Awesome Show in Edinburgh. Let's hope you get a chance to do this again!

Very powerful and brilliant wish I had been there for this event.

Ace . Witnessed the Epic Joy Division Live ! This is certainly  true to the spirit especially the  warped out of kilter Synths 

Watch the full show back here
https://youtu.be/WXArhDRTg10

http://www.joydivisionreworked.co.uk

“If Curtis hadn’t died you can’t help but wonder if this the kind of thing they would be doing today.”
The Independent

“brutalist… romantic… imaginative”
The Sydney Morning Herald

A special ten minute edit of live recordings from Live_Transmission, a collaboration between electronic composer Scanner and the 45-piece Heritage Orchestra in an audio-visual re-imagination of the sound and spirit of Joy Division. 

Instilled with poetic snapshots of Ian Curtis’ haunting vocals, Live_Transmission guides audiences through a sonic monument of new compositions accompanied by an animated landscape of artwork and projections created by visual artist Matt Watkins, reminiscent of the band’s creative process. 

Celebrating Joy Division’s key musical moments and groundbreaking evolution, Live_Transmission has redefined concert boundaries since proving a centrepiece of last year’s prestigious Brighton Festival 2012.

Live_Transmission: Joy Division Reworked

"Memory Rot" is a virtual process piece that achieves harmonic layering by even-ordered speed radios. Form is determined by time, which can be visualized -- as typical in Western understandings of musical form -- on a vertical axis: harmony shifts on a glacial scale as the various tracks resolve themselves over a predetermined period. 

The result is the effect of melting or "rotting" away which occurs at a slow and primarily felt (as opposed to overtly heard) rate as the layering between the simultaneously playing audio glacially shifts.

The jazz-inspired electric keyboard palette is treated with ambient procedures so as to intertwine two temporally and functionally akin genres so often considered to be culturally considered distinct. 

Roll up time & burn slow. 

A 2013 GATE Production. 
Composed and produced by Kara-Lis Coverdale in Montreal, Quebec. 

Kara-Lis Coverdale - Memory Rot

Terry Riley - Rainbow In Cologne2

from 'Reflections' [CD|LP|Digital]
Denovali Records · den291
available on all formats at
[http://denovali.com/philipprumsch]

Philipp Rumsch, born in 1994, is a composer, pianist, and sound designer from Leipzig, Germany. He was a student at the secondary school „Clara Wieck“, with a special focus on music, and the „Robert Schumann Conservatory“ between 2011 and 2013 and was trained in piano both in classical and popular music as well as in composition. A year later he was  accepted in the junior development program at the Academy of Music and Theatre „Felix Mendelssohn Bartholdy“ in Leipzig. Since October 2013, Philipp has been studying jazz piano in Leipzig and spent two semesters studying Music Performance at the Rhythmic Music Conservatory in Copenhagen from 2016 to 2017. During his studies he specialized on the fields of composition and sound design/music production.

In his conceptual work he transfers the sound aesthetic and compositional principles of Minimal, Pop and Electronic Music into an acoustic and orchestral format. The debut album of his twelve-person ensemble, „reflections“, will be released in February 2018 on Denovali Records.

Reflections

Philipp Rumsch Ensemble - Reflections - Part IV

for organ and electronics (Sequential Circuits Pro One, Korg PS3300, Buchla 100 and Serge modular synthesizers, Mellotron M400, processed harmonium)


Recorded 9 March 2012
Mills College Chapel
Oakland, CA, USA


welkin utilizes the mutual acoustic identities of the organ and analog synthesizer to direct the experience of coalescence.  These instruments of common timbre are made to circle about an enclosed and reverberant space, which is darkened to encourage constructed spatial projections.  As the discrepancies in frequency of the merged sound gradually swell and wane, resultant psychoacoustic effects emerge, seeming to pull the sounds apart and push them outwards.  The product is that of an atmosphere; a sensorial coating that encompasses, yet remains invariably out of reach.

welkin: Middle English, 12th century; refers to the vault of the sky, the upper air, the firmament, or the celestial sphere, i.e. the Empyrean.  In archaic cosmology, it was thought to be a set of crystal spheres that enclosed the Earth, to which the planets and stars were attached, so it would have been capable of ringing like a bell if one made enough noise.

welkin

Forthcoming Music From Memory © 2018

Vinyl: www.musicfrommemory.com
Digital: www.music-from-memory.bandcamp.com/

B3 - Kuniyuki Takahashi - Imagination (6:30)

from  "Jon Hassell - Vernal Equinox" (1977)

Jon Hassell - trumpet
Nana Vasconcelos - congas
David Rosenboom - tabla, goblet drum (dumbek)
Drone - serge synthesizer & motorola scalatron

Vernal Equinox

Jon Hassell - Vernal Equinox

from the album 'submers' available on double lp for the first time 11/23

submers

loscil 'argonaut I'

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

http://www.fluid-radio.co.uk/2019/05/heinali-rainbow-folding-midori-hirano-remix/

Heinali - Rainbow Folding (Midori Hirano Remix)

Hatis Noit and Kevin Richard Martin aka The Bug share their paranormal first cut 'After the Storm' via The Wire, ahead of their debut live performance at Le Guess Who? Festival in Utrecht on November 10.

The pair first joined forces during a Late Junction live collaboration session last year, resulting in four extraordinary pieces broadcast on BBC Radio 3 in December 2018. 

“Hatis Noit’s impressionistic approach, tonal brilliance and kaleidoscopic spectrum, evoked voices I had loved in the past. Whether it echoed the mood of Les Mystere des Voix Bulgares or the beauty of Liz Frazer, it even navigated the eerie spaciousness of Japanese Gagaku traditions that I enjoy so much, so I just knew I was happy to collaborate with her, as she had outgrown her influences and blossomed into an extraordinary talent.

'After the Storm', was a track we first sketched at the initial radio session but was later fully formed in my Berlin studio. In these times of climatic turbulence and socio-political upheaval, its deep seismic sonic flow and haunting melodies are a hymn to the stranded, offering comfort to those in need of solace.” — Kevin Richard Martin

The meeting of Hatis Noit’s bewitching vocal explorations and Kevin Richard Martin’s sacramental synthesis of sound for a world exclusive live performance is sure to lift their respective virtues to perplexing new levels.

“As a solo vocalist and voice artist, I’d always dreamed of floating and being drowned in a beautiful sonic storm. And then I met Kevin Martin.” — Hatis Noit

Erased Tapes 十五

After The Storm

Buy tickets

Kevin Richard Martin & Hatis Noit - After The Storm

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

Live_Transmission: Joy Division Reworked

scanner

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