Booking requests:
chris@stilvortalent.de
Management:
music@stilvortalent.de

Having begun DJing in the middle of 90s, accumulated valued experience and formed his own musical vision for the long time, Aleksey Kononov aka DJ Kon' decided to launch his own label Eleatics Records whereas best artists of the globe making hi-quality Melodic Techno / Progressive House music.
All releases of the label are available in digital format.
If you look for a good music and heavyweighters on the club scene, Eleatics Records and DJ Kon' are the projects you have to watch out in the future.
https://www.facebook.com/eleatics  
https://soundcloud.com/eleatics
http://classic.beatport.com/label/eleatics-records/60530

All Tracks: 
https://linktr.ee/fckngserious

Established in 2015
Founded and owned by Boris Brejcha

Generell Questions
Email: contact@fckng-serious.de

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


In a saturated and cloned dance music market, it is becoming all too common to merely emulate, rather than stand out, be unique and create memorable music. Our passion for timeless, creative and intimate music allows us to  filter through to the artists we invite to join Decoded Magazine We do not look for just anyone, we are looking for people who create memorable music that inspires and invokes emotion, rather than be disposable chart topping hits and mixes.

We support and nurture underground house, progressive, techno, deep house, minimal, breaks, electronic, drum and bass music.

We live in a world of mass media consumerism, yet never tell a story. Never in the history of mankind, has so much information been available, yet our voices are never heard. Decoded Magazine aims to deliver thought provoking, intelligent journalistic articles that affect the generations who are passionate about electronic music, fashion, lifestyle, industry news, interviews, travel, food and breaking new emerging talent beyond the dance floor. We provide ethical, provoking and humorous content to a global audience.

We are a collective of professional marketing managers, print & web designers, recording artists, journalists, label owners, DJs, social media marketers, event promoters, music publishers and more. It is a labour of love for us, it is a passion that runs deep, a feeling of taking back control of an industry we love and so heavily invest in with our own personal lives. We are not grandstanding, we are not thinking we are going to change the world overnight, but we do hope that we can slowly be a game changer in what people listen to, explore or experience.

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True Underground (TU) emerged as a SoundCloud channel and has since evolved into a forward-thinking media platform, uniting all genres — together as one. Its mission: to break down barriers in the underground and fuse diverse sounds together in a single feed. 

Its flagship invite-only "ONE" podcast series, TU showcases leading electronic music artists across all-genres https://www.trueunderground.one/one-podcast/

Meanwhile, "True Techno Podcast" drills into the core of the genre, connecting its raw subgenres to erase divisions and ignite inspiration among true dance music heads https://www.trueunderground.one/true-techno-podcast/

Beyond its 82k follower Soundcloud channel, TU delivers curated travel guides, sharp interviews, underground news and premieres — all live across its site and socials. 

Visit www.trueunderground.one for all our latest content.

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