مزيكتي المفضلة على مر الازمان

Morrocan Sunset

I recorded this piece in Kuwait with violinist Rashed Juma.  Troy Gifford had arranged it for us at Rashed's request when all three of us were doctoral students at the University of Miami.  Rashed and I continued to perform together after graduating.

Longa (trad. Middle Eastern arr. by Troy Gifford)

As the most Shazam-ed track in the UK, yet to leave the Shazam Top 200 chart since release last year and with over 100,000 combined worldwide sales, ‘What I Might Do’ has long enjoyed support from the likes of Seth Troxler, Heidi and Jamie Jones to Pete Tong and Annie Mac at Radio 1. Bringing a new angle to proceedings, Karma Kid spins ‘What I Might Do’ further into club territory with a stripped-back four to the floor take on the original.

What I Might Do (Karma Kid Remix)

Oh Christmas Tree

ARTIST - FERNANDO REGENCIO JR
PROD BY WILLSCORE 
MAYDAY 
FACEBOOK.COM/MAYDAYTHEALBUM 
MAYDAYTHEALBUM@GMAIL.COM

FERNANDO REGENCIO JR. : MORROCAN NIGHTS

A1 mb026 audio werner ever

High

Gymnopedie No.1 by Eric Satie
Arranged for two Guitars by Andrew Forrest
Performed by Samuel Ortiz

Gymnopedie

“Virtuosic playing and a perfect sense of timing,” raves Guitar Extra  of  ROBERT PHILLIPS debut recording, Guitarre Nouveau. Will Crutchfield in the New York Times noted his “aptitude for putting across character.”  Since making his debut to a sold-out Weill Recital Hall at Carnegie Hall, Robert has brought his brilliant interpretations to a diverse range of venues – from traditional concert halls including New York’s prestigious Town Hall, and Lincoln Center to jazz nightclubs.  

Robert has been a guest on numerous radio stations, performing live on NPR member stations including WNYC (New York City), WAMC (Albany), WMHT (Troy, NY), as well as WDST (Woodstock), WMNF (Tampa).  His recordings have been featured on  both classical radio stations and jazz radio stations, including WQCD (New York City), and have been regularly featured on nationally syndicated shows including “Guitar Alive” and “New Sounds”.  

Robert Phillips holds a doctorate in music from the University of Miami.  A recipient of a Japan Fulbright, Dr. Phillips is respected internationally as a scholar, and educator, as well as a performer.  A former student of Rey de la Torre, Carlos Barbosa-Lima, and David Starobin, he has embraced a wide range of repertory preferences. In addition to the standard classical guitar canon, his repertoire includes works by Luciano Berio, Philip Glass, Alan Hovhaness, Eberhard Weber, Miguel Llobet, and Thelonius Monk.  He also performs his own compositions, and has premiered works by three-time Pulitzer nominee, Frank Brazinski, Eric Ross, Alfred Giusto, and Meyer Kupferman, as well as the premier performance of  “Goyescana”, a concerto written for him by three-time Grammy winner, Michael Colina.  Dr. Phillips also performs in central Florida with a jazz combo.

Robert has contributed a number of articles to “Soundboard”, the journal of the Guitar Foundation of America, and to "American String Teacher", the journal of the American String Teachers' Association.  He spent three years as the classical guitar columnist for “Guitar for the Practicing Musician”, and its sister publication, “Guitar Extra” before becoming a contributing writer for “Guitar Player”.  Many of his transcriptions and editions of works for classical guitar have been published in these magazines and by Cherry Lane Music Co., Inc.  His anthology, “Great Themes and Variations for Classic Guitar” was published by Mel Bay Publications, Inc., which also released his 2 CD recording of the same title. His newest recording, “Lo Mestre: The Music of Miguel Llobet” is due out on Centaur records this winter.


Dr. Phillips teaches classical guitar, and music theory at the Lois Cowles Harrison School for the Visual and Performing Arts, and is an adjunct professor of applied music (classical guitar) at Southeastern University.


Longa (trad. Middle Eastern arr. by Troy Gifford)

Robert Phillips, Guitar

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