Lines run pretty hot on this one.

Inspired by nature.

Enjoy!

PS: credits to the robot that generated the outline art.

Bouncing Cycles

Everything In Love

Once We Were Divine

Download

-How nice to go back !

-Comme c'est agréable d'y retourner !

Super 8

Super 8 (Original M!X)

This track replicates dance music of the 80s. a musical journey into 1985 with funky rhythms & melodies, enjoy listening.

Miami Love

Shattered Concentration

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocal composition, arrangement, and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.  

TheSiege

noxpox - automatic lover

HEAVEN HELP THE FOOL - HUNGRY GIZMO scs…ALWAYS MOVING SONG AND OF REFLECTION AND THE REAL UNCONDITIONAL REDEMPTIONS OF OUR LIFES AS WE ARE ALL HIT AND MISS AS LIFE IS COMING OVER THE SIDES OF FLOATATION DEVICES AND ITS ALL YOU DO IN THIS JOURNEY AS A FOOL IS TO LAND ON YOUR OWN AND CONTINUE. 

HEAVEN HELP THE FOOL +^circle be unbroken 
BY HUNGRY GIZMO scs 

+^LOOP S.  W.

HEAVEN HELP THE FOOL **HUNGRY GIZMO scs

One year after Dim Fumes' debut album "Liminal Clouds" the Berlin electronica boy band share a handy remix EP, featuring three bass-heavy edits of album songs by Jonas Landwehr, Farr and MSJY. From the community for the community, as dance floor weapons and to listen to it at home!

Download and stream on other platforms: https://idol-io.ffm.to/liminalcloudsremixes

Follow Dim Fumes: https://www.instagram.com/dim.fumes/
Follow Kommerz: https://www.instagram.com/kommerz.fyi/

Stream & Buy!

Dim Fumes - Backroom Keys (MSJY Remix)

The Disquiet Junto prompt this week (0728) instructed us to create a melody that slowly loses its notes. 

In thinking about my composition, I imagined that the song was slowly losing its memory, with each retelling of the story of its melody losing a little bit of itself.

As the instructions called for a repeating melody, I tried to mix things up in the layering and percussion to give each repetition its own distinct flavor. Hopefully this lands as the narrative arc that I tried to evoke.

This was the first time I recorded my new Modal Electronics Argon8M wavetable synth, which was a blast to use. A drone/pedal tone provides a sonic foundation through multiple key changes, topped with what I hope is a memorable melody starting on the 2nd degree of each scale and featuring a nice little augmented 5th for tension/color. 

The lead synth line on the Argon is doubled with a software synth with heavy tape delay, which you can hear isolated and distant in the outro once the main lead has lost all of its notes. The drone tone gets a little low-end boost from arpeggiated bursts played on the Moog Minitaur analog bass synth. A combination of electronic drum machine and synthetic acoustic drums provide the frantic beat to round things out.


...Sometimes I Forget (disquiet0728)

I don't want it all to be for nothing

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. 
All tracks guaranteed AI free.