I began writing DAYA with my young autistic daughter. Soon after, Daya was diagnosed with a devastating illness and had to endure aggressive treatment which took us away from home for over 5 months. On our way to our long hospital stay, Daya asked me to finish this music for her as she wanted people to hear it. At the time I was unbearably overwhelmed and devastated by what was happening and felt it impossible but I continued working on it when I could very early in the mornings. Daya’s music was released on Bandcamp from the hospital room in which we were staying. 



More music  . .   Coming Soon  . .

https://instagram.com/ola.morgan_music.and.film

https://olamorgan.bandcamp.com/track/d-a-y-a

https://youtu.be/r2tlKVyyvh0?feature=shared

https://open.spotify.com/artist/2dAQou4xqa61MQxA2OxYIA?si=HzPOmZjIRUuV2GpM49uhaA

Jamie combines art practice with field recordings and sound composition to enable non- anthropocentric readings of post-industrial sites. His experimental practice research methods include multi-sensory technological methods of observation, employing VHF, radio waves, Geiger counters, handmade synths and devices. Alongside using the latest software applications of granular synthesis and spatial audio Jamie creates immersive sound installations and extended electroacoustic/acousmatic compositions.
Jamie is a multi-award-winning artist researcher, has presented his work at International and National symposia and has exhibited and published widely including:

Jamie's work in sound has been broadcasted on Radio 3 Mixing it London (UK) and Resonance  FM  London (UK).Most recently Migration Sounds Oxford University UK,Sites and Memory Project and working with The Freshwater Sounds Archive in collaboration with Dr Jack Greenhalgh Canada Foundation for Innovation.

-Speaker at 6th International Conference of Photography & Theory (ICPT2022) Cyprus EXPANDED VISUALITIES: PHOTOGRAPHY AND EMERGING TECHNOLOGIES
-CAST Cornubian Arts & Science Trust Helston (UK). Test Space: Expositions of practice-led research Symposium.
-Feature on my field recordings on Resonance FM London UK
-Phytogenesis II Provocations of Plants, Philosophy and Photography. International Symposium University of Plymouth, North East Photography collective, Newcastle University. I delivered an academic paper on my practice through the lens of Deleuze.

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

I am Elias Epp, musician and software engineer from Ulm (Germany). Seramind is my music project. Born 1989 in a sovkhoz in Kazakhstan and raised in southern parts of Germany.

Curator of the Audioscenarion and Testexperiment podcasts.

Most of my stuff is ambient, techno or dub related music. Working mostly with FL Studio and Audacity. Lots of obfuscation via stretching, cuts and effects.

Official website: http://www.seramind.de

Always working on something new.

Mail: seramind@googlemail.com

I share music that I have made here solo or in groups. I am bundling my work with some online friends as a project oriented, micro-collective. We are happy to share with you!

https://darkpebble-bluewave.bandcamp.com/

Wilhelm Mattthies, John Daly (aka Tuneind52), Paulo Chagas and Matthias Boss

Audio Maker and Artist recording and using sound as part of research and the creation of immersive multi media installations and stand alone artworks.
I record Oral history as part of the work I do and use it with soundscape to create work that evokes 'genius loci' streaming together timelines, memories, and events.

Electro-experimental netlabel run by Zumaia (France).

Followers of Roberto Vodanović Čopor