ripperton

This Is Ripperton

2021

heal

EarlyRiser

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels.

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

Pre-order

Ripperton - Contrails - ESP Institute 084

Odyssey Of Love _ Harmonious Adaptation

"seesaw 
pearls drop on my skin
unshod feets graze the ground"

Vocals: LUC
Music: NINZE & OKAXY
Pic: Hanna He

FACEBOOK

Rain - NINZE & OKAXY

<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: normal; font-weight: normal; ">Ripperton – Niwa – Green (GR102CD)&nbsp;
Release date: February 01, 2010

<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: normal; font-weight: normal; "><a href="http://www.ripperton.com">www.ripperton.com</a>&nbsp;
<a href="http://www.myspace.com/raphaelripperton">www.myspace.com/raphaelripperton</a>&nbsp;
<a href="http://www.myspace.com/greenassociation">www.myspace.com/greenassociation</a>&nbsp;
<a href="http://www.rejected.nl">www.rejected.nl</a>

<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-style: normal; font-weight: normal; ">






11 - Leonor's Lanugo

Ripperton – Niwa – Green (GR102CD)

Release date: February 01, 2010



www.ripperton.com

www.myspace.com/raphaelripperton

www.myspace.com/greenassociation

www.rejected.nl



For more information please contact:

Hugh Bryder

PR &amp; Promotion

Tel: +44(0)7883 364 201

Email: hugo@ukf.net



Ripperton - Random Violence

Valentin Stip -Nwia

https://elusiverec.co.uk/album/elsvrec024-korablove-autochrome-incl-anonym-slavaki-remixes
Two heavy-weight original cuts from Korablove, mixed by the artist on analogue tape, and accompanied by skilful remixes from Anonym and Slavaki. Another unique timeless recording from Elusive. Out end of 2015 on beautiful limited edition 12" vinyl.

Artist: Korablove
Title: Autochrome
Cat.No.: ELSVREC024
Format: 12” vinyl, digital
Release Date: 18.12.2015

A1. Korablove – Train in Vain (7:32)
A2. Korablove – Autochrome (7:12)
B1. Korablove – Train in Vain (Anonym Nan Madol Mix) (7:50)
B2. Korablove – Autochrome (Slavaki Remix) (6:23)

www.elusiverec.co.uk

[ELSVREC024]
Written and produced by Korablove.
Additional production and remix on B1 by Anonym.
Additional production and remix on B2 by Slavaki.
Mastered by Anthony Lim.
Artwork by Gero Wortmann.
Copyright Elusive 2015

[ELSVREC024] B2. Korablove - Autochrome (Slavaki Remix)Preview / 12" out now!

Mooryc - Take 'em All - 02 - Myself

Ripperton - Echocity - (Agnès unreleased MPC Jam mix)

TT001 - Mauerblümchen

https://soundcloud.com/bongbeck

https://www.facebook.com/Bongbeck-601784376549397
www.facebook.com/tontoepferei

Bongbeck - Winter Sleep

Search me on spotify open.spotify.com/artist/7qxrf...

Search me on soundcloud @sherel

Search me on apple music music.apple.com/lk/artist/she...

Search me on bandcamp sheersofer1.bandcamp.com/

Search me on amazon music music.amazon.com/artists/B001...

Search me on deezer www.deezer.com/us/artist/5226255

תחפשו אותי בספוטיפאי open.spotify.com/artist/7qxrf...

תחפשו אותי בסאונדקלאוד @sherel

תחפשו אותי באפל מיוזיק music.apple.com/lk/artist/she...

תחפשו אותי בבנדקאמפ sheersofer1.bandcamp.com/

תחפשו אותי באמזון מיוזיק music.amazon.com/artists/B001...

תחפשו אותי בדיזר www.deezer.com/us/artist/5226255

Secret Lights

Recorded @ Sofar Sounds Sydney on 31/03/2016
https://www.sofarsounds.com/sydney

Recording Team: Jye Hannan, Steph Louise and Joe Sharratt
Mixing Engineer: Bryce Taylor


Flowers

Marc Romboy's Systematic Recordings look to inspire once again with the release of an exclusive 'Mini-Album" from the Swiss producer, Ripperton. 

Following the huge success of "Niwa", his album for Joris Voorn's Green imprint and riding the constant wave of support for his productions on Music Man, Freerange, CLR, Versatile and of course his very own Perspectiv imprint, Ripperton looks to continue and further his reign as one of the most respected producers in the business with the release of "Lost In Colours." 

The Mini-Album opens with four new original Ripperton productions. "Lost In Colors (Tobias Welcome Song)" with its tear-like droplets and orchestral melody is the perfect opening act. The smooth vocal and warm acid line of "I Haven't Seen Much" follows, backed by the epic techno outing that is "Farraway." The originals are rounded off with the dramatic percussive cut, "Flume."

Feedbacks:


Luke Solomon - "LOVING I Haven't Seen Much. Will play for sure!"

Nick Warren - "Always a huge fan of his wor

Ripperton feat. Hemlock Smith - I haven't seen much

Ripperton - Farraway (Petar Dundov Remix)

Ripperton - Lost in colors (Robert Babicz Remix)

Ripperton - Flume

Ripperton - A Skilift Upstairs The Sleeping City - Max Cooper Remix

Lyrics & music by Peia. Featuring Cye Wood Viola/Cello
Thunder swept the mountain side, the day you left the village my love. 
T’was a full moon May night.
And I remembered the time by the great riverside, when you taught me to dance, to dance in the storm.
We had come from many a land, a great distance.
 All in search of the spirit, laid with longing far too long. 
Up the mountain we climbed, though the wind’s song was wild, to where the sacred wheel was laid and the fire burned on. 
❧
As we called them one by one, North, South, East and West. 
Oh this stirring in my breast! Is it you blue hummingbird?
You were my blue hummingbird. Called by the nectar of my flowering heart.
Oh you could not linger long. 
But I remember the time by the great riverside when you taught me to dance, to dance in the storm. 
Water came down from the heavens above. She stung and bit our tender skin. 
Some ran for shelter, but we held the circle strong. 
 Though the storm raged on, and the night grew so long... 
Soon came a clearing in the sky, pierced by the full moonlight. 

‘Machi, Machi Machi Ma
Machi cura, Machi sana
Machi canta me una nana’

 You were my blue humming bird. 
Called by the nectar of my flowering heart, 
oh you could not linger long. 
And I remember the time by the great riverside, 
when you taught me to dance, to dance in the storm.

Dance In The Storm - Beauty Thunders - Featuring Cye Wood

This is Sudan Archives, a 23 year-old violinist/vocalist who writes, plays, and produces her own music. She is self-taught on the violin, inspired by Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music. Expect a collection of a few songs, coming this summer.  http://stonesthrow.com/sudanarchives

Sudan Archives - Come Meh Way

High Highs - Glamorous Party (Cameo Culture Remix)

Nicole (feat. Ben Bridwell)

Mendocino (feat. Luke Steele)

Kaleidoscope (feat. Sabina Sciubba and Brad Mehldau)

"Big Sky" (Release date: December 3, 2018)

Spotify: https://u.subpop.com/BigSky_spotify 
Apple: https://u.subpop.com/BigSky_applemusic
Order Now - Sub Pop Mega Mart https://megamart.subpop.com/releases/orville_peck/big_sky

Orville Peck
Facebook https://www.facebook.com/orvillepeck/
Twitter https://twitter.com/_orvillepeck
Instagram https://www.instagram.com/orvillepeck/?hl=en
SoundCloud https://soundcloud.com/orvillepeck
BandCamp https://orvillepeck.bandcamp.com/

Sub Pop Records: www.subpop.com
Twitter: twitter.com/subpop
Facebook: www.facebook.com/subpoprecords
SoundCloud: @subpop
MegaMart: megamart.subpop.com/
Podcast: subpop.fm/

Orville Peck - Big Sky

'Pony' (Release date: March 22, 2019)

Spotify: https://u.subpop.com/2LxyV4M
Apple: https://u.subpop.com/2GvHxd2
Order Now - Sub Pop Mega Mart https://megamart.subpop.com/releases/orville_peck/big_sky

Orville Peck
Facebook https://www.facebook.com/orvillepeck/
Twitter https://twitter.com/_orvillepeck
Instagram https://www.instagram.com/orvillepeck/?hl=en
SoundCloud https://soundcloud.com/orvillepeck
BandCamp https://orvillepeck.bandcamp.com/

Sub Pop Records: www.subpop.com
Twitter: twitter.com/subpop
Facebook: www.facebook.com/subpoprecords
SoundCloud: @subpop
MegaMart: megamart.subpop.com/
Podcast: subpop.fm/

Orville Peck - Dead of Night


Ripperton's 'Niwa' album has without doubt been one of the highlight releases of 2010, and continues to impress and surprise with each and every remix EP. Having already been treated to the wonderful revisions of 'Random Violence' (Joris Voorn) and 'Leonor's Lanugo' (Radio Slave), the Swiss 
producer continues to enthrall with his latest remix invitations... 

Being presented with the tools to create, does indeed give you a head start. However it is the vision, and skill to be able to realize it, that sets great producers apart. To say we have been presented with two outstanding revisions falls short of doing them justice, for French House legend I:Cube ('At Peace') and Berlin based producer Mark August ('The Sandbox'), have created two, quite outrageously brilliant masterpieces. 

DJ FEEDBACK…. 

DJ Yellow - "What a remixes pack!!!! I:Cube does it for me as always... deep and cubism ...!!! Unique."
 
Charles Webster - "I:Cube mix is epic august mix is cool also..!"
 
Craig - (Silicone Soul) - "SUPERB!"
 
Greg - (Catz n Dogz) - "AMAZING!!! Full support charted and in my mixes."
 
Dosem - "Fantastic vibe in both mixes."
 
Michael Mayer - "Sheer beauty from I:Cube &amp; Mark August... count me in!"
 
Karotte - "I:Cube rmx is great. Love it. The remix from Mark is nice for the late morning hours ☺"
 
DJ Remy - "Super stuff, At Peace is my fav."
 
Dixon - "I:Cube Tape Mix for me!!"
 
Nuno dos Santos - "Wow!! Finally a promo in between all rubish thats actually really beautiful! Love both remixes in their own way! Go Green!"
 
Brent Roozendaal - "Killer release! Both tracks are briljant. I Cube mix is my fave.. Realy dope stuff!"
 
John Digweed - "I:Cube Tape Mix is great."
 
Deetron - "What a release! Love both remixes a lot but I:Cube is killing it with this remix, great!"
 
Terry Francis - (Fabric London) - "Mark August Mix is very nice."
 
Ellen Allien - "I:Cube Tape Mix is very nice."
 
Guy J - "I:Cube remix is just beautiful."
  
John Selway - "Always a big fan of I:Cube, no exception here."
 
Ame – (Frank) - "LOVE the I-Cube mix (and playing it already)! Mark’s remix seams to be good as well ... will check it."
 
Nick Warren - "Bloody amazing mixes, this is what it should be like!!!"
 
Franck Roger - "I:Cube always on top.. good good for me!"
 
Eva Maria - "It's always difficult to remix something already so beautifull without embarrassing it, but I:Cube &amp; Augut showed their respect to these Niwa-tracks and I like it, my respect boys!"
 
Anton Pieete - "Wow!!"

Ame – (Kristian) - "Great release."
 
Gorge - "I'll go for Mark August on this release."
 
Heidi - "Lushness!!"
 
Joe - (Hot Chip) - "Mark August mix sounds nice."
 
Hernan Cattaneo - "Excellent release!!!"
 
Steve Bug - "The I:Cube mix is da absolut bomb!!! Mark August mix is also really nice!" 

Club Madnezz Holland - "Nice progressive."

Philip Sherburne – (Beatportal / RA) - "Love that I:Cube remix! The Mark August is also pretty awesome, lovely sounds..."
 
Steve Parry - (Juice FM) - "I:Cube mix is really cool."
 
Scan Mode - (ClubbingSpain/DJMag Spain) - "I:Cube mix for me! Absolutely nice!"
 
Sven - (De:Bug Magazine Germany) - "Sweet. Both mixes in their own way."
 
Tsugi Magazine France - "Cube's mix is just huge."



Ripperton - The sandbox (Mark August Remix) Green 009.2 - Promocut

Le Dust Sucker - Everybody Used To (Rebolledo Mix)

Audiences will impose meaning as they see fit, relative to their own contexts, and the convergence of our emotional literacy can draw us to one another. In 2018, Ripperton gifted the ESP Institute with 'Sight Seeing,' and we quickly became tourists joining the artist's departure from the comforts of his known creative narratives, however, with his tender monument of devotion, 'Contrails,' we now find ourselves blissfully lost in his code. These expansive 73 minutes are punctuated midway by a poignant solitary confession — “I’m afraid of what I might find, but I’m even more afraid of not facing this fear. I love you. I love you more than my life.” — in accordance with the fundamentals of Minimalism, the vast negative space bookending these words undoubtedly amplifies their significance.

“I’m afraid of what I might find…” Communication comes easy for some artists; the tools are obvious, logical and tangible, the dialogue is palatable and their art is often inoffensive. For others, there may be conflict, trauma or fear that result in pragmatic challenges — the tools feel foreign, deep complexities give way to creative paralysis, and communication struggles to find its form and emerge — the art becomes as much a therapeutic confessional as is a formal exercise.

“…But I’m even more afraid of not facing this fear…” Within the residue of the artist’s emotional labor, full of nuance, reservation and vulnerability, is potent code that can neither be taught nor learned, an elusive unknown whose shadows some spend a lifetime chasing, trying in vain to articulate or translate, often at their own peril.

“…I love you. I love you more than my life.” It’s this code that inexplicably tethers the soul to art — music being perhaps the most magnetic attractor of all — capable of true love upon first encounter. The blood flows like rapids, the hairs on the back of the neck stand erect, the heart surrenders absolutely to a romantic chemistry and a mutual bond is forged, a love to defend with vigor. We own the music and the music owns us. We are enamored, without words, simply head-over-heels. 
crédits
paraît le 7 juin 2019

* MIXTAPE VERSION INCLUDED AS ALBUM-ONLY BONUS.

[ESP084] Contrails

A1 - First Snow - SNIPPET

A2 - Pendant Qu'ils Dorment - SNIPPET

A3 - Ghetto Berlino - SNIPPET

B1 - Lonely Walk - SNIPPET

B2 - Vespa - SNIPPET

C1 - Love Is Not Enough - SNIPPET

Extrawelt - Phoebe (Clastic Version)

Tamed Musiq // ESP Institute
bookings@ripperton.com
http://linktr.ee/ripperton