Suite for String Orchestra
Duration: 15'
For More Information: https://robertpaterson.com/suite-for-string-orchestra
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?main_page=advanced_search_result&search_in_description=1&keyword=%22suite+for+string+orchestra%22

PROGRAM NOTE
Unlike some of my previous works, Suite for String Orchestra is not inspired by an over-arching programmatic theme. Although there are some technical and motivic relationships between some of the movements—particularly the first and fifth—the movements are generally unrelated and are meant to be noticeably distinct. It is in five short movements and is intentionally written in an “old-fashioned,” somewhat archaic style. I initially played around with the idea of titling this work Old-fashioned Suite or Old Time Suite, but there seems to be a sufficient sprinkling of “new fangled ideas” in this work to make these alternative titles seem inadequate.

The first movement, Allegro vivace, is written in a “mid-20th century American” style. My model for a few of the sections in this movement is the evocative, German phrase Sturm und Drang, which literally translated means “storm and stress.”

In the second movement, Trapped waltz, I imagine an ethereal, yet cognizant waltz floating above the stratosphere, looking for a place to rest, but hobbled and shackled by a pounding rock and roll drumset. I see this as a metaphor for the various dances throughout history that have come and gone but are continually vying for attention in contemporary culture. The movement fades out at the end, as if the waltz is eternally looking for a place to settle down. Admittedly, I was somewhat inspired by the collage works of Charles Ives.

The third movement, Nocturne, begins slowly and sadly, and I imagine the pulse in the beginning as similar to the gentle breathing of someone who is asleep. The middle of the movement is much more intense and violent, and the end is as soft and calm as the beginning. The first chair violin and the first chair violoncello have brief solos in this movement.

Although material from the middle of the fourth movement, Balinese scherzo, is derived from a Balinese scale, the beginning is somewhat chromatic and the ending is essentially based on the E-major scale. This movement is distinctive in that the orchestra is asked to play pizzicato almost the entire time.

The fifth movement, Finale: allegro moderato, is the movement that is most reminiscent of the first movement. The ending combines material from the beginning of both the first and fifth movements.

Suite For String Orchestra - I. Allegro vivace

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(Translation above)

Auteur-compositeur de chansons françaises qui n'attendent que de bons interprètes. 
Après des études au conservatoire et musicologie à la Sorbonne, j'ai enseigné l'éducation musicale à des élèves en école élémentaire de 1982 à 2021.

Dès 1989, alors que je découvrais la MAO, j'ai commencé à faire des centaines d'arrangements de chansons pour enfants ou adultes dans tous les styles pour les faire chanter. Cette solide expérience m'a amené dans un premier temps à composer des chansons pour mes élèves. Puis, je me suis lancé dans un répertoire pour adultes. 132 chansons à ce jour !

Mon répertoire va de la danse traditionnelle française (La bourrée du maumarié), à l’EDM (La tête dans les étoiles) en passant par la musique classique (Double concerto pour violon, violoncelle et orchestre à cordes) et la chanson française, le gros du panier, avec le plus souvent cette pointe d’humour qui fait tant défaut aujourd’hui dans beaucoup de chansons, (ce qui est étonnant quand on voit autant d’humoristes fleurir aux six points de l’Hexagone…)

Même si certains apprécient ma façon de chanter, mes chansons sont faites pour de vrais interprètes qui aiment monter sur scène.

Né en 1961 à Paris.
Membre SACEM

Author-composer and performer... by default of French songs. 
After studying at the Conservatoire and musicology at the Sorbonne, I taught music education to elementary school pupils from 1982 to 2021.

As early as 1989, when I was just discovering computer-assisted music, I started making hundreds of arrangements of songs for children and adults in all styles, to get them to sing along. This solid experience initially led me to compose songs for my students. Then I started working on a repertoire for adults. 132 songs to date!

My repertoire ranges from traditional French dance (La bourrée du maumarié), to EDM (La tête dans les étoiles), classical music (Double concerto for violin, cello and string orchestra) and French chanson, the mainstay of my repertoire, most often with that touch of humor so lacking in so many songs these days (which is astonishing when you see so many humorists flourishing at the six points of the Hexagon...).

Even if some people like the way I sing, my songs are made for real performers who like to get up on stage.

Born in 1961 in Paris.
SACEM member


The Lamest Rapper Alive🤘.


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 Gavidann, is a recording artist and music producer from Toronto, ON. Canada. He is the main producer and sound engineer for House 6 Music, he makes the beats and does all the composing and mixing of the tracks. In 2012, He purchased an old laptop from a friend and downloaded the DAW, FL Studios. He then proceeded to teach himself how to make beats, that was the same year he started writing music as a way to save his beats because at the time, GynxDon was the only one voicing over his beats. He never in any way had any dreams of becoming a rapper but he realized that even though he only started rapping to save his beats, he was very good at it and with the encouragement of his close friends, he continued to write and rap over his beats. His goal is to be a great musical producer like Mike Will and Mike Dean, metro boomin and many other amazing producers who are highly recognized in the music industry. After recording his first song produced by himself featuring GynxDon, Gavidann set out to become a producer, professional Hip Hop Artist and performer . Natural ability will only take a talented artist so far, but a strong will and determination has helped to push him forward and continues to drive his development and success. Check out some of his work below, stay blessed🙏🙏

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

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My name is Rich Davis, a musician and composer from Lincolnshire in England. I am primarily a pianist but also play electronic keyboards and enjoy singing. I have played the piano since the age of 12  when I first started having lessons.  Over the past few years I have been entertaining elderly residents in care homes, providing a mix of classical and easy listening piano with singalong and wartime songs. I have found this really rewarding as it makes such a difference to elderly people to have music in their lives especially those suffering with dementia. More recently I have been composing original piano solo compositions resulting in the completion of my first album called 'Piano Chillout'. I have really enjoyed making this album as all the pieces on it are inspired by personal experiences and life events. I would describe the album as easy listening and  hope it will provide relaxation and comfort to many. Since completing 'Piano Chillout' I have composed a number of new piano solo compositions all based on different themes. One of my most recent pieces 'Flowing Stream' was inspired by the beauty of water running down a mountain side. Prior to that 'Northern Lights' was inspired by the beautiful Aurora Borealis which is totally unique and something I wanted to put into music. The compositions 'Thankyou' and 'Now I Understand' are both piano and vocal tracks with lyrics that are very close to my heart. I hope you enjoy my music.

Where there is music, there is life.  There is no other way!

I hope I inspire atleast one of you niggas

Suite For String Orchestra - I. Allegro vivace

Robert Paterson Composer