lyrics by DYNAMO-P & TIOLOKE
performed by DYNAMO-P & TIOLOKE
produced, arranged,
mixed & mastered by H.GEE


DYNAMO-P & TIOLOKE  super mean (prod.by H.Gee)

A song about environmental pollution. 
https://open.spotify.com/album/4zdahPx0gMrOCf2gQonMWE?si=5wQYk7HtQC6CC03fOhdEJQ

Речка Жижавка

Paul Newhouse - Речка Жижавка

Sounds that I used: 
Kick + snare - roots (acoustic)
Cymbal - modern 909 (electronic) - closed + open hi-hat + crash + ride
Guitar - hard rock (other)
Bass - picked (other)

Frantic run

NightShift

H-Fine Specimen

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks - (Eclectic Collective with Joe Stroffolino)

des essais de nouveaux effets sur ce nouvel ambient; et puis finalement j'ai enlevé les effets, et repris l'original ( c'est souvent comme cela : l'effet plait bien à la première écoute, introduit - c'est le cas de le dire - un effet de surprise, mais ensuite, on s'aperçoit qu'il était un peu inutile, un peu tape-à-l'œwil pour tout dire... Lien sur youtube  : 
https://youtu.be/msWKiPey94

n'en parle qu'aux étoiles

in Search of freedom, in care to protect. 

One Teardrop to ripple.

Signal from the Woods

I'm back with my next instalment of my mixtape from my radio station Ghosting Radio, home to all my music and more. If you enjoyed this mixtape, please tune in to my 24-hour radio for music like this and more. For the full schedule for around the seasons and the year, please go to the first link, where you will be taken to my website and my radio page for all radio-related things, including a web player with tracklist and stream of the radio, schedule and more. Enjoy the free mixtape.

My Radio Web Page
gasnolight.co.uk/ghosting-radio/

Perm Link
centova47.instainternet.com/proxy/gasnolight?mp=/stream

Closure (The Bright Light Remix)

False Rain - Detective

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

H-Fine Specimen

Sanshu Seiso [Experimental Artist]

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