Preview of 'Death' by a two man project called 'Deathcryptopia'
All Music written and performed by Air-Ik (guitars, bass, vocals)
Lyrics by Garrgoyle
Recorded/Mixed/Mastered by Glenn lee alan Davis (orchestral arrangement)
Drums programed by Arnaud Krakowa
Cover art by Tarih Abdlazz

Single Release May 14th on Spotify, iTunes, YouTube and other streaming music stores worldwide

Lyrics:

--Death---

Kneel before me and pray for my kindness
I’ll allow you to live another day
To suck your soul dry before me
Pain will become your best friend

You’ll beg for mercy, for which I have none
To hear your screams gives me such delight
You pray for death, I laugh at your weakness
I watch your body whiten with fright 

(Pre-Chorus)
No one shall achieve my level of animosity

(Chorus)
I listen For Your Final Breath
(Death is the only way out)                     
My demons see your body cease
(Frozen in a forever Hell)


(Interlude)
"I am the thing that bumps in the night. 
I am the thing that's made up of fright. 
I am the thing who fills you with dread. 
I am the thing that will make sure you're dead!”


Tear my mask off and see the truth
I can view the fear in your eyes
You can feel the virus infiltrate your body
And now you know your flesh is mine

Your continuance is coming to an end
There is no hope for you in sight
Your screams become my pleasure
As I lick my lips, I’m erect watching you die

(Pre-Chorus)
No one shall achieve my level of animosity

(Chorus)
I listen For Your Final Breath
(Death is the only way out)                     
My demons see your body cease
(Frozen in a forever Hell)

©2021 Robert Garr
'Death' song and 'Deathcryptopia' are ©2021

'Death' By Deathcryptopia

Laura took photos, expressing herself. She asked me, if I would record some music to it. This is the result. I kind of meditated on each photo and than improvised. I wanted her to add some words:

»Morir después de la despedida, caer en el abismo negro de un hasta núnca, y sentir que nuestra propia existencia se desvanece en vida. Un alto, un momento de quietud y volvemos a nacer, aquellas que amamos el calor de cada amanecer, no podemos abandonar las ganas de experimentar un nuevo día, renacemos de las cenizas y nos tranformamos en un nuevo ser con la fuerza de  nuestro espíritu, y la vida sigue con sus ritmos y colores.«

English:
»To die after saying goodbye, to fall into the black abyss of a never before, and to feel that our own existence vanishes in life.  A halt, a moment of stillness and we are born again, those of us who love the warmth of each sunrise, we cannot abandon the desire to experience a new day, we are reborn from the ashes and we transform ourselves into a new being with the strength of our spirit,  and life goes on with its rhythms and colors.«

Fotografía IV

☛ Stream This Track:
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Aurora

Your Echo Heard Mine

No Man's Land

Dark and spooky feelings is what you sometime experience, being a first timer in whatever is completely new

ARTIST: Sound of ATEM 
SINGLE TITLE: First Timer
RELEASE DATE: 04/06/2021
LABEL: Effortless
COVER ART: Jennifer Roe www.instagram.com/jkbroe/
COVER DESIGN: Sound of ATEM

ARTIST PLATFORMS: 
BANDCAMP: soundofatem.bandcamp.com/music
SPOTIFY: open.spotify.com/artist/2baqJ9S13iMgGt3qIVWZ9r
DEEZEER: https://www.deezer.com/it/artist/123904592
APPLE: music.apple.com/us/artist/sound-of-atem/1554242965
TIDAL: https://store.tidal.com/it/artist/23580975

EFFORTLESS ART: linktr.ee/effortless_art

First Timer

Buy on BC

Sound of ATEM - First Timer  [Effortless]

Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - I. Allegro vivace

Cold In The Sun

This upbeat, catchy song tells the story of the infamous 'money pit' of Oak Island, Nova Scotia.
Check out the video here: https://bit.ly/oakislandgold

OAK ISLAND GOLD
Copyright April 4, 2018

Chorus:
Come and listen to the story of the Money Pit
On Canada's Atlantic Coast
Has driven poor men to an early grave
Diggin' for buried gold
Diggin' for gold
Treasure and gold
Deep in Oak Island's Money Pit
Off Nova Scotia shores. (2X)

Verse 1:
They say three lads first found the pit
In 1795
Saw lights on old Oak Island
Such a strange and mysterious sight
The lads first found a clearing
Block and tackle on a tree
A 13 foot impression
Where they imagined treasure be
Did pirates land and hide their spoils
On Nova Scotia shores?
Captain Kidd was known to sail its seas
With pirate spoils galore. (Chorus)

Interlude: (Loops)
Dig, dig, dig, diggin' for gold
Dig, dig, dig, diggin' for gold. (2x)

Treasure and gold, treasure and gold
Gimme, gimme, gimme but you can't dig down.

Boobytrap ground, Boobytrap ground
Dig, dig, dig but you can't get down. (2X)

Money Pit, Money Pit
Ooh ooh ooh, Oh the Money Pit. (2X)

Verse 2:
Soon they started digging
With shovel and with pic
Through charcoal clay and putty
Deep in the muddy pit
Dug through coconut fiber
And oak to 90 feet
Hit a stone with curious markings
Water started seeping in
The booby trap they call it
Lined to a waterway
Five hundred feet to The Money Pit
Treasure seekers kept at bay.

Verse 3:
Attempts to dam the waterway
And drain the Money Pit
Failed 'cause the pit's designers
Long ago prepared for it
Who engineered this masterpiece
That puzzles us today?
Was it pirates or Knights Templar?
Will the pit give up it's tale?
Secrets like within the pit
Is it treasure, is it gold
Well the mystery keeps men digging
In Oak Island pit of old. (Chorus)
----------------------------------------------------------------------------

Oak Island Gold

Sombre [S4]

The race to the top of a mountain can often be a tiring endeavor. A mountain climber must use all his strength and endurance to reach the highest summits, it takes more than just courage to climb the highest mountains. When you add a race to climbing to the top of a mountain. It adds a sense of drama. You must do the same in your life. You must look to your dreams, as if it is a race. You must climb that snowy mountain. One step at a time to your dreams. If you do that, you will eventually reach the summit, you will have the tenacity to make it. If you treat your dreams, like a race. Don't you ever give up, and climb towards your highest summits, and peaks.



The Race to the Top

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Suite For String Orchestra - I. Allegro vivace

Robert Paterson Composer