Cinematic atmospherics with a strong melodic sense.

Merci pour ce titre, je le met dans ma playlist •ailleurs•.  , c’est trop beau, ça fait vraiment voyager et le changement de tonalité dans le moment accentué l’intensité épique. Bravo pour cette composition.

Me gusta mucho esta pista hay un gran trabajo aquí!!!!

White

Written: 2022-23
Duration: 30'
for piano trio (violin, cello, and piano) and orchestra (2-2-2-2 / 4-2-3-1 / 3 percussion, timpani, strings)
Commissioned by Neave Trio
World Premiere: Mostly Modern Orchestra with Neave Trio, JoAnn Falletta, conductor, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 17, 2023.
Publisher: Bill Holab Music

As we live through a sixth mass extinction, it is not difficult to question whether we can act as good stewards of our earth. While I often feel a sense of despair — how could we have messed this up so badly? — my thoughts are often, perhaps irrationally, tempered by a sense of optimism. Maybe we can fix this, or at least that’s what I tell myself. Triple Concerto is essentially an exploration of these emotions. As a scenic point of departure, the entire work also uses three types of geographical regions as inspiration.

Triple Concerto is structured a bit differently than a traditional concerto. An introduction and three larger movements are interspersed with three small trio-centric movements that loosely function as either a prelude, interlude, or cadenza. These three smaller movements also exist as a stand-alone version for the piano trio that may be performed as a sort of “teaser” for the concerto on a chamber music concert.

The first movement, Introduction, loosely evokes a sunrise. Toward the end of the movement, bird song melodies from around the world are incorporated and performed by the winds. This leads to a movement entitled Chorale Prelude, focusing on the piano trio, leading to a joyful third movement, Bright Pastorale, filled with bright, sunlit bell-like chords and sounds reminiscent of birdsong. Moments of despair begin to appear as the movement progresses. The movement ends darkly, like an overcast sky before a storm. The fourth movement, Interlude, echoes the beginning, focusing on the trio once again and evoking a sense of longing, the sound of a more innocent time. Tundra, the fifth movement, is cold, dark, and bleak but with swaths of color. A sense of sadness and loneliness permeates this movement, at times represented by various mournful effects such as bent notes created by dipping tubular bells in water and glissandi in the strings and brass.

After the fifth movement, the trio performs a virtuosic Cadenza, full of grief and rage but with signs of hope. This leads to the final movement, entitled Summit. Ascending lines suggest climbing a mountain, both literally and figuratively. After a brief climax, eleven bell-like chords sound one after the other, symbolizing the chimes of the Doomsday Clock. The winds perform birdsong once again, perhaps of songbirds that may soon become endangered or even extinct. In a nod to Haydn’s Symphony No. 45 (his “Farewell Symphony”), the players leave the stage one by one until all that is left are the trio and conductor.

Triple Concerto was commissioned by the Neave Trio and premiered by the trio and Mostly Modern Orchestra, JoAnn Falletta, conductor, at Mostly Modern Festival in Saratoga Springs, NY.

– RP

Movements:
I. Introduction
II. Chorale Prelude
III. Bright Pastorale
IV. Interlude
V. Tundra
VI. Cadenza
VII. Summit

Triple Concerto, "Summit" for Piano Trio and Orchestra (World Premiere)

https://ffm.bio/saphira_79 
In the cold season, we need sounds to warm the body
The song is also suitable for children, as it reminds a little of the fairytale world and there are no limits in the imagination.If you liked it, leave a like, repost or comment

Fire In Her Eyes

INSTRU.MENTAL

Bésame Mucho

Cantucky - Combstead & Robert Grigg

Translation above

Sur un magnifique texte de Marie-Françoise Barreau-Delapierre-Loussot à propos du naufrage en 1978 de l'AMOCO Cadiz près de Portsall, en Bretagne. Survenu après ceux du Torrey Canyon (mars 1967), l’Olympic Bravery (janvier 1976), le Boehlen (octobre 1976)

Musique et voix : Myckaël Marcovic
Music and vocals : Myckaël Marcovic

La marée est en noir

La mer cinglait à corps et à cris
Sous un ciel chargé de gribouillis
Toutes les mouettes et les cormorans
Semblaient noyés dans le mauvais temps.

Un pétrolier gouvernail cassé
Impossible de le remorquer
Un rocher éventra ses cloisons
La cargaison largua son poison.

Refrain :
La marée est en noir
Ça coule, ça pue, ça poisse
Bouquet de noce qui ancre sa crasse

Portsall, port digne de ton blason
Ce jour-là, tu portais bien ton nom.
Sombre terminal par accident.
Tombeau des mouettes et des cormorans.

Vomi de marée qui s’amarre
le soleil couchait dans un sang noir.
Une armada de cirés bretons
Ont relevé manches et mentons

(Refrain)

Breizh partageait les larmes de fiel
Des éboueurs peinant sur leur pelle.
Qui serraient les dents se rappelant
Déjà trois marées noires en dix ans  

Malgré les linceuls de cet or noir
Qui se sont gravés dans les mémoires
Les marchés de la consommation
Vont de déraisons en déraisons

(Refrain)

Paroles de Marie-Françoise Barreau-Delapierre et Myckaël Marcovic, 
Musique de Myckaël Marcovic, 05 juillet 2024

Based on a magnificent text by Marie-Françoise Barreau-Delapierre-Loussot on the 1978 sinking of the AMOCO Cadiz near Portsall, Brittany. This followed the sinking of the Torrey Canyon (March 1967), the Olympic Bravery (January 1976) and the Boehlen (October 1976).

The tide is in black

The sea was screaming its head off
Under a doodle-laden sky
All the seagulls and cormorants
Seemed drowned in the bad weather.

A tanker with a broken rudder
Impossible to tow
A rock ripped open its bulkheads
The cargo dropped its poison.

Refrain :
The tide is black
It sinks, it stinks, it poisons
Bouquet de noce qui ancre sa crasse

Portsall, port worthy of your coat of arms
that day, you lived up to your name.
Dark terminal by accident.
Grave of seagulls and cormorants.

Mooring tidal vomit
the sun set in black blood.
an armada of Breton oilskins
rolled up sleeves and chins

(Refrain)

Breizh shared the tears of gall
Of garbage men toiling on their shovels.
Who gritted their teeth remembering
Three black tides in ten years  

Despite the shrouds of this black gold
etched in our memories
Consumer markets
From disappointment to disappointment

(Refrain)

Words by Marie-Françoise Barreau-Delapierre and Myckaël Marcovic, 
Music by Myckaël Marcovic, July 05, 2024

La marée est en noir (Marie-Françoise Barreau-Delapierre-Loussot / Myckaël Marcovic)

Henrik Nybo: Akk.guitar/el.guitar/mandoline/backing vocal/composer
Mir Bredberg Weber: Main vocal/accordion/backing vocal/composer
Jeppe Gram: Drums
Jakob Falgren: Bas
Dave Hennessy: Shaker/add. drums

Live Out Loud

Fly Baby Fly

🔥 New Release: Fight or Flight 🔥

Prepare for an epic clash of emotions with my latest soundtrack, "Fight or Flight." This high-energy composition captures the raw intensity of a decisive moment where you must choose between standing your ground or making a daring escape. The piece builds from a tense, simmering start to a bombastic crescendo, filled with powerful percussion, soaring strings, and electrifying melodies.

Whether you’re embarking on a quest, facing a formidable foe, or finding yourself at a crossroads, "Fight or Flight" is the perfect backdrop for your most intense moments. Let the music ignite your spirit and awaken your inner warrior.

✨ Feel the adrenaline and share your thoughts!

#EpicSoundtrack #FantasyMusic #FightOrFlight #OrchestralMusic #NewRelease #EpicMusic #AdventureSoundtrack

Fight or Flight

SKY is a special project when I started remixing some soundtracks, piano, ambient sounds and everything I like to listen to. This sound was produced by Matthew May and remixed by me. I hope you liked it, share and support in any way you can.

Take care and all the best,
JP.


SKY
Prod. Matthew May: https://soundcloud.com/matthewmaymusic
JP Records: https://soundcloud.com/jprecordsreposting

New track off the 2019 album “Borders”.

Borders

Dementia

Hi there, my name is Roberto

I'm a graduated professional musician and I have more than 20 years of experience in playing guitar and Producing Music.

I also do Piano tracks optimization, mixing and mastering work.

White

Roberto Riccò

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