joerxworx

A      168

These are some songs written by Roger Whittlesey, a wonderful composer, singer and human mind from Massachussets. I added some woodwinds here and there. One of the wonderful collaborations here on SC.
Videos of these and many others:
www.youtube.com/c/RogerWhittlesey

Songs I did with Roger Whittlesey

Favs By Roger Whittlesey

Words and Music by Roger Whittlesey. Georg Boehme arranged and played all saxes. John Mason played nylon string guitar and all electric guitars. Christy Bluhm sang background vocals. All other sounds by Whittlesey. 

Thanks to Georg, John and Christy for all your help on this one. You all possess immense talent and I am very grateful for your contributions.

Too Much Pride

Words and Music by Roger Whittlesey. Georg Boehme arranged and played all saxes. All other sounds by Whittlesey. roduced in New Hampshire and in Cologne, Germany. ©2024. Thank you, Georg, for participating in this process and for offering your awesome talents. 

What's this song about? String Theory is the notion that all time exists on a string—a string that never disappears. I'm a fan of the podcast/television show Closer to Truth, an American production hosted by a neuroscientist. The host interviews the leading experts on many scientific and philosophical subjects. In a recent podcast, scientists discussed String Theory, which became the inspiration for this song. 

One scientist explained that if you imagine a string along which all time exists—past, present and future—then you can understand that right now both the future and past still exist on that string. So, in theory, the past never disappears and the future is waiting to happen. He likened it to a DVD of a movie. At any point you can rewind or move forward. He suggests that this may be possible with time. 

What I drew from this notion is that all that has happened in my life, all the people I have known—in particular those who are no longer here—are, according to this theory, still existing on the string. Is this a comfort? I think it is for me. 

This is why in the refrain I sing, " I will always be with you." Even when I no longer exist, I will exist along the string, a string that connects me to a past before my own existence began and to a future that I will never see. 

Perhaps you will draw something different from this song and from the theory. In any case, I hope you enjoy the musicianship on this recording. Georg and I worked hard to produce parts and solos that we're proud of. 

Roger Whittlesey
February 18, 2024

See the video here:  https://www.youtube.com/watch?v=j0mjns4dHvk

String Theory (Featuring Georg Boehme)

Words and Music by Roger Whittlesey. Flutes and bass clarinet arranged and played by Georg Boehme. All other sounds by Whittlesey. 2024

The Only One (featuring Georg Boehme)

@vocalatti - vocals, lyrics
@cosmic-ratzzz - composition, backtrack, arrangement, keys
joerxworx - sax, final mix

Because it's you and me / Vocalatti, Cosmic Ratzzz & joerxworx / lunatics 150

Such a joy to add vocals to this beautiful piece of music, gorgeous keys and sax from @cosmic-ratzzz and @joerxworx  please go over to their pages to listen to more fab music!!

Because It's You And Me  (Ft Cosmic-Ratzzz , Joerxworx /Lunatics and Vocalatti

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

TRY feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://soundcloud.com/patriciaedwards
https://www.looperman.com/acapellas/detail/16701/t-r-y-by-patriciaedwards-80bpm-reggae-acapella
Paploviante:
E Bass, Composing, Arrangement, Picture, Mix and Mastering

TRY feat. Patricia Edwards

Strawberries
Summerfruit
feels like
orchard music

water mellons
Huckleberries
Peaches, Pineapple, Plums
Apricot
   and quince . . . 
 
I don't need more
to be convinced

Summerfruit in the kitchen
you don't know what you're missing...

songwriting challenge - see
https://discord.com/channels/1031582785799979108/1031582786898890889

Summerfruit

Summerfruit (Kalimba Kitchen Challenge)

Words and Music by Roger Whittlesey. Saxophones and Flutes arranged and performed by Georg Boehme. Rhythm and Lead Guitar by Audric Jankauskas. Bass by Noel Barrett. All other sounds by Whittlesey. ©2024

Dear Reader, 

This one began as a little solo tune that I first sent to Audric to consider playing on. Audric chose to work another song that I wrote (called "Say Amen") and so I sent it to Georg, who within three or four days created and played the incredible horn and flute arrangement you're hearing now. 

Audric then contacted me to say he wanted to work on this one too. I sent him the latest iteration and he worked around Georg's parts, using his composer's ear to find ways to support what was already a strong track. But, of course, Audric found ways with his rhythm and lead playing to make it even stronger!

We were cooking. But there was one thing that I knew would elevate the song even further—replacing my bass part with Noel Barrett's incredible technique and creativity. Listen to his riff right after the first chorus and you know you're listening to greatness. 

With all the parts in place, I can now relax and enjoy the collaboration—an international collaboration. 

I can't thank Noel, Audric and Georg enough for their friendship and musicianship. I feel very blessed to have such great musicians willing to add to my little creations. 

Every song is a moment in time. And this song will always be the summer of 2024. 

The inspirations for the song? Well, she's in the very first frame of the video. Christy always brings me her summer smile. 

Yours Respectfully, 

Roger Whittlesey
August 2024

Summer Smile

Words and Music by Roger Whittlesey. Arranged by Whittlesey and Audric Jankauskas. Guitar and synth by Jankauskas. All other sounds by Whittlesey. ©2024

Dear Reader, 

What is existence? Who made time? Is there a governing force? These are questions that cannot be answered with any certainty. Humankind has spent thousands of years creating stories to answer these questions and there are as many answers as there are cultures. 

When something good happens, there is a tendency for some to thank a deity. But what about when something bad happens? Some will say that this event was the deity's doing too, and that it is all part of some grand plan. 

I prefer not to twist myself into a pretzel attempting to apply logic to what are leaps of faith. And so, I follow science as it attempts to get closer to truth. In this song, I apply—in a whimsical way—a religious trope (Say Amen) to what is my secular belief. I encourage all to follow their own beliefs, whether sacred or secular. I cast no aspersions no matter what your beliefs, so long as those beliefs do not impinge upon the beliefs and freedoms of others. 

My special thanks to Audric Jankauskas for joining me on this song. His immense talent as a guitarist may be known to those of you who have heard him play on several of my other songs, but you should also know of his great musicianship, arranging and compositional skills. Audric added those beautiful angular lines toward the end of the song, which I think are so cool. 

This has been a great summer for me. I've had the opportunity to collaborate with at least 12 other musicians—talented players and singers from all around the globe. The autumn approaches, but the music will continue—I still have much more music that I am eager to release. 

Thank you for your continued support.

All My Best, 

Roger Whittlesey
August 2024

Say Amen

Words and music By Roger Whittlesey. Saxophone arrangement by Georg Boehme. Boehme plays soprano, alto, tenor, and baritone saxes. He also plays the bass clarinet. Noel Barrett plays the bass guitar. All other sounds by Whittlesey. © 2024.

Dear Reader, 

In Shakespeare's play "Hamlet," Ophelia drowns herself in what is a terrible and tragic scene late in the play. 

The idea for this song came when I recognized that the grief of loss, missed opportunities, and mistakes compound as we age, and they don't leave us. Instead, these emotions seem to haunt us—often surprising us when we least expect it. And so, these feelings are akin to the tragic drowning of Ophelia, except that they seem to happen again and again—hence the title of the song. 

Georg Boehme, a brilliant arranger, composer, and horns player from Cologne, Germany, joined me on this piece. I sent Georg the basic tracks and gave him no instructions. He knows what to do, and he always exceeds my expectations. His playing on this piece is amazing. As you get to know Georg's music, you will begin to see that he has a unique style, and it shines through in all that he plays. Thank you, Georg, for lending me your immense creative talents. 

Last week, I sent what I believed was the finished version of this song to Noel Barrett, an outstanding bass player from Cork City, Ireland. I knew he would dig the work that Georg did on the track. And he did. Without any prompting, he replaced the bass part that I laid down—and improved the tune tenfold in the process. Noel has rock-solid time and brings a melodic sensibility to everything he plays on the bass. It is a great pleasure and honor to have him guesting on this song. 

Finally, I thank you, my devoted listeners, for your comments and for your repeated returns to my channel. 

I have much more music to write. This is only the beginning of the journey. 

Highest Regards, 

Roger Whittlesey
July 9, 2024

Ophelia Drowns Again

Music:  Little Man Project & Janne Hennie
Lyrics & Vocal: Janne Hennie
Instruments & Mix: Little Man Project

Lyrics:

Fighting against a system
That doesn't really care
They tell us we are voiceless
Can't see us
But we are here..
Want us to believe them
When they say they know best
We are just a number
An impersonal case...

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

They treat us as an object
Which shall not make demands
They think they have the power
But we will fight back!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!

Let's mess up the system
And laugh it away
Using our voices
Let's show them today!!

The System

Llanpysch mix of Innerkey's epic track Pen Lyn. Listen to the original track here https://soundcloud.com/innerkeydj/pen-lyn?si=fd476a0970384cf2a5a28cd280939f14&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Rob composed this a couple of years ago after we'd been on holiday to the Llyn Penninsula, North Wales. Inspired by the wild beauty of Pen Llyn's north coast, this track captures the sound and spirit of the ocean crashing into the land. Photo taken from the cliffs at Traeth Tudweiliog.
Rob - Composition, original mix and production,beats and  synths   
Tez - remix and guitars                          

The Cat and The Sea - by RS Thomas
'It is a matter of a black cat
On a bare cliff top in March
Whose eyes anticipate
The gorse petals;

The formal equation of
A domestic purr
With the cold interiors
Of the sea's mirror.'

Pen Llyn - with Innerkey

Cast of Characters:

Roy Roy – @user-967672349 – Roy – foundational guitar, composition, and arrangement
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synth sax, synth strings, synth brass, production, and mix
TexMex Shaman– @texmex-shaman –Stephen– whah guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

This song began as a well developed, funky disco idea Roy came up with on his guitar, and shared with JJ. JJ added a wonderfully complex orchestration of various keys, including brass, strings, and the sax solo you hear towards the end. 
  JJ invited Stephen Stephen first, who came up with the funky ass wah guitar that also carries the groove. Of course, JJ realized that this is a disco song, so he enlisted Ken to come up with one of his awesome beats to carry it along. JJ had a rudimentary bass line that he played himself, but decided to get me to do the honors instead. So, I came up with a totally new bass line designed to shake your cheeks.
Once it was in the can, we decided to ask have JJ mix it for us. This is a first time JJ has mixed a song for The Eclectic Collective, and we were all impressed with his work. Stephen mastered it, as he is a master masterer. 
  We're all really impressed and delighted with the experience of working with Roy and his music. He is a very talented artist with a lot of great music to check out on his page, too.
  We hope you enjoy listening to this as much as we enjoyed creating it, and that it makes you shake your hips while you're doing the dishes, too!

Shag Carpet (Eclectic Collective with Roy Roy)

Words and music by Roger Whittlesey. Lead guitar by Audric Jankauskas. Bass by Noel Barrett. 2024.

Crossfire

Words and Music by Roger Whittlesey. Bass by Noel Barrett. All other sounds by Whittlesey.  2024.

The Minutes of Night

Mike Rowland - My Elfin Friends - 02 - Listen to Your Heart

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Roger Whittlesey is a multi-instrumentalist, singer-songwriter from the Boston area. He often composes and records pop music with intricate harmonies and deceptively sophisticated chord changes. Many songs spring from his 60s, 70s and 80s influences, but his music is original and unique. Whittlesey often collaborates with instrumentalists and singers from the world of jazz, folk, and pop to create a hybrid form.

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