Amen sister…moving piece with meaningful words that resonate!

This is an incredibly moving and beautiful song, full of emotions, personal experiences, and deep reflections. The lyrics are highly thought-provoking and blend seamlessly with the arrangement, highlighting every emotional nuance of the piece. The melody is catchy and memorable, while the harmony of sounds allows the listener to fully immerse themselves in your musical world. Best Regards 😘

IN HAYAO DREAMS

SEPTEMBER

It Hurts

La manufacture des abat-jour, 
Le nouveau titre de Matziz !!
https://youtu.be/1QuRW9AhDkQ

Actuellement en écoute partout et avec un petit clip fait maison en prime.
 (Merci Sam pour l'étalonnage et Stéph pour l'idée de personnifier plus les acteurs et actrices...)

Vidéo qui devrait ravir les multimilliardaires en manque de croisades idéologiques et touste ceux et celles qui lèchent plus ou moins sciemment ce genre de derches bien crades...

Au plaisir de lire vos retours

https://matzizrecords.bandcamp.com/album/la-manufacture-des-abat-jour
https://soundcloud.com/theophile2latour/la-manufacture
https://music.imusician.pro/a/T2aAaY02/

La manufacture des abat-jour - Video clip in description

The lyrics translated into Italian are taken from the well-known T.S. Eliot, "The Waste Land". Part IV: "Death by Water".

To give a new and different look to this old track I asked to my (and yours) friends (you know them well: @beatingedge). They improved the mix and above all added an instrumental part, on wich I enjoyed myself with other guitar, pad and cello sounds and parts. Obviously, I thank them immensely, with a special thought for Vampira (aka Mary).

LYRICS (ENG - ITA)

Phlebas the Phoenician,
a fortnight dead,
forgot the cry of gulls,
and the deep sea swell
and the profit and loss.
A current under sea
picked his bones in whispers.
As he rose and fell
he passed the stages of his age and youth
entering the whirlpool.

Gentile or Jew
o you who turn the wheel and look to windward,
consider Phlebas,
who was once handsome and tall as you.

----

Phlebas il Fenicio,
morto da quindici giorni,
dimenticò il grido dei gabbiani
e il fondo gorgo del mare,
E il profitto e la perdita.
Una corrente sottomarina
Gli spolpò l’ossa in mormorii.
Mentre affiorava e affondava
Passò attraverso gli stadi della giovinezza
della maturítà
Procedendo nel vortice.

Gentile o Giudeo
o tu che volgi la ruota e guardi sopravvento,
Considera Phlebas,
che un giorno fu bello e alto come te.

----

Music by Michele Ansani & Beating Edge (1981-2025).
Picture is from James Abbott McNeill Whistler, 'The Ocean Wave' (1883-1884), National Museum of Asian Arts, Washington.
Posted on SoundCloud: 2025, March 6

Phlebas il Fenicio [with Beating Edge] *

What's Gotten Into You?

RiZLiX - Break Yo Body

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — VST orchestration, vocals, lyrics, and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums, percussion

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Fender Precion four-string fretted bass, and Roland Phantom synthesizer

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson Custom T model electric guitar

Mistermark-- @user-432503709 -- Mark – VST string arrangement

Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar, mix, and production

 This song began as a musical letter written, composed, and sung by Carl to Eclectic Collective. Carl and Josh had been sniffing around each other's pages, admiring each other's work and collaborators. So Carl reached out with this friendly, uplifting song, as a gift to the band. 
  Ken was first in line, adding his awesome, driving drums to give us a heartbeat to build upon. Josh came along next and completed the rhythm section with his trusty four-string fretless bass. Stephen was next up to bat, adding his dynamic raspy guitar, which almost sounds like an electrified fiddle. Next up, Mark followed with his trippy synth and powerful strings to add to Carl's original composition. 

  We had it pretty much done sounding, but wanted to spice it up a bit, so we came up with the idea for a coda. Josh added his bass and synth for it, and Tez came up with the thrilling guitar part of it, as well. Tez also added the thrilling guitar intro, too. 
  Once it was in the can, we asked Tez to mix and produce it for us, which he did in his always expert fashion.

  This is the first song EC has done with Carl, but we know it won't be the last. We all admire him for his creativity, proficiency, and prolificacy. His page is worth a stroll, too, as it contains a lot of gems.

  We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark: 

Hey Collective Seeds,

Let's work things out across that water
There's a cable under sea,
We can send all sorts of...
Music/Words/Sounds - It's insane!
Look Lads,
That's life in the fastlane!

So it's ones and zeros
Mine and yours and theres
We are all heroes...

Watching the fire,
From a distance we're warm
But not from their mire,
From this musical charm.
It's a bonfire,
An inferno.
Earth got plenty to turn off...

So we can sing to love
And we can play for more dove.
Let's combine our powers. Collective!
A Paddy/Yankee toasted sandwich

Tex festival streak
Psyched for more free
K2 to peak
Mistermark chimes ' found life fought
Give, You Entheogenic Psychonaught
Collective lands
Psyched for more free

Dear Collective - (Eclectic Collective and The Beautiful Dark)

Pills:Written,Performed By Uwe Lauterbach 2025

Pills

Just a phase

песня на известные стихи Александра Ерёменко о "девочке дебильной", спасающей природу как космос

Туда, где роща корабельная...

I believe music is a powerful remedy and a way of expressing the beauty and pain of life throws your way.

When I was a little girl, my grandfather wrote me a letter about dandelions. He described them as dreams in flight, twirling through the wind, each tuft holding a spark of hope.

Dandelions are weeds, but they can survive anywhere, even cracks in cement. They constantly move, flow, and evolve. They adapt to whatever environment they find themselves in, ideal or not. They survive and thrive without needing to be cared for. Their beauty is in their resiliency.

This idea has stuck with me in the years since that letter. Growing up, I moved so much that I felt like an international nomad with no distinct roots or place to call home. Hence the name Sans Roots. Sometimes, it seemed like I just struggled into being, much like the dandelion poking through the cracks.I believe that home is not necessarily a physical location, but rather a person or a state of mind that brings peace and fulfillment.

My music blends my experiences in different cultures and countries with elements of various genres, including soul, 90s hip hop, and contemporary Scandi. My songs are anthems of hope and the ability of the soul to heal. If you love Sarah Bareilles’s “Gravity,” Alanis Morissette’s “Ironic,” or Kate Bush’s “Running Up That Hill,” my songs are meant for you. I hope they inspire you to keep chasing that silver lining and know that you can overcome anything.

Love, Sans Roots

It Hurts

Sans Roots

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