Hands

Lyrics by Tony Harris that inspired Glen are listed below.
Vocals, Music, Mix and Video by Glen Granthem.

Video link:
https://gate.sc/?url=https%3A%2F%2Fyoutu.be%2FQhja6_eUkoo&token=83c49-1-1666741105367

TWO SELF-TAUGHT MUSICIANS
THAT LOVED AMERICAN ROCK AND ROLL
NAMED JOHN AND PAUL PERFORMED FIRST
OR THAT'S WHAT I'VE BEEN TOLD

THE ADDITION OF GEORGE AND RINGO 
MADE THE FAB FOUR BAND COMPLETE
THE BOYS WERE NOW READY TO GO
PERFORMIN' IN LIVERPOOL AND BEYOND

ATER RECORDING SOME ORIGINAL SONGS
AND PLAYIN' CLASSIC ROCK AND ROLL
ON MANY BBC RADIO PROGRAMS
THEY ROSE TO FAME IN ENGLAND 

AFTER APPEARING IN THE MOVIE
HARD DAYS NIGHT IN SIXTY FOUR
BEATLEMANIA SPREAD AROUND THE WORLD
AND PEOPLE WERE ASKIN' FOR MORE

WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA

(GUITAR SOLO)

YEA, WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA


2022 © Lyrics by Tony Harris

Beatlemania - Lyrics by Tony - Featuring Glenny G's "One Man Band" - with Video LInk -Original

www.CreativeSpiritOnline.com: "Like all of Brooks’s works, 'Airs & Recitations' is a virtuosic construction of densely complex rhythms and rigorous, dissonant pitch combinations. The marvel of it is: there’s tenderness and expressive lyricism packed into his highly organized musical language."

“Airs and Recitations” was completed in December, 2022 in Fairview, TX. The work is in three movements: Andante con moto, Largo espressivo, and Andante con brio.  Performance time is about 18 minutes. Printed and electronic copies of the score and instrumental parts are available for purchase from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.3 and the Garritan
n Personal Orchestra 5 virtual instrument library. For the best listening experience, high quality headphones are recommended. This recording was mastered by EMastered. EMastered.com/profile/robtjbrooks

"Airs and Recitations" is an approximate transcription of the composer's seventh piano sonata, also posted here on SoundCloud.

Instrumentation:
    Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Bass Trombone, and Strings

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Robert John Brooks,  Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2022

View/Buy Score

Airs and Recitations - Fantasy for 9 Soloists and Strings (Now published at Creative Spirit Online)

DAW Cubase
HALion Sonic SE Library
Retrologue
Padshop 
Grove Agent SE
Colors Lofi Tapes
Poly CRE8
Wave CRE8
Dark Mass
Xphonika
Flux
Olympus Choir
120 bpm

Picture by Kanha Tor on Pixabay

free thoughts

As each November approaches I try to make my own little Remembrance-time tribute.  Seems more relevant as each year passes...

Following the huffing and puffing empire lunacy in the summer of 1914, the next four years would see 40 million casualties, half of them deaths and of those, half were civilian.  

40 million.

40 million tales of poignancy, pain, grief and human tragedy, through times that can often seem littered with coincidence, symmetries …. bookends and mirrors.

In the Military Cemetery of St Symphorien near Mons rests John Parr.  At only five foot three inches and several years under age he (amazingly) managed to enlist in 1912 - hoping to see the world, and get the advertised “two square meals” a day.  He was the first British Army casualty, killed in the battle of Mons aged just 17, his body left behind, fate unknown until much later in the conflict;  the army unable to answer his mother’s letters of enquiry about her “silent” son.

By pure coincidence, John lies just a few yards from the last British soldier to die in the great war.  George Ellison served for four long years including at the same first battle of Mons as John, and most of the famously grinding, attritional infantry battles of the conflict.  His working life bookended by military service, George had first enlisted in 1902, leaving the army in 1912, just as John joined, he became a coal miner, re-enlisting at the outbreak of war to dig mud not coal and fight from trenches he helped excavate.  George was killed just 90 minutes before the armistice took effect at 11:00 on the 11th day of the 11th month.  The futility of the conflict was cruelly illustrated by the fact that George’s war had started and ended at exactly the same place, Mons in Belgium.  They had literally gone nowhere.

As a postscript to progress since "the war to end all wars" the human race is currently reckoned to be engaged in 7 major wars, 15 significant ongoing conflicts and 21 “minor” conflicts (the latter defined as up to "only” 1000 deaths per year).  By way of another macabre bookend, the longest of these has been going on, unbelievably, since the year .... 1918.

As always, this simple ballad is offered as a live one mic one take effort - please excuse the fluffs and gaffes.
_______________________

Bookends and Mirrors

Sun turned cold ‘cross every sky in the summer of ‘14
The Good Lord shook his head, and he placed it in his hands
Braided declarations flying, whose like was never seen
Lunatics in feathers stockpiled lead, bagged their sand.
Slapstick Mephistopheles, unleashing of his flame
Spiral minds lobotomised in the waltz of the insane
Simple lives unknowing of the mud that would become
A mirror in the resting place of two Holy Mother’s sons.

Signed the line, five years young, fingers crossed behind his back
Chance to see the world, grab a future, two square meals.
At 17, John’s angels sung, first to fall in dawn’s attack
Abandoned and forgotten, deaf to all his ma’s appeals.
Never knew the miner, his bookend pal to be
Fighting down the line, many battles that he’d see
Full four years in trenches, George’s hell lived through them all
Cruelty was smiling wide at England’s last to fall.

In service time they travelled nowhere, nothing to achieve
Embracing 40 million weeping mothers left to grieve
The crime of puffing chest bravado beggared to believe
Hall of mirrors seeping others’ blood of the innocent naive.

Now John and George lie facing each to seek their mirrored peace
Raise my eyes and brim a tear for the lessons never learned
Pray God, don’t ever let them know man’s insanity but increased
The war to end all wars a mere sequel oft’ returned 
By comedies of leathered fools stuck on infinite repeat
Bemedalled and bejewelled, they prosecute their moral defeat
But here, on sallow turf twixt heroes, broken mirror in my broken hand
Met by my own broken eyes, I still fail to understand.
_________
Photo by Michael Yuan on Unsplash

Bookends and Mirrors

Part 4 of my "All Hope Is Lost" mini track series.
The world is broken and all hope is lost but still the nomad wanders, into territories unknown he escaped but not without sin, now longing and searching for salvation...

Salvation

"Les Barricades Mystérieuses" from François Couperin"s "Second Livre de Pièces de Clavecin", in an electro-pop remix, with a smooth gentle beat.

Les Barricades Mystérieuses

thank god and D.J. Trump

Thank God And D.J.Trump # 1 (1), Gene Jumper,( Original ) Music By: Norm Evans

20 - 5-2024

Jericho

From memory, from retreat, hope begins to stir. 
Gently, it awakens— a fragile flame in the quiet.
The motif of fate, destined to return again and again in the subsequent sections, is heard here : timid, tentative, solitary, spoken softly by solo piano. Around it, the orchestra lingers in the shadows, barely present, swaying with distant indifference— as if holding its breath.
This passage folds into a tangled duet—violin and piano caught in a fragile slow dance. A metaphor for the inner discord wrought by human solitude: each instrument circling the other, never quite touching, their melodies twisting like vines seeking light. Yet in the hush of final moments, they find each other at last— a tentative chord, shared, echoing the stillness from which they came. 
This section concludes the 2nd movement of the Symphony ("Memory of Retreat", Suite No. 8 - No.17).
The subsequent tracks will deal with the Beauty of Life, with the "Spell of Nature".

Pandemic Suite – 17. Solitude

Thanks for visiting. 
What's new:  I have started work on a violin sonata. My new symphony, "Woodland Symphony for Chamber Orchestra," is posted and waiting for you.  rjb

Scores and parts for many of my works are available from my publisher Creative Spirit Music Publications. Go to  https://www.creativespiritonline.com and select "Robert John Brooks." There, you can also follow the score while listening to a recording.

My music is fully notated and is intended for live performance by live musicians.

After completing my doctorate in composition in 1979 from UNT, I took 30 years off from composing to join the computer software revolution as a software engineer.  In 2010 I began composing again and have not stopped. So, I find myself beginning (restarting?) a composition career rather late in life...but that's OK.  Most of the works posted here were written since 2010. 

Thanks for visiting.

Airs and Recitations - Fantasy for 9 Soloists and Strings (Now published at Creative Spirit Online)

Robert John Brooks, Composer