thing is certain: We're only getting started"

Patrick´s sound can be described as straight ahead techno, but also taking in influences from house music. He presents tech-house music, partly monotone, but always under the aspect of being groovy. He combines the elements of a lot of different styles in order to show it as a whole.
 
In 1999 he founded the event and artist agency Global Tunes and organized various big events with internationally well-known artist. In March 2002 Patrick quit his job in this agency in order to focus on his own studio projects.
In 2003 he met Harold Todd from the Lenny Kravitz band and, following his passion to house music, they set up the project Sexy Pie. In 2004 they released their first single. In the same year he started to work for the Frankfurt based label Cocoon Recordings, where he is responsible for the digital distribution.
 
In 2006 his first EP gets released including a remix by Oliver Koletzki. A lot of other releases followed – cooperations with and remixes from artists like Guy Gerber, DJ Sneak, Boris Brejcha, Mendo, Alex Flatner, Broombeck and studio partner M.in speak for oneself.
 
In 2010 he produced the Ibiza-Spotlight-Podcast for Cocoon Recordings, which represented the sound of the label of this summer. Later that year he was also responsible for the Bonus Mix for the „Sound Of The Eleventh Season“ by Sven Väth.

2011 has been a highly productive year: Patrick´s remix for Extrawelt´s Titelheld hit the third place of the Beatport techno charts. He also mixed the retrospective Mix-CD of „11 Years Cocoon Recordings“. In the same year he finally set up his own label Insist Music.

Patrick´s own music and remixes can be found on countless esteemed label like Cocoon  Recordings, Suara, Kling Klong, Leena, Form Music, Octopus, BluFin and keinemusik amongst others. His remixes are highly appreciated by colleagues and so it is no wonder that artists like Extrawelt, Boys Noize and Lützenkirchen rely on his works.

Visit our website: http://thedolab.com

Do LaB is an events business and leader in American festival culture based out of Los Angeles, California. We build and promote music festivals, interactive environments, and unique structures that exhibit and celebrate our ethos of human connection, art as transformative experience, and environmental sustainability. We have created our festivals from the ground up and are best known for Lightning in a Bottle (LIB), Woogie Weekend and The Great Convergence, which took place at the pyramids of Giza in Egypt. Our creative structures and environments have inspired and connected thousands at festivals all over the world including Coachella, Boom Festival, Virgin Music Festival, Global Gathering, and many more.

Stay tuned for what's coming next! http://thedolab.com

Producers of:
Lightning in a Bottle || http://lightninginabottle.org
Woogie Weekend (2015-2016) || http://woogiewknd.com
Dirtybird Campout (2015-2018) || http://dirtybirdcampout.com

I've been a DJ for a while. I kind of like it.

Unjin( a.k.a Rainjacket), originally from Seoul, Korea.&#13;

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