Listen to latest track: https://orcd.co/rpm277
@repopulatemars @southofsaturn @north-of-neptune
Few DJs have made such a dramatic impact on the underground house and techno scene over the last two years as Hot Creations label owner Lee Foss. Described by DJ Mag as “one of the most talented new forces in modern dance music today” and by fellow future house innovators Art Department as their favourite producer, Lee has quickly catapulted himself into dance music’s collective consciousness. 



Lee and his Hot Creations label co-owner Jamie Jones currently spearhead a whole family of like-minded producers that includes Robert James, Russ Yallop, Richy Ahmed, Danny Daze and most recently wAFF who are currently re-writing the rulebook of how to make evocative and emotive house music. His latest Hot Creations release ‘Electricity EP’ features collaborations with legendary producer MK and hot new vocal talent Anabel Englund, which will be followed this summer by the hotly anticipated Hot Natured album and live tour.

BE FREE, BABY

alex@glittercowboy.com

BOOKINGS 
p@slaytoncreative.com

Shirtless and shoeless, TÂCHES sits cross-legged in the dirt gently taking in his mountain surroundings. It’s clear that he’s deep in thought as he mindfully traces the shape of a fallen leaf in his hand and a slight smile gently spreads across his face. There’s a tangible feeling of love and fascination communicated through the way he looks at the world around him and it’s precisely this holistic approach to creativity that makes him such a captivating artist. This is the makeup of a being that finds passion and inspiration anywhere he looks. 

Contradictorily, he is as much a devotee to tradition as he is a breaker of rules. TÂCHES is uninterested in following trends, and instead seeks to provoke the senses through a deeply personal examination of culture and cliche. Conceptual without ever being pretentious, his music shows a deep rooted appreciation for the textures of the times passed and faraway places. There’s a certain urgency to capture the world as he perceives it; albeit a world seen through the rose tinted lenses of a creature forever romantically entangled with his surroundings.

There’s no one way to sum up TÂCHES’s music, as it’s perpetually in growth, bending and swaying like a tree in the wind. This sonic metamorphosis is due to a primal need to experiment coupled with a deep longing to express the continually transforming experience of being human. Drawing heavily from emotion and memory, there’s a clear sense of nostalgia in all that he creates. His pure and unabashed desire to combine the things that he loves manifests itself as rich and evocative music with massive personality and palpable global flavours. 

TÂCHES’s desire to build upon the world in which his music exists led to the creation of his label GLITTER COWBOY - the peculiar home for the sonic documentation of his journey. When you listen to GLITTER COWBOY, you are nakedly experiencing life through the eyes of TÂCHES as he seeks to embody self-awareness and optimism, along with finding inner peace through nature, artistic expression and simplicity of living.

Sabrina Burda & Natalie Dodge
DJ duo based in NYC

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

FYI, Momus or Momos was in Greek mythology the god of satire, mockery, censure, writers, poets; a spirit of evil-spirited blame and unfair criticism. He is depicted in classical art as lifting a mask from his face.

Momus is also and foremost a Parisian house music lover, who started in 2004 to actively collect records and regularly DJ in Paris, forging himself a peculiar music style falling somewhere between house, funk, and techno.

Moving to New York in 2009, Momüs pursued a sound engineer program to further develop his electronic music knowledge and skills. Rapidly part of the local underground scene, Momüs continuously learns and improves his DJ sets and productions, leading him to become resident at Output, Disco Before Sunset, Studio 151 and Baron among others. Tired of the hectic lifestyle of the Apple, Momüs moved to Lisbon in 2016 where he opened the beach club Yamba, and currently resides.

Influenced by both Detroit analog raw sounds and Parisian filtered and funky house, Momüs bridges the styles in his warm, groovy, and disco infused DJ sets and production, with the simple aim to get the best moves and smiles out of his audience; no mental masturbation here.

For bookings please visit https://www.yambayamba.com/momus

Shadow Child | Polymod | M.A.S.C | Food Music
mgmt: matthew@oldworld-newworld.com

A true force in electronic music, the Kool FM resident has spent over two decades pushing boundaries across genres, and he’s just signed a major 2025 album deal with London Records.

Known for blending House, Techno, and Jungle influences - balancing underground credibility with broad appeal - Shadow Child has left his mark on both club culture and the mainstream. A former BBC Radio 1 and Rinse FM resident, his impact stretches far beyond the DJ booth. He’s played a key role in major hits, including the UK number one KDA’s ‘Rumble’, while also delivering cutting-edge releases on Shall Not Fade, Hot Creations, E-beamz, R&S, and Unknown to the Unknown.

With heavyweight support from Peggy Gou, Bonobo, Gerd Jansen and Carl Cox, 2025 is shaping up to be huge. His Jungle and Breakbeat-Rave inspired album drops late in the year, and we can’t wait for what’s next.

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