Signed to Antu Records and Maharetta Records in 2010, Hypnoise started as a duo and nowadays is run solo by Juan Fontoira.
First release L.S.D. (Logical Structures Database) was a total success, reaching tops in charts and played all around turning Hypnoise into a reference in the scene. After a few tracks on different labels they released their 2nd Ep Organic Machinery on their brand new label Maharetta Records, follow by their Remixed Ep Retrospective with the collaboration from well-knowns Sonic Species, Ital and Tron, and again it was a total blast on the dancefloors and charts, reaching the Top 5 on worldwide releases for a few weeks.
His Debut Album Dimensional Shifting, released in 2014 by Antu Records, was a total success hitting Top 1 on various international charts around the globe, Since then, he has being riding the wave travelling and rocking at the most prestigious festivals and parties around the globe, Including Boom Festival (Portugal), Freqs of Nature (Germany) , Shankra (Swiss) , The Experience (Thailand), Sunburn (India), Ritual (Mexico), Rezonance (South Africa), Origin (South Africa) and the list goes on ...
In 2018 he signed with the well known Sacred Technology Records and release his second studio album ´Dance Among the Spirits´.
In the meantime had been releasing many tracks in different labels as Nano Records, Free Spirit, 24/7 recs, Antu Records,.... and worked in different collaborations with top notch artist.
Always researching and developing his sound, Hypnoise continues stomping the psychedelic trance scene with his higher dimensional productions.

Born on the island of Ireland, finding a home in the Pyrenees via Berlin and Bahia. Over the years, however diverse, peter's sound is immersed in a growing sensitivity of ambience. Finding perpetual inspiration in the massaging forces of nature. 

Cultivating sheer presence is at the heart of the process,

 Between ancestral echoes and contemporary waves. Shimmering ripples shake into life. A playful dance of atmospherical alchemy. 

 Between the silence, a careful kindness.

Gently glowing...
The warm hum of
home.

Visit:
www.gcrecords.net
★CARIBOMBO - BARRIO POPULAR★
👉  https://galletas.lnk.to/Caribombo-Barrio-Popular

GALLETAS CALIENTES RECORDS
FRESHLY BAKED PARTY MUSIC AND MODERN FOLKLORE
VINYL, CD, DIGITAL

Featured artists:
Krak In Dub https://soundcloud.com/krak-in-dub
Village Cuts https://soundcloud.com/villagecuts
Los Bulldozer https://soundcloud.com/losbulldozer
Killabeatmaker https://soundcloud.com/killabeatmakeroficial
Caribombo https://soundcloud.com/caribombo
Supersan https://soundcloud.com/supersanmusic
Manati https://soundcloud.com/manati
The Busy Twist https://soundcloud.com/thebusytwist
Candeleros https://soundcloud.com/candeleros
Dragao https://soundcloud.com/dragao-style
Ghetto Kumbé https://soundcloud.com/ghettokumbe
Systema Solar https://soundcloud.com/systemasolar
La Mercosur https://soundcloud.com/mercosur
Sunka https://soundcloud.com/sunka_music
Papaya Republik https://soundcloud.com/papayarepublik
Meridian Brothers https://soundcloud.com/meridianbrothers
Cero39 https://soundcloud.com/cero39
Los Pirañas https://soundcloud.com/lospirannas
Colectro https://soundcloud.com/colectro
Carmelo Torres y Los Toscos https://soundcloud.com/los-toscos
Stabfinger https://soundcloud.com/stabfinger
K.D.S https://soundcloud.com/kds-dj
Romperayo https://soundcloud.com/romperayo
La Makina Del Karibe https://soundcloud.com/lamakinadelkaribe
La MiniTK Del Miedo https://soundcloud.com/laminitkdelmiedo
Rafael Aragon https://soundcloud.com/rafiralfiro
Dj Click https://soundcloud.com/click-here
Solo Moderna https://soundcloud.com/solo-moderna
Kosta Kostov https://soundcloud.com/kkostov
.. and more

All Enquiries: management@evolutionchamber.audio

From the moment Mitya Veshchunov first began pouring over his brother’s jungle record collection, the man who’d soon become Receptor was hooked on the genre. First it was Aphrodite, then it was Pendulum’s ‘Another Planet’ which would later shape his path into the genre; soon followed by his discovery of the more tech-influenced tracks of Noisia and Konflict. He immersed himself within this subsection, leading him then onto the expansive catalogue of Lifted Music, one of the most notable contemporary labels which flourished during this period. Lifted Music presented itself as a different flavour with no boundaries and it became a mecca for Receptor’s own musical tastes as they were evolving – later reflected through his own work. 

At the age of ten, Receptor was gifted a Yamaha PSR-740 synthesiser by his father, due to his son’s growing interest in music. Despite never being educated musically, he learned musical notation through a friend and over the course of six months his skills exploded, with him laying his hands on a plethora of DAWs through the internet. From EJay to FL Studio, his production knowledge increased at an astounding rate – something which would soon be more widely recognised after his move to Moscow, a central hub for drum & bass both in Russia and on the global stage. 

Receptor has always endeavoured to inject his music with the Slavik roots that have been a primary inspiration for him. Emulating the sonics featured on ‘Pirate Station’ stages and across the ‘Therapy Sessions’ compilations, his amalgamation of styles enabled him to build an extensive audience. From ‘Rhyno’ on Lifted Music’s sister-label Breed 12 Inches, through to ‘Kurchatov’ in 2009 on Obsessions (the first label from Black Sun Empire) and his ‘Girls’ EP on John B’s Beta Recordings, Receptor’s discography was proving to be as formidable as his fan base.  He was later called on to perform remix duties for Black Sun Empire’s ‘Dawn of a Dark Day’ ft. Foreign Beggars and Noisia’s ‘Alpha Centauri’, highlighting a definitive part of his career, with the producers being a central part of his founding interest in drum & bass. In the space of a decade, Receptor had catapulted himself from the role of fan, to standing amongst his idols as their counterpart. 

After a long hiatus, Receptor now returns and is planning to push his name into the direction he’d always planned. This will represent a more experimental approach to sound design, something which will develop through his release’s forthcoming on Evolution Chamber, an imprint he’s leading alongside Task Horizon and Magnetude. With tour dates set to be announced throughout 2020, Receptor is delivering the same energy which has been seen previously during his sets at Pirate Station, Ultra Music Russia and the 10-year anniversary of World of Drum & Bass. Receptor is offering some of his biggest selections to date, which many listeners have been waiting for patiently; the music he brings along with him makes this wait worthwhile.

contact : booking@voodoohop.com

dates: http://voodoohop.com/live

VOODOOHOP is an outlandish art collective born from a series of underground parties and is now a striking artistic movement in Brazil. Through 6 years of collaborative events, Voodoohop has gathered a myriad of artists from different disciplines with the likes of Djs, live performers, dancers and visual artists. Together they have created a multi sensory tropical cabaret, mixing colourful and exuberant visuals, combined with elements of Brasilian traditional heritage and ritualistic performance. Nomadic in nature, the collective has transformed spaces ranging from abandoned buildings to natural hideaways. Always experimenting with different media and formats, Voodoohop is in constant flux.

Emily Davis has been bringing their brand of punk-flavored alternative folk to the desert southwest for over a decade. Davis’ newest offering, “Living In the Past Tense” will be out June 30, 2023.

Mákina Kandela surge en el año 2010 de la reunión de músicos colombianos, chilenos y una mexicana, que comparten el gusto y la curiosidad por ritmos tradicionales y contemporáneos de las músicas que se han conformado en las regiones aledañas al mar Caribe colombiano. El grupo se ha dedicado a comprender el lenguaje de la música de gaita -flauta indígena que se toca en pareja-, resultante de la interacción de las culturas indígenas con las africanas y española, que se desarrolla en los ritmos de cumbia, merengue, gaita y porro -entre otros-. En este proceso Mákina Kandela también ha dado cuenta de los vínculos de estos ritmos tradicionales con otras variantes del género, más urbanas, y más contemporáneas, pero que acompañan ocasiones festivas diversas de esa región que hace parte del gran circuito cultural caribe-antillano. 
En Mákina Kandela participan músicos cuyas trayectorias y experiencias musicales son muy diferentes, que han pasado por el rock más pesado y el jazz más free, sin olvidar el afro-mandingue o la música de fusión. Y si bien el grupo se ha anclado en el estudio de una cierta tradición, esta gama abierta de estéticas musicales en su propuesta musical provoca un mecanismo de goce corporal que busca abrasar a quien lo oiga, fuera de ese lugar geográfico preciso del caribe en el que Mákina Kandela mantiene un pie.
Edén Carrasco - gaita hembra, saxo tenor, clarinete 
Carmen Gloria Vilches Lienqueo - voz 
Antonio Tobón - gaita macho, maracas, guacharaca 
Cristian Urrutia - tambor alegre, percusiones 
Mariana Galarza - tambor llamador, percusiones 
Gina de la Hoz - Tambora, percusiones 
Pablo Contreras - bajo eléctrico 
Marcelo Troncoso - guitarra eléctrica 
Sebastián Carrasco - trompeta


Music to trip to. Music to meditate on. Music to upgrade your DNA. Music to get your whole family dancing. Music to teach you. Music to live by. Music to die to. MUSIC TO MULTIPLY YOUR MIND.

CULT LEAD BY @vonparty & @dreemsdreems

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