|||More Thank You Care To Admit|||
From the album White Noise + Releases October 15 2025 on all major streaming platforms +
Future Garage meets ambient in this deeply contemplative track. Somewhere in between the lines, there lies a space where light and darkness mix... where the waves of heavy droning synth bass wash upon the sparking shores of light hearted synth melodies. Where echoing vocals reverberate within an undefined space and time... Where we realise, that sometimes we feel more than we care to admit.
Watch the video: https://www.youtube.com/watch?v=EKTTucUegA0

White Noise

More Than You Care To Admit

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J’aborde l’amour sous toutes ses facettes : sa beauté, ses épreuves et ses paradoxes. Pour moi, l’amour est une énergie universelle, mais la quête de l’amour romantique tel qu’on l’idéalise détruit son essence même, fragilise le couple et déstabilise la famille. À travers des sonorités variées (latines, pop, rap, R&B) et une touche de nostalgie, j’aborde des thèmes comme la dépression, l’amour de soi, la tromperie ou la perte des sentiments, sans détour ni tabou. Avec ma voix douce, je porte un message sincère : accompagner ceux qui se reconnaissent dans ces douleurs et rappeler que l’amour, dans sa vérité, est un chemin vers soi et les autres.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Welcome to my SoundCloud!
Here to make meaningful connections through music.

Peace.

Dan

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime, Shamanic Drumming, Mantra, 

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. 
All tracks guaranteed AI free.

Saltimbanque de toujours,auteur,compositeur et interprète afin de partager le plus beau des trésors... La Musique !  L'important est de livrer aux auditeurs ce qui nous ressemble....