Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Composer from Wellington, New Zealand www.rhiansheehan.com

http://rhiansheehan.bandcamp.com/

Rhian Sheehan is an award-winning music producer and screen composer from New Zealand. Known for his fusion of atmospheric-post-rock with electronic and chamber music, he has released 6 albums and 2 EP’s on Loop Recordings (NZ/Aus), Darla (US), Preco (Japan). His 2013 release Stories From Elsewhere has received much praise; renowned US reviewer John Diliberto (Echoes) calling it “a modern ambient chamber music masterpiece of quietly epic dimensions". His 2018 album, A Quiet Divide, is his most orchestral album to date, merging chamber strings & piano, with emotionally charged cinematic post-rock atmospheres. Releasing the album alongside a 6 date audiovisual live tour around New Zealand, the album reached no.2 on the NZ Top 20.
"A Quiet Divide is an album that swallows you whole, and sends you out the other side a lighter, calmer version of yourself." - Sunday Star Times
His work as a screen composer is diverse, actively writing scores for a wide variety of film, television, documentary, advertising, multi-media exhibits, and 360o Fulldome Planetarium dome show projects around the world, having worked on projects featuring luminaries Andy Serkis, David Tennant, Tim Allen, Martin Scorsese, Rupert Grint, and Jared Leto.  He has written music featured on many notable TV shows and channels, including Top Gear (UK), the hit HBO series Silicon Valley, BBC Horizon, CNN, National Geographic Channel, Discovery Channel, History Channel, Netflix, America's Got Talent, and has written music featured during The US Super Bowl, and The Academy Awards.
Sheehan has composed music for various multimedia installations and exhibits around the world, including UK's National Space Centre, The Kennedy Space Center, London’s Natural History Museum, Ferrari World, World of WearableArt, and Weta Workshop. His score for the 12-part prime-time series The Cult won him a Qantas Film & TV Award (Best original music in a TV series), and he also wrote the score for the Emmy Award winning series Reservoir Hill. Sheehan’s music was used extensively during NBC’s prime-time coverage of the 2012 London Olympics, and he has written music featured in a variety of commercials, including spots for Google, Nike, GoPro, American Express, Sony Pictures, Universal Pictures, and Facebook. He has written for Hans Zimmer's custom music company Bleeding Fingers and Extreme Music. Sheehan has scored music for the acclaimed films Belief: The possession of Janet Moses and Stray, and more recently scored the mixed-reality AR steampunk inspired robot shooting game, Dr. Grordbort Invaders, produced by Magic Leap & Weta Workshop (Peter Jackson & Richard Taylor's award-winning special effects and prop company).
He has written scores for numerous UK and US produced 360o Fulldome 3D Planetarium shows, most notably, We Are Astronomers, We Are Aliens, We Are Stars (for which he was awarded Best Original Score at the Fiske Planetarium Awards), and Back To The Moon For Good, which was produced by Google XPRIZE, the UK National Space Centre, and Robert K. Weiss (producer of The Blues Brothers). Narrated by Tim Allen (Toy Story), Back To The Moon For Good is one of the most popular and watched Planetarium Dome shows ever made; having screened in over 450 Planetariums around the world.

“A painter paints pictures on canvas but musicians paint their pictures on silence.” -  Leopold Stokowski

A member of Cellar Door. You can find us here: https://soundcloud.com/cdoor

"The most powerful and magical language is music. The reason for this is that music is the original language. Music is not ornamented poetry, and poetry is not ornamented prose. Poetry is fallen music, and prose is fallen poetry. Prose is not the original language; it is poetry made practical. Even poetry is not the original language; it is music made speakable, it is the words of music separated from their music. In the beginning was music." (Peter Kreeft, Philosophy of Tolkien)

Ashton Gleckman is a composer and musician from Indianapolis, Indiana, USA. 

Recent album 'Discovery' out now: 
https://music.apple.com/us/album/winds-of-spring/1507166169

Website: www.ashtongleckman.com

Contact Information: 
ashtongleckmancomposer@gmail.com

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Now days Arli create an all-guitar ambient project featuring the unique melodic frequency of the E-bow built upon a deep soundscape of lush, orbiting electric guitars.

Cadence is a podcast about music: how it affects your brain, your life, and the community in which you live. 

Join our host, cognitive neuroscientist and classically trained opera singer Indre Viskontas while we talk to scientists, musicians, musicologists, and composers to find answers to some of the biggest questions still surrounding the intersection of music and science. How much can we learn about the mind with music as the lens?

New Zealand Screen Composer & Music Editor.

Composer for Shortland Street, DEAD, High Tide Don't Hide, and others. For more projects visit my website. 

www.williamphilipson.com

Each week Inquiring Minds brings you a new, in-depth exploration of the places where science, politics, and society collide.

We’re committed to the idea that making an effort to understand the world around you though science and critical thinking can benefit everyone—and lead to better decisions. We endeavor to find out what’s true, what’s left to discover, and why it all matters with weekly coverage of the latest headlines and probing discussions with leading scientists and thinkers.

Inquiring Minds is hosted by neuroscientist and musician Indre Viskontas and science educator Kishore Hari. It’s produced by Adam Isaak in partnership with Climate Desk, a journalistic collaboration dedicated to exploring the impact of a changing climate and consisting of The Atlantic, Center for Investigative Reporting, Grist, The Guardian, The Huffington Post Mother Jones, Slate, and Wired. Our music is provided by award-winning producer Rhian Sheehan.

RSS: http://feeds.feedburner.com/inquiring-minds
iTunes: https://itunes.apple.com/us/podcast/inquiring-minds/id711675943
Stitcher: http://www.stitcher.com/podcast/inquiring-minds

Composer & Songwriter - Collecting sounds around the world. http://maxll.ca

Downloads: http://music.maxll.ca
For licensing: http://maxll.ca/contact

Rhian Sheehan is following