Niche live performer, DIY producer and London-based french composer roscius has spent the last years building himself a unique reputation in the alt music world. He launched his debut vinyl WMD#1* in a London Art gallery in 2015, where he performed whilst artist MRSCMillo painted the hand-numbered and signed sleeves in real time. (*= World Minimal Disco). 

Since then, eps and single releases have been flowing, with premieres on Clash Music, Xlr8r, Trax, or french Radio Nova, to name a few. Now a regular at Glastonbury and Wilderness Festival, roscius has recently joined international line ups at Amsterdam Dance Event (NL), We Love Green & InaSound (Paris), Hong Kong’s Clockenflap, FOST summit (NYC), Cyprus’s Afro Banana Republic. 

Mastering the art of improvisation, combining percussion experiments, lyric-less vocals, rare live sampling and harmonization skills, roscius “creates a unique and absorbing soundscape, genuinely innovative and emotional”. Touring independently around the globe also enabled him to collect handmade music instruments, from West African bongos, South American shakers, Asian gongs, Armenian tambourins to a small japanese analog keyboard (bought in a vintage market in Berlin); 

His most recent asset being a chromatic balafon made in Burkina Faso, which he plays the non traditional way, in order to create his very own organic musical and cinematic journey, sailing from an acoustic version of acid house to a warm minimal and progressive techno, with subtle touches of nu jazz, drill patterns, bulgarian inspired choral music, baile beats, neo classical textures or even elements of UKG, depending on the mood. His peculiar way of blending genres whilst live looping enabled him to share stages with heavy waits such as Crazy P, Jon Hopkins, Francesco Tristano, Coco Maria, Keiichiro Shibuya, Mikky Blanco, Acid Pauli, Terry Francis, Alfa Mist’s Johnny Woodham, Marc Rebillet, Jacques, Neon Indian or anglo-zulu (and Steam Down vocalist) DemiMa.

Not only did his travels widened his range of influences and his musical knowledge, but it also added to his hard drives countless field recording sounds, from which he draws his own crafted edits and original concrete sample bank. Sort of an audio diary. His productions have been warmly welcomed by the press, (Dj Mag, Ransom Note, Resident Advisor, Mixmag) and cheered by dj/artists such as 
Mr G, Worldwide FM’s Erica McCoy, Laurent Garnier, Stacey Pullen, Midland, Chaos in the CBD, Hugo Mendez (Sofrito), Horse Meat Disco, AFFKT, Arandel, Chloé, Danny Daze.. 

Being an enthusiastic and inclusive collaborator, Will J. A. Serfass (aka roscius) has occasionally partnered with various institutions (Hermès Foundation, Nissan, Bose Soundsystem, Eristoff, Chevignon); and performed in renowned contemporary arts museums such as Erarta in St Petersburg (RU), Kunstmuseum in Bern (SWZ), Guimet / Bourdelle / Arts Déco in Paris (FR). He remixed artists such as The 2 Bears (Southern Fried Records), Pouvoir Magique & Loya (Mawimbi), Calypso Rose (Because Music) and whether it’s his productions or his live sets, you might’ve heard him on air too (Rinse FM, Worldwide Fm, NTS, France Inter, Le Mellotron, Netil radio, Cercle, Arte TV).

Will J. A. launched “Nomadic Recordings” in 2019, with which he created Mesh Collective, virtually gathering more than 70 lone creatives from around the world during first lockdown to produce half a dozen tracks in a month and raise funds for Doctors Without Borders. Since his last sold out show at Peckham’s Rye Wax, and his latest ep “Collage” (OUT on Wormfood London!) roscius scored two short movies, an art exhibition and a contemporary theater play. Stay tuned for his forthcoming releases and tour dates to be announced soon!

Vic Tolchinsky aka ZOMVIC es una Dj y productora argentina que en sus sets entrega una selección de Electro, Techno, Dark Wave, New Beat, Break Beat y Acid House.
 
ZOMVIC ha estado en el line up de importantes clubes nacionales e internacionales, compartiendo cabina con artistas como Textasy (FTP, Natural Sciences), Ron Wilson (777 Recordings), Lamaze (Bliq), Alejandro Paz (Cómeme), Diegors (Cómeme, Emociones), Djs Pareja (Cómeme, Fun Fun), Andrea Paz (Discos Pato Carlos), Lucas Mari (Savor Music), Amanda Mussi (ALT), Delectro (AFU limited / Bomb trap records), Volvox (USA), Roman Castro MKRN, Kamila Govorcin (CL), Andre VII (Platino records) ETC.
 
En el año 2017 la carrera de ZOMVIC empezó a internacionalizarse, presentándose dos veces en Chile, destacando el festival RECREO, instancia de reúne a la comunidad de música electronica underground de Sudamérica. Además, participó en la serie de mixes y entrevistas del colectivo Techno feminista Discwoman, con base en NYC. En Febrero del 2019 estuvo tocando en Brasil en la fiesta DANDO y Dusk desde la agencia brasilera Queer de djs ALT.
 
ZOMVIC es además Co-fundadora de la fiesta New Trash Is The New Acid, colectivo con base en Argentina y Mexico. New trash busca ampliar la escena femenina y disidente de Latinoamérica.
 
Desde julio del 2019 esta haciendo base en CDMX, ya toco en el festival Ley seca dos veces, en la fiesta Ext. y la Pordetroit.
 
A fines del 2019  Zomvic arranco su programa de radio ¨callejones de la mente¨ para REA (Radio electronica argentina)

En este año 2020 donde casi no hubo actividad de clubes nocturnos su carrera se extendio por el lado de la producción editando en varios sellos: Disque discos (Mexico), Emerald & Doreen records y Nein records (Alemania), Nave anima (Argentina), LPZ (Paraguay), Moray discs (Paraguay), Ademas de una serie de remixes y colaboraciones para la artista argentina Flor Batalla.

ⁱᵈᵐ "𝖙𝖊𝖈𝖍𝖓𝖔" 𝕯єรςờɭ๏ภเz̶̝̱͐͌ค๔ô! ◌
Two Hot Lil' Southeast Asians
#MALUKU ✺ y #VIETNAM 越南
XAKALELE & rbf.linh ○ 🏳️‍🌈 NL
bookings: katarzyna@annexagency.co.uk

Synth DIY and other electronic accidents. Part of Krachkistenorchester, Modulation Lab and others.

Galatheia is the moniker of Téa Shaldeva, an artist, occasional DJ and record label owner based in Skopje, Macedonia. She started out as a vocalist in underground bands during her late primary / early high school days and began experimenting with electronic music forms as back as 2007, releasing her first single in 2012. 

Releasing several singles and taking part in several compilations eventually leads her to compose, record and produce her debut album 'Metropol' (2017), which is the first electronic music album fully composed, played and produced by a female artist in her homeland.

Aside from music production, she has a longstanding relationship with radio (or in later years) streaming platforms. She was a part of Skopje's first independent alternative radio station 'Kanal 103' for 7 years (2010-2017). Aside from curating her own Wednesday night radio show 'dreamachine', she quicky got an opportunity to do the Monday morning peak hour selection (Glavna Struja) and became a part of 'zavisnalista.mk', the radio's own weekly top chart of local songs, both upcoming and experienced. She continued promoting and supporting the local scene in Skopje curating a monthly residency called 'Microdosing' on the Skopje-based streaming platform/internet radio Amok Radio from its beginnings to its closure in September 2022. An hour of her show, strictly dedicated to local music, was dubbed "#FuckFake," a live concert by local artists hosted in the radio's headquarters. 
Later, she shortly curated a monthly podcast on the well-known Tbilisi based platform Mutant Radio, 'Underskopje', and as usual, her aim is to meet and greet Mutant Radio's wide audience with the colourful alternative music hailing from North Macedonia and the vibrant Balkan scene. 

As for her own original sound, a few things are ever-present: sultry vocal chants, a haunting atmosphere, a specific versatility and a tendency towards alternative sound above all in any context. She doesn't aim to put her music on the dancefloor by any means necessary - rather, she uses electronic music forms in her own favour , utilising them to serve her own authenticity rather than define it. Putting it a bit poetically, Galatheia is the name of the voice and the origin of the beats that play in Téa Shaldeva's mind while she's forming sounds or simply falling asleep. Whether style it fits in at any given time, the unmistakable intimacy and need for finding new ways to express and dissolve her inherited musical matrix marks her music in a profound manner.

Starting in 2023, she launched her own record label The Deepest Purple Club.

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