Reprogram is an exercise in the re-creation and re-contextualization of iconic sonic textures found in glitch/microsound. The obsessive and constant pulse in Reprogram obscures any real sense of meter, instead shifting the focus to micro-variations in its surface activity. Structural changes are marked by a distinct signal, which instigates or terminates sonic strata and creates a sense of anticipation through slow and deceptively irregular repetition. 

Reprogram attempts to harness the stark, monolithic character of purely synthetic microsound (Ryoji Ikeda’s sound work in particular), while retaining a distinctly human element through the incorporation of vocal sources drawn from the recitation of a poem.

Reprogram (excerpt)

潤.來.⋅∘∙•・◦●○☼
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홀로씬 전자 // HOLOCENE ELECTRONICS

RST Biography: 

Composer of instrumental, ambient, and electroacoustic music - ranging in style from avant-garde classical music to popular music.

Working in the areas of high modernism, extended instrumental resources, computer assisted composition, chamber music, orchestral music, acousmatic music, software synthesis, sonic art, music for film, sonic interactivity and sound installation. 

International award-winning composer with over 50 solo recordings and numerous works on compilations distributed both in physical form internationally (CDs in stores such as Amazon.com) and in digital format online (iTunes, for example).

More detailed information, contact details, licensing details, sound clips, and downloads are available at the label website for Aucourant Records (BMI) and Aucourant Media Productions (BMI).  Music published in print with American Composers Edition (BMI).

www.aucourantrecords.com

Update to official website coming soon!

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Robert Scott Thompson is an electroacoustic composer who has labored in relative obscurity for years--releasing a large number of works in a surprising number of genres. Two Thompson releases, "The Silent Shore" and "Frontier", gave his music wider distribution and opened his talent up to a larger group of ambient aficionados. The two discs were fabulously diverse displays of ambience, dark and light. To my mind, "The Silent Shore" is one of the finest ambient releases of the 1990s, and "Frontier" was a more than worthy follow-up. 

Thompson's music is extremely cerebral and academic, fitting into genre definitions quite tenuously. The totality of his work may not be to a particular listener’s tastes every time, but one can always be sure Thompson is treading new territories, experimenting with sound, continuously moving forward.

~ The Ambient Review

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What is here: 

Some tracks are from published albums but much of what you will hear is unpublished or early versions of published recordings.  More and more, this space is being used to post tracks that are studio out-takes.  This music is not always found elsewhere.

Tracks are being added continuously.  Most are downloadable and I suggest downloading as the tracks may not be continuously available and are generally unpublished versions of things.

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I like when people download tracks and share them!!  

If you take the time to listen to my work, download it, hit the like button when the mood suggests, re-post tracks, follow me, and in other ways contemplate my music, I will do the same.  If you are interested in my work, and want me to be interested in yours and follow you, just ask me to listen and share.

Special note to film makers, video makers, choreographers, media makers, and game designers:

Custom music is available for commercial and independent films, film students, game designers and anyone in need of original music for specific projects (dance, theatre, installation, etc.).  Please send an email for details. FOR INFORMATION SEND AN EMAIL TO:  aandr [at] aucourantrecords [dot] com

Please add me on Facebook, follow me on Spotify, send me an email, read my blog at Wordpress, and be in contact - I am more interested in you as a person than anything else.  

Long live collaboration and sharing!  

Peace to you all!

Produce/Mixing/Mastering. Music for movie/contemporary art/fashion. Contact Me.

https://www.goodreads.com/user/show/54730678 https://boxd.it/7968R
Chess: chessaccounthowdy
Notebook

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I’m Shih-Lin Hung, a composer and sound artist from Taiwan. I explore memory, space, and disappearance through acousmatic and electroacoustic sound.

Open to interdisciplinary, cross-border, and remote collaborations — especially in film and experimental sound work.
Contact: alfredpierrot@gmail.com

If you enjoy my sonic landscapes, you can support my practice here: buymeacoffee.com/shihlinhung
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我是洪世霖，來自台灣的作曲家與聲音藝術創作者。透過 acousmatic 與電聲創作探索記憶、空間與消逝。

歡迎跨領域、跨國與遠端合作，特別是在影像與實驗聲音創作中。
聯絡信箱：alfredpierrot@gmail.com

如果你喜歡我的聲音風景，歡迎透過 Buy Me a Coffee 支持我持續創作：buymeacoffee.com/shihlinhung

FREE¸JÅZZ¸Kı̶̧̘̣̳͕̼̫̜̮̬̯ͅLLAH¸BEEZ™ 
conceptual kleptomaniac post digital free jazz outfi† spams the net with experimen†al and free førm quasi-jazz since about 3.2222 years
hello & booking: droneoperatorjazz (a†) gmail.com

-Composer of works for electronics, objects, and arrays of people.

Reprogram (excerpt)

Robert Seaback