Absolutely love the interplay between bass and guitar here

Hey Sanshu man, love your bassing in here. Your singing is perfect for the song, too. What a thrill of a song! Way to go here, my friend!

R-Noël d'automne

Dark Ambient with synth, noise and Bass Drums. Theremin & Kaospad played in noise lines

1 - B

U-Pained Balance

Si les plus beaux paysages sont au-dessus de la ligne d’horizon chaque continent a son génie du ciel ....  Le ciel change chaque jour et imprime d’imperceptibles nuances grâce à ses nuages aux mille et une forme. Tout ciel nuageux en forme de gaze longiforme donnent cette « mélancolique lessive d’or du couchant » dont parlait si bien Rimbaud .... La fin d'été approche et nous pouvons observer maintenant un ciel plein de gros nuages blancs et aux nuances de gris, bourgeonnants, rembourrés, cotonneux, mais aussi lumineux comme des lampes au reflets lactescent …. 
J'ai essayé d'être représentatif de ce phénomène avec les nuances harmoniques de ce concept ….

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If the most beautiful landscapes are above the horizon line each continent has its genius in the sky .... The sky changes every day and prints imperceptible nuances thanks to its clouds with a thousand and one shape. All cloudy sky in the shape of a long gauze give this "melancholic laundry of the sunset" of which Rimbaud spoke so well .... The end of summer is approaching and we can now observe a sky full of large white clouds and shades of gray, budding, padded, cottony, but also luminous like lamps with lactscent reflections …. I tried to be representative of this phenomenon with the harmonic nuances of this concept .... 

Towards The Clouds ....

https://oorlab.bandcamp.com/album/lighthouse-songs
Sideways

Hearing shots again
What can be done?
Sometimes it feels
like there is no room for reason.

In the days of punk
'79
Wine and dine, all seemed fine 
but times were changing

  Sideways down the slope
  Sliding into the rope

They pawned the truth out
and bartered the facts
These moodswings hit me sideways
no happy ending these days.

Cover my back, wipe the tracks
It seems wise, 
not to blow 
this disguise yet 

  Sideways down the slope 
  Sliding into the rope 

You cancel me
I cancel you
what we're gonna do now?
try to get out somehow

Fingers crossed
hope for the best
but prepare for the worst
in these present troubled times

  Scattershots matter not
  Sideways down the slope
  Sliding into the rope

Lighthouse songs

bandcamp

Sideways

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- VST flute, percussion, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl --  vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This one began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with. 
  However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the thrilling flute solo (complete with a hidden 'Star Trek' theme tribute), and the percussion pattern that comes in after the solo to the end. Tez came in shortly after, adding some atmospheric guitar at the beginning and end of the song. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strummed triads. At this stage, Mark did some arrangement editing, to open up more room for the instruments and make space for the vocals, yet to arrive. 
  Now that the song was musically complete, our newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always. 
  This is Eclectic Collective's first foray into the Afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

(*Flute solo contains an excerpt from the theme music from the original Star Trek tv series, composed by Alexander Courage)

Original lyrics by The Beautiful Dark:

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

And lonely when she left. 712 ( 1994 ) Margareta Theorin - Eddy Mango ( Margareta )

Rework 2025

Devilish People (Rework 2025)

Part 4 of the final track of Then She Reaches For The Gun's 2nd Album
released in Jan 2025 - nomatesensemble.bandcamp.com/album/i-am…m-with-you.

Then She Reaches for the Gun was formed in 2021 by Mat Ward. At its essence is sound collage, Ward invites musicians, sound artists, poets and anyone interested to send him files to be used, abused and showcased ‘as suggested by the work’. They are not always musical but field recordings, spoken word, engine noises and drunken rants. Animals participate a lot too! The raw material is arranged with one phrase asking for the next in an alchemical and intuitive process that will most often feature dozens of tracks weaving in and out of each other, colliding, harmonising, arguing and laughing along the way.

Both the aesthetic and the compositional methods use what Frank Zappa called Xenochrony - the mixing together of separately recorded and rhythmically opposing musical phrases to create polyrhythmic and polytempi compositions.The work also features fragmented story telling with the human voice (in many languages) appearing unannounced throughout the tracks offering up snippets of thoughts, conversations, jokes and existential angst. The absurdity of humanities desperate claim to have any real understanding of its place in the universe is revealed through the recorded follies and genuine emotions of the artists. The project is a celebration of chance, diversity and community. It pays homage to all musical tastes and genres whilst maintaining a sense of humour and irreverence that is needed to stay sane in the climate of 21st Century contemporary culture.

Then She Reaches For The Gun is

Humans

Adam Meredith - Ford XD with XF front mods/Voice
Ambient Annie - Electronica/Field Recording/Voice
Andrew Harper - Field Recordings
Angostura Elwar - 2 x Behringer CRAVE analog synths/Yamaha P200 electronic piano
Antonella Eye Porcelluzzi - Text/Voice
Ariad Music - Clarinet/Percussion/Piano
Axel Weiß - Electric Guitar/Robot Voices
Banalytic - Experimental Electronics
Belial Pelgrim - Digital Strings/Electronica
Brendan Corey Benson - Electric Guitar
Carolyn Wigston - Voice
Chicago Word Brigade - Electronica
Dan Hewins - Bass Guitar
Dane Renshaw - Drums/Voice
Dani Kirby - Keyboard/Piano/Voice
Dylan Banks - Intonarumori/Voice
Frank Wilke - French Horn/Trombone/Voice
Garbage Truck Disco - Drum programming/Electric Guitar/Joyous Pop Punk
Glenn Ward - Electric Guitar/Skyhooks
Hakan - Moog Voyager XL
Hverheij- Drums/Electric Guitar/Synth
Johnny Python- Bass Guitar/Drum Programming/Electric Guitar/Text/Voice
JZsuperstar - Electric Guitar/Field Recordings/Keyboards
Lady ElectroTrek - Organ
Libby Laksmi - Jazzy Loops/Synth Bass
Loop(c)y - Electric Guitar
Malo Bernard-O’Meara - Drums
Maxx Black - Guitar/Ukulele
Minimal Drone Girl - Cat Wrangling/Field Recordings
Oberlin - Eurorack/Piano
Paolo D’Emilio - Electronica
Paul Miller - Electronic Percussion/Keyboards/Phat Electro Bass
Phil Bywater - Saxophones/Voice
Raul Mainer - DAW Programming/Heavy Metal
Robert Jefferson - Akai Rhythm wolf/GakkenSX-150 ll/Korg Kaosilator/Percussion
Rosin Dust - Violin/Field Recordings
Sarah Megahertz - Speedway Noise
Scratch Kelly - Beats/Electronica
Stan Magendanz - Electronica
Ten Atmospheres - Field Recordings/Synths
Texmex Shaman - Electric Guitar
The Windscale Blues Experiment - Clarinet/Flute/Saxophones
Timothy Korstad - Demons/Electronica
Thomas Bergheim - Bass Guitar/Electric Guitar
Tobias Schmitt - Electronica/Processed Organ/Text
Tuonela - Demons/Electronica
Vartch - Drones/Things/Trousers (not T-shirts)/Voice
Widar’s Spiritual Front - Electronica/Ms Pacman
W:I:L-o’ the-wisp - Bass Guitar/Electric Guitar/Electronica
Wivresse - Electronica/Voice
Zanshin - Acoustic and Processed Drums

Mat Ward - Arrangements/Bass Guitar/Double Bass/Field Recordings/Intonarumori/Marimba/Noise/Percussion/Piano

Dogs
Boogie
Brophy
Buddy
Hancho
Jack
Momo
Neska
Poldo
Senna
Shyamsundara
Star
Oily (cat)
And many cows from Milis, Sardinia

Cooking Hard Boiled Eggs in a Cheap Motel In Adelaide Part 4

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

**********************************************************************
English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

**********************************************************************
Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

**********************************************************************
Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

__________________________________________________

La Dernière Séance - Cover (Eddy Mitchell)

Made in September 2025

Video; https://youtu.be/ivcrl-XFfyQ

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🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

R-Noël d'automne

Sanshu Seiso [Experimental Artist]

Recent comments

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Fritz

Entheogenic Psychonaught (Josh Clary)

LPDJ

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