Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - III. Even The Dyspeptic Music Eat

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Dizzy O’Brian’s Dizzy Rock blends emotional storytelling, cinematic soundscapes, and experimental edge. Each track explores the line between reality and imagination, inviting you to step into a sonic world like no other.
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Creator.

Music creation. Hardware Synthesiser design. FPV drone pilot. 

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I make EDM when I don't have an active engineering contract. I did obtain full employment as an engineering tech so I do have less time to work. I do plan on making music again soon though.

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American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Artist and Composer working in TV music, looking to move into other areas - game soundtracks, Movie scoring.

Take some Dire Straits, Fleetwood Mac, and ACDC, then add a pinch of Zeppelin. What you get is a Stoners And Loners track!

I'm an independent solo artist and guitar hero on the rise from Baltimore, Maryland. Day or night you'll catch me in the home studio cooking up new songs and content.

Stream my latest track "Tasty Jam (with drums)" here on my page and comment what you think. I think you'll love it! Also follow me on IG to connect and keep up with me.

Covers, poetry and my own English and Dutch tracks. Thanks for the love!


Contact:
Bookings s.v.p. via https://deschrijverscentrale.nl/auteurs/12451
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The poet Hanz Mirck in an issue of Bookblad Magazine: ‘This poet knows how to capture your attention, on paper as well as on stage.’

The poet and author Rob Chrispijn: ‘Benne writes sentences that stick, clean, dark and intense. This way a poem lasts!’

The poet Philip Hoorne on the website Poetry rapport: ‘There’s a genius hiding in Benne van der Velde, those are the Good Tidings of today. Amen.’

Creative Resume Benne van der Velde:  
 
 	after dominating the Dutch slam poetry scene in the early and mid 2000s (with wins in 7 cities and a place in the Nationals of 2012) and performances at the Lowlands-, Uitmarkt- and Parade festivals a/o, Benne successfully made the transition from the stage to paper by getting his first publishing deal in 2005. Since then, 4 publishing houses (kleine Uil, Douane, Nadorst and Stanza) released volumes of his poetry. For a 5th (Passage) he co-edited  an anthology of satirical verses with fellow poets Daniel Dee and Alexis de Roode. 

As a member of the artist movement ‘Het Ongeboren Idee’ he helped to organize (and was part of/presented) cultural lo-fi festivals, exhibitions, making a movie, monthly poetry stages in his hometown of Vlaardingen, Rotterdam and Nijmegen + a talent show for bands. 

In 2002 and 2003 he studied ‘writing for performance’ at the vocational university of the Arts in the city of Utrecht (HKU) and as a result saw 3 of his theater plays being performed on stage. He also gave numerous poetry and rap workshops at schools and other institutions. There were a lot of collabs too, for example voice over work for a Rock Opera and the R.J.S.O (The Rotterdam Youth Symphony Orchestra). 

Benne has been an editor for several literary magazines (Krakatau, Renaissance and Op Ruwe Planken), at one time he and his wife owned a secondhand bookstore, he’s been the official poet laureate for his hometown of Vlaardingen and released his first and only Dutch rap-EP in 2011. In 2012 he rhymed his way into the finals of Art Rocks. An EP with songs in English followed in 2021. This year he translated and recorded 6 Dutch classics in English. Some of his short sci-fi and fantasy stories have recently found their way to medium related magazines and anthology’s. 

According to the poet himself rewriting his poetry, lyrics and prose in English somehow feels like the next logical step in his career, a way to open up to the world at large. Which is both exhilarating and terrifying. 

In everyday (some claim real) life he worked as an industrial tank cleaner, in pest control, on a garbage truck, at a chemical waste disposal facility, driving forklifts, on a Ferry and as a bartender. At the time of submitting this resume he works at a greenhouse for a living. He’s been off the herb since 2008, has a wife, a cat and a dog, mild anxiety issues and likes to read every sci-fi and fantasy classic he can find.

Rest in Peace Ozzy

2013- 
Not the best, but no AI can imitate this violence. Can you say the same about your tracks?
Dave does the singing/Lex does the playing

Microphone:Audio-Technica AT2020
Guitars:Dean ZX (Explorer)
Bass:Ibanez GSR200
Drums are samples recorded by @delaureat 

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(more on the way!)


Also, F.U.C.K. your A.I. Sabaton-like riffs and vocalists. Use the tool, don't let the tool use you!

Eating Variations - III. Even The Dyspeptic Music Eat

Robert Paterson Composer