Actually went to watch a video of this piece on YouTube, it added a lot of context with the visuals.

I'm really enjoying these glimpses into your opera. I shall have to sit down and listen to it all in sequence one of these days.

So beautiful composition and great performance. Very pleasant track accompanying my morning coffee.

I think this piece accentuates the difference between opera and musical.  You manage to emphasize the vocal parts with minimal accompaniment.  Opera....it's all about the singers.

Beautiful piece and as usual a gorgeous voice. Great stuff, Robert!!

An Il trittico for the Tinder generation, THREE WAY is a new opera on the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (The Scarlet Ibis). In three playful one-acts, average heroes explore the worlds of android lovers, BDSM and multiple partners in their searches for the emotional connections that are ever-elusive in today s romantic world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

Three Way: Arias

Asciugati Quella Lacrima Che Accenna A Scendere Dal Tuo Viso

Mientras Duermes

INTERSTELLAR ( Main Theme) | Hans Zimmer

Sorrow's Wisper

visuals on youtube: https://youtu.be/qje4hi516Kg

no more lies, no more pain
no more longing in my brain
no more reasons, no more fears
no more sorrows, no more tears

nomoretears

kaufen

Cinematic music inspired by Thomas Newman's work

Journey to the West

Written: 2022-23
Duration: 9'
for piano trio (violin, cello, and piano)
Commissioned by Neave Trio
World Premiere: Neave Trio, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 15, 2023.
Publisher: Bill Holab Music

PROGRAM NOTES
Summit Trio (a.k.a. Trio from Triple Concerto, "Summit") consists of three of the seven movements from Triple Concerto, “Summit” that focus on the solo trio. I designed these brief movements to function as a stand-alone chamber piece that can be used as a sort of "teaser" for the concerto. In the orchestral version of these movements, the orchestra enhances the trio now and then, but in this version, the trio performs by itself without any extra assistance from the orchestra.

Triple Concerto and Summit Trio were commissioned by the Neave Trio and premiered by the trio at the Mostly Modern Festival in Saratoga Springs, NY.

Summit Trio (World Premiere) - II. Interlude

Murmurs of the Mind

Play on Spotify

Murmurs Of The Mind

This is a further and again a very enjoyable collaboration with singer songwriter Mike Hill.
We hope that you will like this and that it will entertain you well!!!

Credits:
@mikehillravenscall: vocals and lyrics
@nobsmeyer: electric guitar, bass, drum production, mix and mastering.

Once Upon A Time

Once Upon A Time - feat. Mike Hill

Nasvhille Opera; Jordan Rutter, Countertenor

ABOUT THE ARIA
From Masquerade, the third act in a trio of operas called Three Way. Masquerade takes place at a lavish suburban home. It’s a swinglife party, where people from all walks of life pursue their wildest erotic dreams. Couples in masks and robes have paired off in twos and threes. Kyle, half of a genderqueer couple, is left alone, and feels frozen, unsure what to do. Even though Kyle believes that sexuality and gender is fluid, they feel unable to make a move.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
Why so shy?
Why stuck in place, hesitating?
Why so shy?
You’ve got to move, stop waiting.
Where are your high ideals?
Revolutionary zeal?
It’s not about who you touch;
It’s about how much they make you feel.

What gives our bodies so much joy,
Has led instead to so much pain.
And acts occurring naturally,
Actually, have been twisted 
Into laws and lies and shame.

Until we stop caring,
Until we stop caring,
Until we stop caring,
With whom we do it,
And how we do it,
And why we do it,
There will be no freedom.
There will be no peace.
No release.

Why this fear?
I’ve faced many things before.
Still I shake.
Won’t make it through the night.
Some choose one, some three dozen,
Which doesn’t lessen any fright.

Maybe you’re under construction:
Work-in-progress, unfinished art.
Keep changing the frame and position,
Each revision revealing more of your heart. 
A masterpiece of self-creation,
But first find the will to start.

If we stop caring,
If we stop caring,
If we stop caring,
With whom we do it,
And how we do it,
And why we do it,
People would share.
People would build
A paradise.

Still: Why so shy?
I have to change.
I have changed.
What holds me back?
Some ideology. 
Society—inside of me.
The angry god of my youth.
Thought I’d finally fought free.

Three Way

Three Way - Act III. Masquerade: Kyle’s Aria: Why So Shy? (Countertenor Aria)

Performers: Nashville Opera; Samuel Levine, Tenor

ABOUT THE ARIA
From The Companion, the first act of a trio of operas called Three Way. In The Companion, Maya lives with her android lover, Joe. This interactive programmed Companion looks and sounds human—only better. In this aria, after Maya asks about his day, Joe goes into a highly specific litany of the day’s events, to Maya’s irritation.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
What did I do today?
Just a minute. Just a minute.
7:05 a.m.: I made you breakfast in bed. 
Banana and chocolate crepes, Darjeeling tea, soymilk and raw sugar.
I made love to you: Position Number 16: The Prancing Pony.
You climaxed at 7:49.
At 7:50 you sat up saying you had an early conference call.
You dressed; you left.
I made the bed.
Seven sheets of tissue paper remain in the box on the table by the bed.
I cleaned the house. Bathroom.
Clean-Rite Disinfecting Spray, 
Now with 15% more bacteria-killing formula 
Per squeeze.
Then I tidied the living room.
And kitchen.
On the street a dog barked in repeating patterns for 22 minutes.
A child came to the door selling cookies.
I had no money. She went away.
At three-thirty I pre-screened the 2003 romantic comedy A Villa in Tuscany.
It earned a 79.6 applause rating on Classic-Flix-dot-com.
The views of Tuscan countryside in high summer are to die for,
And the lush, soaring score was nominated for an Oscar.
I set aside one packet of microwave popcorn.
I made you dinner.
Recipe Number 29: Vegetarian Lasagna.
Sunset at 6:42.
I lit the five rose-scented candles.
Chilled the champagne, waited for you.
You came home at 7:21.
Now it’s 7:32.
What else did I do?
Enough about me. What about you?

Three Way - Act I. The Companion - Scene 1: Joe's Aria: What Did I Do Today? (Tenor Aria)

Performed by Nashville Opera | Danielle Pastin, Soprano

ABOUT THE ARIA
From The Companion, the first act of a trio of operas called Three Way. In The Companion, Maya lives with her android lover, Joe. This interactive programmed Companion looks and sounds human—only better. Still, Maya wants more complexity from Joe. She has technician Dax come by to install new experimental software, with surprising results. Dax flirts with Maya; in this aria, she shares her ultimate desire.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
What I want is a man. 
Not just any man: the perfect man. 
Who will be here, ready and happy,
At the end of every day.
You may find it alarming 
But Prince Charming
Is just an upgrade away.
He can kiss me so tenderly,
Or hard and savagely.
He is a generous lover.
He can last all night in the sack
Without going slack.
He can hold back on his back
Until I’m done.
He thinks of me first and last,
Every time, every day.
And he never thinks of himself.
He never thinks at all.
But he seems to think,
And that makes all the difference!
That’s the perfect man.
Oh, I’ve had men—
Or weak creatures that called themselves men.
Selfish, stupid, lazy, greedy boys.
And after wasting years of my life
Playing house and wife,
I’ve decided to go home with my toys.
What I want is a man. 
Not just any man:
The perfect man.

Three Way - Act I. The Companion - Scene 2: Maya’s Aria: The Perfect Man (Soprano Aria)

Performers: Nashville Opera; Wes Mason, Baritone

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
I know how it works: 
Semiorganic physiomatrix 
Molded over fiberoptic skeletal frame. 
Ten terabyte processing capacity. 
Saline and protein channels to simulate everything 
From crying to climax! 
I can fix it. I comprehend it.
It can move. It can pretend.
It can compute. It can emote.
It can simulate. And stimulate.
It works!
But people, all these people,
People are broken machines.
Their appetites, quirks, flaws, moods.
Changing attitudes: today kind, tomorrow cruel.
Hard to please: hot with urges but suddenly cool.
People, all these people. 
People are broken machines.
I visit their homes every day.
Upgrades, downloads, diagnostic, termination.
People are broken machines.
One man wants his mother.
Another wants a whore.
A woman wants her daddy.
Another wants Mr. Right.
What do you want? 
The perfect man?
Or an imitation of the image of perfection?
The difference between you and me
Is this: I know my home is empty.

Three Way - Act I. The Companion - Scene 2: Dax’s Aria: Broken Machines (Baritone Aria)

Performers: Nashville Opera; Samuel Levine, Tenor

ABOUT THE ARIA
From The Companion, the first act of a trio of operas called Three Way. In The Companion, Maya lives with her android lover, Joe. This interactive programmed Companion looks and sounds human—only better. After Joe has told Maya he’s leaving her for another android, he sings this tender parting aria.

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
You were my first love,
The one I will never forget.
Your passion, your laugh,
I will never forget.
You taught me how to love,
How to be the perfect man,
But we were not meant to be.
You I will never forget.
Remember my kiss,
Forget the pain, goodbye.

Three Way - Act I. The Companion - Scene 3: Joe’s Aria: You Were My First Love (Tenor Aria)

Performers: Nashville Opera; Matthew Treviño, Bass

ABOUT THE ARIA
From Safe Word, the second act in a trio of operas called Three Way. In Safe Word, Mistress Salomé is a high-priced dominatrix in a private dungeon, and today she has a new client, an aggressive corporate type. Even though he's the one who pays to be spanked and taunted, the Client is bossy. In this aria, he explains how physical humiliation only makes him harder and stronger. 

ABOUT THE OPERA
An Il trittico for the Tinder generation, Three Way is a new opera about the present and future of sex and love with music by Robert Paterson (The Whole Truth) and a libretto by David Cote (Blind Injustice). In three playful acts, average heroes explore the worlds of android lovers, BDSM and polyamory in a quest for “more” in today’s hyperconnected and gender-fluid world. Featuring Nashville Opera, conducted by Dean Williamson. Original cast recording.

CREATIVE TEAM
Robert Paterson, Composer: http://www.robertpaterson.com | http://www.robertpaterson.com/three-way
David Cote, Librettist: http://www.davidcote.com

THREE WAY SITES
Three Way Site: http://www.threewayopera.com/
Nashville Opera: http://www.nashvilleopera.org/three-way/
American Opera Projects (AOP): http://www.aopopera.org/threeway/

Materials available from Bill Holab Music: http://www.billholabmusic.com/threeway/
Three Way Arias - Male: http://www.billholabmusic.com/store/i...
Three Way Arias - Female: http://www.billholabmusic.com/store/i...
Three Way Piano/vocal score: http://www.billholabmusic.com/store/i...

ORIGINAL CAST
Danielle Pastin, Soprano: http://www.daniellepastin.com
Courtney Ruckman, Soprano: http://www.courtneyruckman.com
Eliza Bonet, Mezzo-Soprano: http://www.elizabonet.com
Melisa Bonetti, Mezzo-Soprano: http://www.melisabonettimezzo.com
Jordan Rutter, Countertenor: http://www.jordanrutter.com
Samuel Levine, Tenor: http://www.samuellevinetenor.com
Wes Mason, Baritone: http://www.wesmasonstage.com
Matthew Treviño, Bass: http://www.matthewtrevino.com

LYRICS
Charlie Darwin got it right:
To thrive in the jungle, 
A man’s got to fight.
A man’s got to kill,
And that takes iron will.
A man needs control.
He needs rules.
He may play a role
But never the fool.
A man needs power.
He needs clout.
The boss will decide
Who’s in and who’s out.
A man needs the law.
He needs jail.
Show contempt for the judge
And buddy, you fail.
A man needs discipline,
Or he’ll never win!
A man must be punished,
Or else he’s finished!
			(Gradually becomes more excited)
A man needs to be whipped,
Or stripped,
Or squeezed,
Or teased,
Or spanked,
Or mocked,
Or clocked,
Or pinched,
Or kicked,
Or pricked,
Or beaten, beaten, beaten 
Till he’s black and blue.
And for two-hundred-seventy bucks an hour,
This man needs you.

Three Way - Act II. Safe Word: Client’s Aria: A Man Needs (Bass Aria)

Everything will fade away and that fading away is a loss and opening to oneself

Album

Gone By

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Three Way - Act III. Masquerade: Kyle’s Aria: Why So Shy? (Countertenor Aria)

Robert Paterson Composer

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