Music & Lyrics: Jan Schonander

More synthrock, but this time with a somewhat dirtier sound. All instruments except the drums are created on the Nord Stage 3. Played a little with feedback, as well as changed the attack on the main rhythmic synth live as I was playing. The lyrics are once again a mix of science and emotion using a black hole as a metaphor for a toxic relationship - seems to be a style that works for me.

INFINITE ATTRACTION

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

A fine line pulling on my soul
As close as I could ever get
An unseen stronger than steel
At the point of no return

Light up all of your rockets
Switch on the burners, oh yeah
Let go of all of your emotions
You can spiral to the infinite
The infinite attraction

I can’t, I can't, I can't, I can't break free
I can’t, I can't, I can't, I can't break free

Bounce off a satellite to Houston
Switch on the radio, oh yeah
There’s no time for thinking
You could spiral to the infinite
The infinite attraction

I can’t, I can’t break free
Oh no
I can’t, I can’t break free

The cosmos is dragging me down
Once in there’s no getting out

It’s an infinite attraction
It’s an infinite attraction

Infinite Attraction

Spotify

Daz Dillinger & Hi C VS Doja Cat (Dramantic Remix)

Words and Music by Roger Whittlesey. Georg Boehme arranged and played all saxes. All other sounds by Whittlesey. roduced in New Hampshire and in Cologne, Germany. ©2024. Thank you, Georg, for participating in this process and for offering your awesome talents. 

What's this song about? String Theory is the notion that all time exists on a string—a string that never disappears. I'm a fan of the podcast/television show Closer to Truth, an American production hosted by a neuroscientist. The host interviews the leading experts on many scientific and philosophical subjects. In a recent podcast, scientists discussed String Theory, which became the inspiration for this song. 

One scientist explained that if you imagine a string along which all time exists—past, present and future—then you can understand that right now both the future and past still exist on that string. So, in theory, the past never disappears and the future is waiting to happen. He likened it to a DVD of a movie. At any point you can rewind or move forward. He suggests that this may be possible with time. 

What I drew from this notion is that all that has happened in my life, all the people I have known—in particular those who are no longer here—are, according to this theory, still existing on the string. Is this a comfort? I think it is for me. 

This is why in the refrain I sing, " I will always be with you." Even when I no longer exist, I will exist along the string, a string that connects me to a past before my own existence began and to a future that I will never see. 

Perhaps you will draw something different from this song and from the theory. In any case, I hope you enjoy the musicianship on this recording. Georg and I worked hard to produce parts and solos that we're proud of. 

Roger Whittlesey
February 18, 2024

See the video here:  https://www.youtube.com/watch?v=j0mjns4dHvk

String Theory (Featuring Georg Boehme)

Closing

Assume The Position feat. Ashes and Dreams
Vocals and Lyrics:
Ashes and Dreams (ashesanddreams Looperman)
https://www.looperman.com/acapellas/detail/22473/assume-the-position-91bpm-chill-out-acapella
https://soundcloud.com/ashes-and-dreams
Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

Assume The Position feat. Ashes And Dreams

Used to originally call this one Anamorphosis
Track off of my upcoming metal instrumental album, "III"
Heliacal Enigma was written, arranged and recorded by Louis Taverna
All rights reserved © 2024

Anamorphosis

Heliacal Enigma

Follow That Smile

La mer y était belle chancelante et cruelle
Les bleus gris s’allongent pour des reflets

Evidence, c’est la danse du bord de mer
Enivrante comme le sel au goût amer
Captivante dans les reflux solitaires
La vague est là, comme des bras en l’air

Nous aspire dans les regrets les souvenirs reviennent
Et non plus de   vents mauvais des poussières de haine
Les flots lumineux ne font pas nos peines
Ni nos espoirs déçus ils nous enchainent.

Chorus

Eternelles, sont les vagues dans les veines
Superficielles, libèrent les corps

Toujours le fil de l’eau éclaire
Même les vagues ordinaires
Dans les flots bleus où l’on se perd
Il y a … la mer

La Mer

A 20 minute medley of some of the better bits & pieces from 20 of my solo recordings, all from about 20 years ago (between 2000-2004)

A pretty wide variety of styles - jazz, funk, ambient, classical, world, worldbeat, experimental, alternative, industrial, reggae, electronica, latin, pop, game show music, more. Some unorthodox explorations here... have at it.

0:00 - I, Spy
0:55 - Variations
2:10 - Belle Curves Blues
3:24 - Saxofunk (a)
4:14 - Game Show (b1 - interlude)
4:55 - Game Show (b2 - main theme)
5:35 - Lives of our Days
6:04 - Aulde Europe
6:38 - Multi2dinal
7:56 - Sitar & Santur
9:06 - Last Days of November
11:10 - Industrial Mustard
11:57 - House In Da Jungle
12:45 - Casio Adani
13:26 - Funky Junk
14:49 - Jazzy Ditty
15:44 - Tiger Raga
16:53 - Latin Loop 2
17:59 - Latin Kinda Thang
19:29 - Pennywise (c)
20:50 - Harp of My Dreams (reprise)

(image is a mosaic of mostly self portraits using a scanner)

Mark's Album

Mark Music Medley (part 1: 2000-2004)

Automatenfall - TRAKTOR FAHRN

Fantasea Con El Recuerdo

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Roger Whittlesey is a multi-instrumentalist, singer-songwriter from the Boston area. He often composes and records pop music with intricate harmonies and deceptively sophisticated chord changes. Many songs spring from his 60s, 70s and 80s influences, but his music is original and unique. Whittlesey often collaborates with instrumentalists and singers from the world of jazz, folk, and pop to create a hybrid form.

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