W-The Umbrellas of Kyoto

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

my wife and i are co-writers and singers… i am a physician and she is an analyst. we write music to celebrate our lives, our loves and our dreams for the world and our family. we have lived long enough to have compiled stories of our passions and countless acts of magnificent stupidity😇.
we know enough now… to know that we do not know everything. having said that, we have lots to say and lots to share through our music☺️. 
as an aside… we are none-monetized as we are exceedingly blessed in our lives away from music:) 
our prayer for the world is that everyone should be as blessed as we are:)

our music is transcendent, but gen-x’ers definitely get it:)

update… 
our highly talented and dear friend Gracie-V has joined our passion project as a co-writer and singer. 
We look forward to our trio continuing our musical odyssey for many years to come❤️

thank you for your time and support:) 
we love yall:)

sincerely
doc,steff and gracie-v

R̵̎̈́̈́̿͠ͅƠ̴̥̜̽̀̾͂͗̂͠M̷̜̜̒͌͊̓͗̑̋͊͘͠Ā̸̡̡̙̙̱͙̪̬͙̉͜I̸͎͈̪͈̔̈́̎͛̈̂̄͌̚͜N̵̡̙͎̣̗̹̤͐̒̓ ̶͕̯͔̯̟̈́̑̎̉̂͋͌F̷̰̙͍̼̎̓͑̅͋̊̇̃́̚R̶̨͕̼̱̮̙̪͈̄̽̏͐̆̂́̈E̴̛̩͎͛̇̄̃̑͐͝Q̷̠̗̪̉̈̔̓͜U̵̖̒͑̔͂͝E̷̠̥͍͔̻͉̙̓͝ͅN̷̠̭͑C̸̝͇̓̓͆͂̄Ÿ̸̮̘̳̩͎́̉  https://linktr.ee/romainfrequency ✴ RomainFrequency is a French recording artist and music producer specialized in dark ambient and cosmic cinematographic ritualistic electronicmusic. Based in Berlin, Romain combines introspective sounds with fragmented ambient synths in order to explore undercurrents sounds .
The debut album released in 2020 “Research on a Nameless Color“ is inspired by Derek Jarman’s final collection of Essays entitled “Chroma” released in 1994, the year he passed away and written while struggling with illness (facing the irony of an artist going blind). With each hue he approaches the universal unknown color. 
The second album released in 2023 “Soundtrack of Time“ negotiates the perception of time as an attempt to extend, stretch, pause or simply dissolve time, focusing on the energy created while deep listening to the music. 
To appreciate the works, you must consume the tracks in their entirety, demanding your full attention, allowing yourself to lose track of time, like a collage of sounds and fragments of Time. 

NEW Album: https://album.link/bvzp87v4sxvjz  
https://www.pinkdot-life.de/der-moment-eine-ewigkeit
Catalogue: https://romainfrequency.bandcamp.com/ 
....................................................
R̵̎̈́̈́̿͠ͅƠ̴̥̜̽̀̾͂͗̂͠M̷̜̜̒͌͊̓͗̑̋͊͘͠Ā̸̡̡̙̙̱͙̪̬͙̉͜I̸͎͈̪͈̔̈́̎͛̈̂̄͌̚͜N̵̡̙͎̣̗̹̤͐̒̓ ̶͕̯͔̯̟̈́̑̎̉̂͋͌F̷̰̙͍̼̎̓͑̅͋̊̇̃́̚R̶̨͕̼̱̮̙̪͈̄̽̏͐̆̂́̈E̴̛̩͎͛̇̄̃̑͐͝Q̷̠̗̪̉̈̔̓͜U̵̖̒͑̔͂͝E̷̠̥͍͔̻͉̙̓͝ͅN̷̠̭͑C̸̝͇̓̓͆͂̄Ÿ̸̮̘̳̩͎́̉

Hello and thank you for dropping by.

Thank you very much to everyone who takes the time to listen, like and share my noises. I am extremely grateful. My apologies if I take a little while to respond to those that leave nice comments.

I like listening to music, making simple, tunes when I have time, and generally faffing about in an inefficient manner. Hopefully you might like something on offer here. 

I use a Hinkler Cigar Box guitar (about $30 from Aldi, great fun), a Flying V ukulele, a couple of old keyboards, other bits and bobs, and a Yamaha tenor saxophone.

Even though I scream inside because of America's shit show, I'm still Rebecca, an old hippie rocker. When you read my comments, hear them in a southern drawl. I’m a liberal from Georgia … yes, we do exist. I moved to Hawaii about 20 years ago. 

I’ve been around the block a few times. Played a lot of guitar. Mostly I've worked as a visual artist. I've spent some years in the music biz with a major label and my own indie label. I’ve done some other interesting things, too, including: horse training, long motorcycle trips, movie set design, accompanying my wife on her pro bowling tours, and I've seen a good bit of the world. Now I’m retired and still keep busy doing all the things I want to do.

Life is what you make it. Follow your passions.

Speaking of passions … because I love designing, in February '24, I opened an Etsy store as an outlet for prints on clothing and other items: https://dragonhousestudios.etsy.com

If you're interested in seeing more of my art look here: behance.net/dragonhousestudios 

I'm also half of 8000 MILES, a prog rock duo.
Soundcloud: https://soundcloud.com/8000miles-music
Bandcamp: https://8000miles.bandcamp.com
And most Streaming services.

And by the way — to hell with Putin, Trump, Project 2025, Musk, Zuck, Bezos … and some others ….

Join me on Bluesky.

Because shiradow makes a page, I delete the music of shiradow right here and move to the page of shiradow. The music of m-tek is going to move, too.
I'm sorry.

“Until now, I have been replying in English through translation, but since translations can lead to misunderstandings, I will be responding in Japanese from now on.” 

＊ DAW  Logic Pro X, Studio One,FL studio
I will be cancelling my Pro Plan on June 12th.

Hello
srp which lives in Japan. I write freely.
Please hear.

ᴀ ᴄᴏᴍᴘᴏsᴇʀ, ᴀ sᴏᴜɴᴅ ᴀʀᴛɪsᴛ & ᴀ ɢʀᴀᴘʜɪᴄ ᴅᴇsɪɢɴᴇʀ ʙᴏʀɴ ɪɴ 1990 ɪɴ Kʀᴀᴋᴏ́ᴡ, Pᴏʟᴀɴᴅ.

//      Hɪs ᴍᴀɪɴ ꜰᴏᴄᴜs ʟɪᴇs ᴏɴ xᴇɴʜᴀʀᴍᴏɴʏ ᴀɴᴅ ɴᴇᴜʀᴏæsᴛʜᴇᴛɪᴄs ɪᴍᴘʟɪᴇᴅ ɪɴ ɴᴇᴡ ɪɴsᴛʀᴜᴍᴇɴᴛs ᴅᴇsɪɢɴ & ᴄᴏɴsᴛʀᴜᴄᴛɪᴏɴ, ᴀs ᴡᴇʟʟ ᴀs ʙᴜɪʟᴅɪɴɢ sᴏᴜɴᴅ ɪɴsᴛᴀʟʟᴀᴛɪᴏɴs. Sᴛʀᴢᴇʟᴇᴄ ɪs ᴀ ғᴏʟʟᴏᴡᴇʀ ᴏꜰ ᴀɴᴛɪ-ᴀɴᴛʜʀᴏᴘᴏᴄᴇɴᴛʀɪᴄ, ᴘᴏsᴛʜᴜᴍᴀɴ sᴜʙᴊᴇᴄᴛɪᴠɪᴛʏ ᴛʜᴇᴏʀʏ ᴡʜɪᴄʜ sᴛᴀʏs ɪɴ ᴀᴄᴄᴏʀᴅᴀɴᴄᴇ ᴡɪᴛʜ ʜɪs « ɴᴏ-ᴍᴇᴀɴɪɴɢ-ʙᴜᴛ-ɪɴ-ʀᴇsᴏɴᴀɴᴄᴇ » ʀᴜʟᴇ.

//      Iɴ 2017, ᴅᴜʀɪɴɢ ROSTRUM+ ᴄᴏᴍᴘᴇᴛɪᴛɪᴏɴ (ʜᴇʟᴅ ɪɴ Pᴀʟᴇʀᴍᴏ, Iᴛᴀʟʏ) ʜɪs « L’Aᴛᴇʟɪᴇʀ ᴅᴇ sᴇɴsᴏʀɪᴛᴇ́ » ᴡᴀs ʀᴀᴛᴇᴅ sᴇᴄᴏɴᴅ ʙᴇsᴛ ʙʏ 29 ɴᴀᴛɪᴏɴᴀʟ ʀᴀᴅɪᴏ ɴᴇᴛᴡᴏʀᴋs ғʀᴏᴍ 4 ᴄᴏɴᴛɪɴᴇɴᴛs, ᴛʜᴜs ᴡɪɴɴɪɴɢ ᴀ ʀᴇᴄᴏᴍᴍᴇɴᴅᴀᴛɪᴏɴ ᴏғ ᴛʜᴇ Iɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ Rᴏsᴛʀᴜᴍ ᴏғ Cᴏᴍᴘᴏsᴇʀs (ᴄᴀᴛᴇɢᴏʀʏ ғᴏʀ ᴀʀᴛɪsᴛs ᴜɴᴅᴇʀ 30 ʏᴇᴀʀs ᴏʟᴅ). Tʜᴇ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴀʟsᴏ ᴍᴀᴅᴇ ɪᴛ ᴛᴏ ᴛʜᴇ ᴛᴏᴘ ᴛʜʀᴇᴇ ᴏɴ ᴛʜᴇ ᴀɴɴᴜᴀʟ ᴄʜᴀʀᴛ ᴏғ ᴛʜᴇ ᴍᴏsᴛ ɪɴᴛᴇʀᴇsᴛɪɴɢ ᴄᴏɴᴛᴇᴍᴘᴏʀᴀʀʏ ᴘɪᴇᴄᴇs ᴀᴄᴄᴏʀᴅɪɴɢ ᴛᴏ Dᴀɴᴍᴀʀᴋs Rᴀᴅɪᴏ Kʟᴀssɪsᴋ. 

//     Sɪɴᴄᴇ 2012, STRZ's ᴡᴏʀᴋs ʜᴀᴠᴇ ʙᴇᴇɴ ᴘᴇʀғᴏʀᴍᴇᴅ ʙʏ ᴇɴsᴇᴍʙʟᴇs ғʀᴏᴍ Bᴇʟɢɪᴜᴍ, Dᴇɴᴍᴀʀᴋ, Fʀᴀɴᴄᴇ, Gᴇʀᴍᴀɴʏ, Iᴛᴀʟʏ, ᴛʜᴇ Nᴇᴛʜᴇʀʟᴀɴᴅs, Pᴏʟᴀɴᴅ, Sᴘᴀɪɴ, Sᴡɪᴛᴢᴇʀʟᴀɴᴅ, Uᴋʀᴀɪɴᴇ ᴀɴᴅ ᴛʜᴇ USA — ᴅᴜʀɪɴɢ ᴍᴀɴʏ ʀᴇɴᴏᴡɴᴇᴅ ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ꜰᴇsᴛɪᴠᴀʟs sᴜᴄʜ ᴀs:

• Wᴀʀsᴀᴡ Aᴜᴛᴜᴍɴ (Pᴏʟᴀɴᴅ, 2014, 2015, 2017),

• CIME / ICEM ɪɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟ ᴇʟᴇᴄᴛʀᴏᴀᴄᴏᴜsᴛɪᴄ ᴍᴜsɪᴄ ғᴇsᴛɪᴠᴀʟ & ᴄᴏɴғᴇʀᴇɴᴄᴇ ɪɴ Dᴇɴᴛᴏɴ (Tᴇxᴀs, USA, 2014),

• Dᴏɴᴀᴜᴇsᴄʜɪɴɢᴇʀ Mᴜsɪᴋᴛᴀɢᴇ: NEXT GENERATION ᴘʀᴏɢʀᴀᴍᴍᴇ (Dᴏɴᴀᴜᴇsᴄʜɪɴɢᴇɴ, Gᴇʀᴍᴀɴʏ, 2014), 

• JIMEC — Lᴇs Jᴏᴜʀɴᴇ́ᴇs Iɴᴛᴇʀɴᴀᴛɪᴏɴᴀʟᴇs ᴅᴇ ʟᴀ Mᴜsɪǫᴜᴇ Éʟᴇᴄᴛʀᴏᴀᴄᴏᴜsᴛɪǫᴜᴇ ᴇᴛ ᴅᴇ ʟᴀ Cʀᴇ́ᴀᴛɪᴠɪᴛᴇ́ (Aᴍɪᴇɴs, Fʀᴀɴᴄᴇ, 2015),

• Mᴜsɪᴄᴀ Pᴏʟᴏɴɪᴄᴀ Nᴏᴠᴀ (Pᴏʟᴀɴᴅ, 2016),

• TAURON Mᴜsɪᴄᴀ Eʟᴇᴄᴛʀᴏɴɪᴄᴀ Nᴏᴠᴀ (Pᴏʟᴀɴᴅ, 2016, 2019),

• Yᴏᴜɴɢ Cᴏᴍᴘᴏsᴇʀs Mᴇᴇᴛɪɴɢ (Aᴘᴇʟᴅᴏᴏʀɴ, Nᴇᴛʜᴇʀʟᴀɴᴅs, 2017),

• Mᴜ́sɪᴄᴀ ᴇ ᴀʀᴛᴇ: ᴄᴏʀʀᴇsᴘᴏɴᴅᴇɴᴄɪᴀs sᴏɴᴏʀᴀs (Sᴀɴᴛɪᴀɢᴏ ᴅᴇ Cᴏᴍᴘᴏsᴛᴇʟᴀ, Sᴘᴀɪɴ, 2017)

• Cᴏᴍᴘᴏsᴇʀ Cᴏʟʟɪᴅᴇʀ 2018 ᴡɪᴛʜ ᴇɴsᴇᴍʙʟᴇ ᴍᴜsɪᴋFᴀʙʀɪᴋ ᴘʟᴀʏɪɴɢ Hᴀʀʀʏ Pᴀʀᴛᴄʜ ɪɴsᴛʀᴜᴍᴇɴᴛs (Kᴏ̈ʟɴ, Gᴇʀᴍᴀɴʏ, 2018), 

• CODES: Fᴇsᴛɪᴠᴀʟ ᴏғ Tʀᴀᴅɪᴛɪᴏɴᴀʟ ᴀɴᴅ Aᴠᴀɴᴛ-ɢᴀʀᴅᴇ Mᴜsɪᴄ (Lᴜʙʟɪɴ, Pᴏʟᴀɴᴅ, 2018),

• BEM18 (Bʀᴜssᴇʟs Eʟᴇᴄᴛʀᴏɴɪᴄ Mᴀʀᴀᴛʜᴏɴ 2018, Bᴇʟɢɪᴜᴍ),

• Fᴇsᴛɪᴠᴀʟ Mɪᴋʀᴏᴛᴏ̈ɴᴇ (Bᴀsᴇʟ, Sᴡɪᴛᴢᴇʀʟᴀɴᴅ, 2019),

• EsᴛOᴠᴇsᴛ Fᴇsᴛɪᴠᴀʟ – Lᴇ Sᴛʀᴀᴅᴇ ᴅᴇʟ Sᴜᴏɴᴏ (Gᴇɴᴏᴠᴀ, Iᴛᴀʟʏ, 2020)

...ᴀɴᴅ ᴍᴀɴʏ ᴏᴛʜᴇʀs.


//    STRZ ɪs ᴀʟsᴏ ᴛʜᴇ ᴄᴏ-ғᴏᴜɴᴅᴇʀ ᴏғ ᴀ ᴘᴏʟɪsʜ ɴᴀᴛɪᴏɴᴡɪᴅᴇ ᴄᴏɴғᴇʀᴇɴᴄᴇ ғᴏʀ ɴᴇᴡ ᴍᴜsɪᴄ ᴀɴᴅ sᴏᴜɴᴅ ᴀʀᴛ ELEMENTI, ᴏʀɢᴀɴɪsᴇᴅ ᴀɴɴᴜᴀʟʟʏ ᴀᴛ ᴛʜᴇ Kʀᴢʏsᴢᴛᴏғ Pᴇɴᴅᴇʀᴇᴄᴋɪ Aᴄᴀᴅᴇᴍʏ ᴏғ Mᴜsɪᴄ ɪɴ Kʀᴀᴋᴏ́ᴡ.

//    Hᴇ ʜᴀᴠᴇ sᴛᴜᴅɪᴇᴅ ᴄʟᴀssɪᴄᴀʟ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ ᴜɴᴅᴇʀ Zʙɪɢɴɪᴇᴡ Bᴀʀɢɪᴇʟsᴋɪ (2011-2014) ᴡɪᴛʜ ᴇɴʜᴀɴᴄᴇᴅ ᴇʟᴇᴄᴛʀᴏᴀᴄᴏᴜsᴛɪᴄ & ᴀʟɢᴏʀɪᴛʜᴍɪᴄ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ sᴘᴇᴄɪᴀʟɪsᴀᴛɪᴏɴ ᴜɴᴅᴇʀ Mᴀɢᴅᴀʟᴇɴᴀ Dʟᴜɢᴏsᴢ (2015-2020) ᴀᴛ ᴛʜᴇ Kʀᴀᴋᴏ́ᴡ Aᴄᴀᴅᴇᴍʏ. Mᴏʀᴇᴏᴠᴇʀ, ʜᴇ ᴘᴏʟɪsʜᴇᴅ ʜɪs sᴋɪʟʟs & ᴄʀᴀғᴛ ɪɴ ᴛʜᴇ ᴄᴏᴜʀsᴇ ᴏғ ɴᴜᴍᴇʀᴏᴜs ᴍᴀsᴛᴇʀᴄʟᴀssᴇs, ᴍᴏsᴛ ɴᴏᴛᴀʙʟʏ ᴅᴜʀɪɴɢ ʟᴇssᴏɴs ᴡɪᴛʜ Cᴀsᴘᴀʀ Jᴏʜᴀɴɴᴇs Wᴀʟᴛᴇʀ, Mᴀʀᴋ Aɴᴅʀᴇ, Cʟᴇᴍᴇɴs Gᴀᴅᴇɴsᴛᴀ̈ᴛᴛᴇʀ, Jᴇɴɴɪғᴇʀ Wᴀʟsʜᴇ, Eɴɴᴏ Pᴏᴘᴘᴇ, Sᴛᴇғᴀɴ Pʀɪɴs, Jᴏʜᴀɴɴᴇs Kʀᴇɪᴅʟᴇʀ, Zʏɢᴍᴜɴᴛ Kʀᴀᴜᴢᴇ, Mᴀɴᴏs Tsᴀɴɢᴀʀɪs, Uʀᴏš Rᴏᴊᴋᴏ, Rɪᴄʜᴀʀᴅ Aʏʀᴇs, Jᴏᴇ Cᴜᴛʟᴇʀ, Mᴀʏᴋᴇ Nᴀs ᴀɴᴅ Oʟɪᴠᴇʀ Sᴄʜɴᴇʟʟᴇʀ. 

//    Iɴ ᴛʜᴇ ʏᴇᴀʀs 2012-2016 STRZ sᴇʀᴠᴇᴅ ᴀs ᴛʜᴇ ʜᴇᴀᴅ ᴏғ ᴛʜᴇ ᴄᴏᴍᴘᴏsɪᴛɪᴏɴ sᴛᴜᴅᴇɴᴛs’ ᴄɪʀᴄʟᴇ ᴀᴛ ᴛʜᴇ Kʀᴢʏsᴢᴛᴏғ Pᴇɴᴅᴇʀᴇᴄᴋɪ Aᴄᴀᴅᴇᴍʏ ᴏғ Mᴜsɪᴄ ɪɴ Kʀᴀᴋᴏ́ᴡ, ᴏʀɢᴀɴɪsɪɴɢ ɴᴜᴍᴇʀᴏᴜs ᴄᴏɴᴄᴇʀᴛs, ᴄᴏɴғᴇʀᴇɴᴄᴇs ᴀɴᴅ ᴅᴇʟɪᴠᴇʀɪɴɢ ᴏᴘᴇɴ ʟᴇᴄᴛᴜʀᴇs.

May my Music bless your earbuds🫶🏼. Insta: https://instagram.com/sandijmusic?igshid=MzMyNGUyNmU2YQ==
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W-The Umbrellas of Kyoto

Sanshu Seiso [Experimental Artist]