Poetry publisher

Longbarrow Press records poets in performance and on location. One of the aims of the recording programme is to capture a sense of the environment in which the poet is reading. The recordings so far have been made in kitchens, back gardens and cellars; on common land, waste ground and moorland; and near roads, rivers and railways. See also http://soundcloud.com/the-footing, http://soundcloud.com/west-north-east, http://soundcloud.com/7-wonders, http://soundcloud.com/moving-with-thought, http://soundcloud.com/callandresponsehaiku, http://soundcloud.com/longbarrowpodcasts, http://soundcloud.com/longbarrow-press-scale, http://soundcloud.com/closertogroundtohear and http://soundcloud.com/the_halt

Longbarrow Press records poets in performance and on location. This page will focus on extended sequences, often compiled from recordings made in more than one location and featuring two or more poets, which have developed as part of Longbarrow's programme of poetry walks. See also http://soundcloud.com/longbarrow-press, http://soundcloud.com/west-north-east and http://soundcloud.com/the-footing for recordings of poems by Angelina Ayers, James Caruth, Matthew Clegg, Kelvin Corcoran, Mark Goodwin, Lee Harwood, Rob Hindle, Andrew Hirst, Chris Jones, Fay Musselwhite, Alistair Noon and Peter Riley.  

Rob Hindle is following