DJ B Bomb B  
Since 1995, DJ B Bomb B has been on a relentless sonic quest, carving a path through the evolution of electronic music. What began with the hypnotic pulses of progressive trance soon erupted into a fusion of electro house, mash-ups, and dubstep—each genre refining his craft, each new sound pushing him further. But it was electro and electro breaks that finally ignited his soul, locking him into a rhythm that pulses with raw energy and futuristic intensity.  

Surrounded by friends deeply embedded in the music scene, DJ B Bomb B has absorbed and elevated the underground sound, driven to bigger and bolder heights. His sets are not just music—they are kinetic experiences, where shattered synths collide with thunderous breakbeats and basslines that ripple through the crowd like an unstoppable current. Each transition, each drop, is a calculated surge, designed to pull dancers into the electricity of the moment.  

Now, after decades of exploration, DJ B Bomb B stands as an architect of movement, an unrelenting force pushing electro breaks forward while keeping its underground roots alive. He doesn’t just play music—he creates sonic moments that resonate long after the night fades. Representing TLA with pride, alongside DJ Natural Nate, Axel V, Andre Electro, Chris Peacock, Jigga Bot, and Angel Pitch—true forces in the scene, fueling the journey every step of the way. The story isn’t over—it’s only getting louder.  


Philadelphia based underground hard electronic music collective.
Founded March 2023

Cultivating the electronic counter-culture music scene and giving it a platform that allows it to be just as viable, if not more so, than the conventional. The underground electronic music scene does not exist with out the equal and active involvement of both cultivators of the scene as well as the community. Organized Damage will work nonstop to ensure that this is done consistently in order to instill a firm sense of community in an otherwise disconnected scene. We also welcome tastefully crafted conventional music as well as all facets of the counter-culture electronic music underground. We aspire to live harmoniously along side the mainstream and strive to be seen as an equal, alternative platform.

By operating on these principles, the community that we consider our musical home will see success and be given increasing opportunities to thrive and grow into something more.

We want our sounds to provide the unheard individuals in the background and sidelines with an amplified voice. We believe that music and art are meant to be used as agents to create beneficial community interconnectedness and facilitate active involvement.

Breakcore - Hardcore - Jungle - Drum and Bass - Gabber - Crossbreed - Noise, and all other underground and experimental music along this vein will be given the opportunity to heard just like other music styles. We aim to be the pioneers of a movement that will slowly explode into something much bigger than ourselves, much bigger than the city we call home. Trust us, Philadelphia is just the beginning!

“We’ve been in Philly for years, you better recognize! - We may be damaged, but at least we’re organized!”

Joe fell in love with House music at the age of fifteen when he accidently stumbled across Girls FM while tuning the radio. Within a few months of hearing what he now knows to have been the classic track 'Deep Inside' by Hard Drive, he began buying as much vinyl as he could afford at the time to play on his parents old fashioned record player. It wasn't until his sixteenth birthday, when his dad got him a second-hand pair of turntables and a mixer, that Joe started to learn the art of Djing albeit in his bedroom!
After years of recording many mix tapes at home and playing at friends house parties, he was finally talked into taking his DJing further by a good friend in 2005 and took his first booking ever from another friend who was putting on a party at the plush Po Na Na club on Chelsea's Kings Road (London). He played between Midnight and 1am while MC DT hosted the set. After that, there was no looking back for Joe. He wanted to be a DJ and nothing else! 
Since that eventful night back in 2005, Joe has played at all the big UK Garage events under the 'Joe Oldskool' name, including: *underground, The Spreadlove Project, Sundaze and Roast to name a few. Under his alias 'Just Joe' he has played at numerous House events and graced the decks at The White House, Club Aquarium, The Clapham Grand and Club Colosseum among others. Joe annually plays at festivals in The Netherlands and has also played at Ibiza's exclusive Es Vive hotel. Appearing alongside the biggest names on both scenes, including Martin Ikin (Soul Purpose), Matt 'Jam' Lamont, Spoony, Victor Simonelli, MJ Cole, Booker T, Dominic 'Spreadlove' and Pied Piper, Joe can more than hold his own with the big name DJ's!
You can check out some of Joe's mixes on his SoundCloud page - http://soundcloud.com/joe-oldskool and catch him live every Sunday between 6pm - 8pm (GMT) on the *underground Sessions - http://www.ustream.tv/channel/the-underground-sessions1
For booking enquiries please email  djjoeoldskool@btinternet.com

Passionardor (pronounced Pacha-Narder) is the production name for UK dance music songwriter/ producer Mark Moore. The name came from his passion for electronics & ardor harks back to the past for the soulful side of dance music & live instrumentation - often fusing both.  Over the last 16 years,he has been an accomplished freelance feature writer, acclaimed record reviewer & photographer for all the major dance publications, lifestyle magazines, newspapers & websites in the UK & overseas, the linchpin for Danny Rampling’s website & promoted one-off parties & charity events. His extensive contacts within the dance music field has seen Mark travel throughout the world on tour with DJs/ producers or covering new territories’ dance scenes & was the only European journalist/ photographer to be invited to stay with Frankie Knuckles in Chicago for Frankie Knuckles Day. He collaborated with Jocelyn Brown, Joey Negro & Danny Rampling on Il Padrinos “How Good the Love Is” on Defected Records. Since 2004, the dance floors have had the chance to meet the by-gone songwriter Mark Moore who has a unique h&s-on approach to the soulful house genre/ disco house/ funk/ jazz/  chillout & pop plus more electronic/ electro house with live instrumentation & polished electronic production. Mark Moore typically writes the lyrical content & melodic layers of organic & electronic instrumentation (often combining the two for a unique sound), arranges & produces the beats of his songs, sources musicians & singers plus plays keys. Though his many years working as a journalist & reviewer, Mark Moore has built up a close network of industry ears who road test his creations, depending on the genre inc Danny Rampling, Frankie Knuckles, Tedd Patterson, DJ Diesler, Dr Bob Jones, S&y Rivera, Matthias Heilbronn, DJ Yass & Snowboy. He has had record releases & remixes on Soulfuric, Influential House Recordings, Kinky Malinki, Del Records, Mixture Stereo, Miss Moneypennys Records, Avioground, MAP Dance, 953 Recordings, Gotta Keep Faith Records, Sobra Recordings, DVision, 99 Waves, Soulful Vibes Records, Distar Records, Ministry of Sound Australia & Power of Love Productions. His tracks have appeared on compilations by Mn2S, Loveslap, Sobra Recordings, Power of Love, Del Records, & Ministry of Sound, UK & Australia.  He won a nationwide remix competition on Influential House Records in 2008 & licensed 22 releases in 2009! His remixes include Martin Solveig’s “One.2.3.Four”, Martini Brothers “Dum,” Pacific 202’s “Project 808,”which was licensed to Ministry of Sound Australia. 2010 saw 12 records licensed including the Never Lose Faith EP, the Floor Fodder EP & the Served Chilled EP on Power of Love & Insomniac’s Fantasy on Avioground which got licensed to the Human Miracleofcom compilation. 2012 saw the Summer Dub EP released. He also programmed fourteen hours of music for the National Football Museum which launched on 6th July 2012 in Manchester. At the end of October 2012, the Summer Dub EP was two weeks at number 1 in the house charts in Finl& (meteli.net part of Basepoint Media) in the top 10 for eight weeks, number 8 in the top 100 Urban Chart & number 3 in the electronic charts. The follow up Transfiguration  EP on Power of Love was number 6 in the house charts (7/5/13), & number 9 in the electronic charts. 
Summer 2013 saw the DJ promo for the 62 minute 11 track Never Knowingly Undersouled EP on Gotta Keep Faith's sister label Sobra Recordings, a fusion of disco, live & deep house vocals & dubs & released on compilation Tropicalismo in July 2015.  August 2013 saw the Jubilation EP (Power of Love Productions, USA) of three tracks. 2015 saw remixes released of Rise & E-Motion plus two EPs - the Funky Floor EP & Never Ab&on Hope EP.  2016 saw the release of hip-hop track "What Are You Fighting For" on Soulful Vibes, "You Only Mean The Moon" on 99 Waves & "Ask Me Why" on Distar Records, “It’s You I Live For (Can You Feel It)” on Discoballs...


Madalba was born in July 1985 in Bari, south of Italy. From a very young age, her musical interests moved across a broad spectrum, going from house and dance music to rock and punk leading her lastly to techno and club-culture. 

At age 22 she approached the local scene as Djane with numerous performances in the club circuit of Bari. Through the years she has developed a continued and careful respect of the musical experience. She moved to Berlin in 2011 and started DJing with only vinyl records. This helped her to build a strong reputation as an underground techno DJ, providing opportunity for her to play in clubs such as Tresor, About Blank, SchwuZ, SO36 and Mikz in Berlin where she lives today. 

In September 2011, she moved to Detroit where she started the collaboration with DJ Seoul, Tom and Angie Linder of Detroit Techno Militia. This travel has definitely and radically changed her approach to the techno concept, which she considers more a political and social phenomenon and a lifestyle than just a musical genre.

From 2012 till 2016 she joined the party Homopatik as resident dj.

Her first releases on vinyl came out in 2014 on DTM-Label (Detroit) and Arkita Records (Berlin), the label that she spawned together with Synkopheit till 2016. 

In 2017 she launched her own record label Future Déjà Vu releasing 4 EP respectively by Transient X4, Ken Karter, Mannella a.k.a. DHARAXT, Phontonz & Shcuro.

In September 2017 she played her first house set for the summer closing of the Berlin based party Buttons. 

In Summer 2018 Madalba became resident dj at the historical club Tresor in Berlin. The same year she started a new collaboration with the London based crew Aria with a party series in the UK capital. 

Currently, she is techno resident dj and co-organizer of the party Buttons in About Blank teaming with Danilo Rosato, Anna Bolena, Jabob Meehan, Shingo Suwa, Akirahawks, Paolo Di Nola and Stanley Schmidt.

Uncle Dugs the award winning best Jungle DJ of 2013 who also presents the only legal daytime Oldskool / Jungle radio show in the whole world known as #RCFF (Run Come Follow Friday) every single Friday 11:00-14:00 GMT on London's Rinse 106.8 FM / www.rinse.fm

This is the place where you will find all Uncle Dugs related audio from radio / raves and studio..

Please share these sounds with the world and comment on everything you listen to..

Enjoy the vibes >>>

Peace..

Impact Recordings was originally launched in 2002 by the very successful musicians, Phil Reynolds and Steve Blake. With the ever increasing digital presence in the music scene, Ben Bennett later joined the team to continued pushing the great music that Impact had become well renowned for across the digital landscape. 

After a two year hiatus, the team are bringing Impact Recordings back with one simple aim; to release the very best in electronic music with a 4:4 beat. The label will not be limited to pushing the big names, but encourage those looking to make their music accessible to the wider dance community.

With strong brand legacy and regular support from DJMag, iDJ Magazine and Mixmag along with BBC Radio1 and Kiss FM; Impact Recordings is where electronic music thrives.

If you think you have what it takes to produce our next digital masterpiece, please send your tracks to: demo@synedrionmusicgroup.com

For all licencing, remixing and general inquiries please contact: info@synedrionmusicgroup.com

Demos: Please send us secret tracks via email info@ramrecords.com. Send what you believe to be your latest, best work to date. Select 1-2 tracks, we get sent a lot of music, so please don't send us everything you've ever made. Finally, do some research into the content and music we have released, lets not waste your time or ours :) We aim to check tunes every couple of weeks.

Ram is a genre leading dance music record label primarily releasing Drum & Bass music.

Established in 1992 by Andy C with the help of close friend Ant Miles, the label and business today is run Andy C and business partner Scott Bourne (Red One). 

Artists who have released on Ram...

Andy C / Ant Miles / Audio / Basher / Bensley / BCUK / Brookes Brothers / Callide / Calyx & TeeBee / Chase & Status / Chords / Coco / Concept 2 / Concord Dawn / Culture Shock / DC Breaks / Delta Heavy / Desired State / Dynamite MC / Fierce / Frankee / Flatliner / DJ Fresh / Gridlok / Hamilton /  Hour Enemy / Icicle & Nymfo / June Miller / Kano / Killbox / Legion & Logam / Loadstar / Lomax / Magnetude / Mind Vortex / Mayhem / Moving Fusion / Nightbreed / Noisia / Origin Unknown / Plan B / Ram Trilogy / Randall / Red One / Rene LaVice / Skantia / Shimon / Sound In Noise / Sparfunk / Stakka & K. Tee / Stealth / Sub Focus / Teddy Killerz / Unknown Error / Wilkinson / Xample / Xtrah

Composing 50 years.  You will find every genre here.

A note about AI assist:

Regarding all my instrumentals, I composed the original works and possess the original manuscripts.  

My compositions are the source material, and for AI assist where used, I create the prompts and style instructions (which is time consuming and require hours of trial and error) at suno.com to produce the final version of the works which I feel are best. What you hear finally is at times the best of perhaps dozens of variations after much work is put in to produce the final outcome.  I try to find the right balance between what I composed originally, and what I envision is perhaps a better result with the assistance of AI.  I also aim for a realistic reproduction should live performance ever be a consideration.

For songs with Lyrics, I am the lyricist in every case, and the music is built from AI where I provide specific instructions as to style, genre, tone, key, and so forth. 

Some tracks are exceptions to the above descriptive process, and when this occurs that track itself will include how the track was developed in its description.

#116

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#161

rizumu is following