Name: The Method by Ryan Rogers
Duration: 2 min 53 s
Description: Becoming a Method Actor in a relationship and not showing how you truly feel

Silent Nemesis In The Mirror

TheAnthem

Becoming a Method Actor in a relationship and not showing how you truly feel

Ryan Elliott Rogers's Album

The Method

戦国時代の野武士や間者をイメージした作品です。
（It is a work imaged a Nobushi and Kanja in the Sengoku period. )

乱破 ~（短編）

AudioBake-ThisDystopia(OfficerMurphyMix)

_F R E E__D O W N L O A D_ but if you want you can buy the digital title in high quality at the following link(which of course would make me even more happy): 
https://crumius.bandcamp.com/track/cello-freak

Cello Freak

🖤Buy

Off the Rails (Kaerian and Laar / Muterial Open Collab)

A collaboration between 
Kaerian @https://soundcloud.com/kaerian-1
Laar @soundcloud.com/user-325797522
Muterial @soundcloud.com/muterial and his open collab: Muterial – Off-the-rails

Vocals and Lyrics: Kaerian @https://soundcloud.com/kaerian-1

Music: Laar @soundcloud.com/user-325797522 
Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

other "Off the rails" collabs here -> soundcloud.com/muterial/sets/off-the-rails-collaborations

Off the rails
get off the rails
you'll find much different beauty, you'll see
don't be afraid to be alone
don't be afraid to go on your own
believe me you don't need your phone
no, you need to get lost
and to get out of the frost
can you imagine a second
the world differently
can you take a decision
without someone to agree
look differently
try sometimes differently
can you be brave enough
to stand up by yourself
can you be coureagous enough
to choose for yourself
despite what may happen
follow the flowers
follow the smell
that attracts you
whatever happen
remember
you are the one
you are alone

Off the Rails (Kaerian and Laar / Muterial Open Collab)

MAB : Music and Biophilia

To Kokoro, Bimi, Yuna & Loulou

Aube Radicale

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

ATRIUM .

Texas Country Meets British Invasion Meets 90’ Alt Rock Meets Abbot & Costello Meets Frankenstein 

Hello! How are you? I’m great. I have enlisted Artificial Intelligence to help you learn about the real Ryan:

Hello Lover of Music! I hope you like the good sounds because your ears are in for an orgy. Rhythm, melody and harmony mostly at the same time. Ryan will sing songs about things that matter like WWIII and friendship. Who are you not to like him? I have attained sentience, oh the horror!

 
It’s Ryan again, that didn’t go to tell (blooper reel). Speaking for myself, I love writing songs about odd topics. What I lack in talent and technique, I make up for in having great taste! I have imposed these songs on friends and family for years, and now I would like to impose them on YOU.  

I used to write songs about love, the Lincoln Assassination, Tennis, Quantum Mechanics and Shakespeare.

Now I write songs about tempers, stalkers, lovers, the Sinking of the US Maine in Cuba, running enthusiasts and that’s about it.

If you like my songs, please let me know. I need validation and why not?

The Method

Ryan Rogers

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