hey Sanshu man, this song is magic! great early 80s synth wave vibe. great stuff, my friend!

Really kind of magic!!! Love this Kraftwerk vibe! Cool 😎

Great sounds! Great groove!🕷️👻🛸🛸🛸🛸🛸

Very cool bass groove and synth sounds. Good work.

According to the story of Buzz Aldrin during his trip to the moon his vision of "fireflies" through his cockpit.....! Thanks for your listen ! : )                                              Sounds of perfect landing : https://soundcloud.com/blink-twice-archival/sets/ark-dambient-open-collab

LUNAR

JIM ANDERS _ KOSTN_ Dj Commander Loop Rmx (Trancemix)

Haunted by the prospect of being accused of cultural appropriation,i must haste to point out a few argumants to my defence. Firtsly i will never make any money on this song,nor did i compose it for such a reason. Secondly i have the deepest respect for all native american tribes,their traditions and connection to nature and the spirit within.Had their culture prevailed the onslaught of western values we might still live on a planet untouched by human made climate change,industrial pollution and the specter of nuclear annihilation hanging over all our paranoid heads.Its such a paradox that western culture has brought us both human rights and a severe disconnect from nature,including our own nature within. 
Thirdly i have allways had a fascination for chanting of various ethnic origin,wether from native american tribes,or some buddhist monks chanting mantras.As an inborn eclectic i borrrow elements from wherever i find them and merge them into my mold of funk,jazz,pop,rock,elctronica and you name it.
But its all done with the utmost respect from my part,so if anyone should feel exploited i ensure you it was never my intention.
Most of the chanting within this song is from The Hopi nation,and the striking image to accompany the song is a cave painting of the ANT PEOPLE as described by the Hopi themselves. Oh..and the spoken words are from using a TEXT TO SPEECH online app.(Never done that before.)
Ray Ryeridge April 2023.

Opener of eyes

OPENER OF EYES

The whole band (Odin) had rented a house near Ochsenfurt (Gaukoenigshofen) where we had a nice practice room. One late evening I was fooling around with a very small and simple gadget called "Stylophone", that I had taken apart so that I could put my fingers on the various parts on the circuitboard, thus altering the tone. Wearing headphones, but also using the reverb of the Hammond organ as an effect, I did not realise that the speaker of the organ was also on. Thus my "creative output" of several takes to a 4-track reel-to reel blasted out into the village until the early morning, as I had gotten quite carried away with the possibilities of the sounds.
The next day our landlord called on me and told me: "Das kann teuer werden..." 
Pic by Shutterstock

This Could Become Expensive

Groovospace

Yet another instrumental inspired by a road trip. 
Can I fit another road trip in before the summer is gone?

All the guitar parts were played on my American Telecaster with Texas pickups... I aways seem to reach for this guitar when road trips are on my mind.

Open Road

Written, Arranged, Performed, and Produced by Kyle Bolan
Art by Kyle Bolan

Twisting In Snow

B-The Modern Prometheus

Mysterious Decibel--@themysteriousdecibel--MD—lyrics and vocals

TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production

J.J. Terrell–@j-j-terrell– piano and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar

This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 

  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 

  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 

  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar


It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night - The Eclectic Collective with Mysterious Decibel

Re-reading Asimov's "Foundation" trilogy. It's not how I remember it. Anyway, I've tried to conjure up a cityscape with an element of loneliness, Terminus being on the periphery of the galaxy... A bit like us, I suppose.

The smooth sounding guitar is a Gibson Memphis 335.

The artwork is by guitfiddle on DeviantArt.com

Terminus

Midnight journey

New Album! Bandcamp!
★[Dual Katana] 
★[no ambient, no life]
Check it out!

B-The Modern Prometheus

Sanshu Seiso [Experimental Artist]

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