S-Funk to Funky

compositions : Instrumental music, Rock Alternatif, blues, jazz...

Dark cinematic music.

 

thanks to: https://www.instagram.com/indiala.studio?igsh=YnJiN3o0aGJsdHZw

EG Productions (France).


Vocals : collaborations, AI, free samples or samples of real songs.
Instrumentals / Lyrics / Mastering : Eric GEORGESCO.

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❤️🎶🎶The face of women is a canvas to paint beautiful works✨✨✨
The voice of women is the most beautiful musical instrument🎶🎶❤️

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Musical influences :
Rocked by the colorful and joyful music of the 80s and 90s, but also in the symphonic, I discovered music initially with ABBA...
Addict of the SynthPop of the time (OMD, Yazoo, Human League, Erasure, Depeche Mode, Ace of Base, italian SynthPop, Pet Shop Boys, A Flock of Seagulls, Elli et Jacno, Partenaire Particulier, Ultravox, Book of Love, The Buggles, Visage or others similar Bands), my inspiration today is clearly from all these wonders : nice melodies and synthetic style.

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Please follow me on the main musical platforms, especially YouTube and Spotify ! 😊🔗
(when I have time to post my songs 😅) :

https://youtube.com/channel/UCzVihqsszOg-OR12kTZ0QAA?si=kQIOXWJ6MRi2e2ug

https://open.spotify.com/artist/4mIEWRw9DY8ivR83WXKbOn?si=7vQc7thuR2a_HQSIbHvpfw

https://www.instagram.com/eric.georgesco/

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I’m looking for a female singer for others collaborations. EP and LP.
Please send me a message on : eric.georgesco@hotmail.fr or by a SoundCloud message.

If you think you can add something to any of my songs, want to sing them or make a remix etc, please drop me a note.

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All Tracks are available for Licensing.

All Tracks published on soundcloud, Spotify , YouTube and all musical platforms -without samples lyrics of real songs- are under license in the name of Éric Georgesco.
SACEM Licenced.

Composer and Media Producer from Kent, Ohio, USA.  Has released works as Xyst, Sonoxia, and JeffRay for Hypaethral Productions, Pearls Before Swine, and Mesa Publishing. Now focused on creating mostly instrumental music for video, tv, games and motion picture scores. 

Although the thumbnails are created using Dall-E or Stable Diffusion, NO AI WAS USED TO CREATE ANY MUSICAL COMPONENTS. 
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There are far too many people to thank, but I'm going to try: 

FIRST AND FOREMOST: 
Image-Line's FL Studio DAW
https://www.image-line.com/
https://soundcloud.com/fl-studio

I cannot begin to express how much this software helped me find my musical voice. (Image-line has not paid me anything for my endorsement.) Buy it once and get lifetime unlimited upgrades. I've used it since 1999 and since then, they've introduced dozens of new synths and effects I received for free. It just keeps on giving. I absolutely love FL Studio because of it's step sequencer core, beautiful interfaces, ease of use, robust help, versatility and incredible sound quality. 

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I'll be cycling through a list of FAVORITE SOUNDCLOUD ARTISTS here. So many incredible musicians worth mentioning...

Entheogenic Psychonaught (Josh Clary) 
https://soundcloud.com/josh-clary-1

Thrillmonkey
https://soundcloud.com/thrillmonkey

FlexHead
https://soundcloud.com/flexheadfunk

Seiso Sanshu
https://soundcloud.com/sanshu-seiso

AnandaTuk
https://soundcloud.com/user-11396379

Ni!
https://soundcloud.com/ni-ni-shrubbery

Earnest Woodall
https://soundcloud.com/user-235089528

Werner
https://soundcloud.com/wejfi

Frans Beelaard
https://soundcloud.com/user-936947521

Fabiano Matiolla
https://soundcloud.com/fabianomatiolla

Shaddenhook
https://soundcloud.com/schaddenhook
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If you follow me and haven't heard from me recently, send a message. There is so much great music out here, it sometimes take a while to get back and listen to the wonderful stuff you are all making.

Songs from the edge of somewhere. A place that doesn’t announce itself. You step in and can’t tell if you’ve walked into a protest, a party, or the end of something.

Conil’s music comes from the blues and from the life that followed it. A voice marked by the places it’s been.

People heard it early.
Danny Thompson said, “You don’t sound like anyone else.”
Tchad Blake still plays Strange Part of the Country.
Peter Green walked into the studio one afternoon and cut a track.

The record didn’t arrive with noise. It surfaced—four stars in Q Magazine, a Blues Matters cover, a single reaching number three on the U.S. Alternative Radio Chart.

The early years were England. Then came New Orleans, New York, Berlin, the Himalayas, Kilimanjaro.

The second album is close now. Marc Ribot on guitar. Danny Thompson’s final sessions. Tchad Blake in Wales.

Some things reveal themselves only at the end.

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

No AI is used to generate sounds whilst journeying on these cacophonic adventures.

....There's a story in there somewhere....

A bunch of demos and improvisations


BOSS BR800 Multitrack recorder 
-Built in drum machine
-Built in guitar effects processor

Yamaha MX88 Synthesizer
Yamaha CS1X Synthesizer
 Yamaha Clavinova CLP 535 Digital piano
Squire Strat Electric guitar
Fender Standard Telecaster Electric guitar
Lee Oscar harmonicas
L'Artigiana accordion

No Midi 
No loops
No DAW

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

S-Funk to Funky

Sanshu Seiso [Experimental Artist]