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Cas Haley first gained national recognition in 2007 on NBC's America's Got Talent, where he performed a stunning acoustic reggae cover of The Police's 'Walking On the Moon'. His performance quickly went viral and helped him secure a well-deserved second place on the show.

Since then, Cas has been on a musical journey that has taken him around the world, blending Southern soul roots with reggae-inspired rhythms in seven original albums. His latest project, "BOOTS ROCK REGGAE, VOL. 1," is a unique collection of America's favorite country and rock songs, reimagined with Cas's signature style. By bridging his country roots with his love for reggae music, Cas is creating something truly special and unforgettable. Join him on this exciting new musical adventure and experience the magic of his music for yourself.

A platform for Reggae music worldwide. Empowering Artists / Building Community.

𝙁𝙤𝙧 𝘼𝙡𝙡 𝙄𝙣𝙦𝙪𝙞𝙧𝙞𝙚𝙨 𝘾𝙤𝙣𝙩𝙖𝙘𝙩:
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 The story of UB40, and how this group of young friends from Birmingham transcended their working-class origins to become the world’s most successful reggae band is not the stuff of fairytales as might be imagined. The group’s led a charmed life in many respects it’s true, but it’s been a long haul since the days they’d meet up in the bars and clubs around Moseley, and some of them had to scrape by on less than £8 a week unemployment benefit. The choice was simple if you’d left school early. You could either work in one of the local factories, like Robin Campbell did, or scuffle along aimlessly whilst waiting for something else to happen.

By the summer of 1978, something else did happen, and the nucleus of UB40 began rehearsing in a local basement. Robin’s younger brother Ali, Earl Falconer, Brian Travers and James Brown all knew each other from Moseley School of Art, whilst Norman Hassan had been a friend of Ali’s since school. Initially, they thought of themselves as a "jazz-dub-reggae" band, but by the time Robin was persuaded to join and they’d recruited Michael Virtue and Astro – who’d learnt his craft with Birmingham sound-system Duke Alloy – the group had already aligned themselves to left-wing political ideals and forged their own identity, separate from the many punk and Two Tone outfits around at that time. The group had nailed their colours to the mast by naming themselves after an unemployment benefit form. Their political convictions hadn’t been gleaned second hand either, but cemented in place whilst attending marches protesting against the National Front, or rallies organised by Rock Against Racism.

By the time Chrissie Hynde invited them to tour with the Pretenders during the summer of 1980 and their debut single "King b/w Food For Thought" had sailed into the UK Top 5, all the essential elements of UB40 were already in place. Their line-up will remain unchanged for almost thirty years, and they will continue playing a mix of original material and inspired choice of reggae covers in a style that’s instantly accessible with its bright melodies and sweeping horn arrangements – one that’s allied to a formidable rhythm section, capable of holding its own with anything from Jamaica.

UB40’s first album was released the following September, on Graduate Records. Their deal allowed them more creative freedom than if they had signed with a major label. The cover artwork memorably duplicated an unemployment benefit card, with the title "Signing Off" rubber-stamped in red, but it was the music that quickly worked its way into the affections of a young, mainly student crowd with its knowing lyrics, solid reggae rhythms and dubby, instrumental passages, offset by warm horn solos and Jamaican style scatting. There was nothing else like it at the time. As a multi-cultural band from Birmingham, UB40 weren’t drawn into trying to sound "authentic," and there was considerably more depth to their music than that of many punk and 2Tone bands. "I’m a British subject, not proud of it, whilst I carry the burden of shame," they sang on one of the tracks. Accepting the truth of their own situation amidst a sea of other reggae songs proclaiming black heritage gave us a valuable insight into where UB40 were coming from. They were unafraid to stand up and be counted, and British audiences instinctively loved them for it. "Signing Off" duly went to No. 2 in the UK and stayed on the nation’s album charts for 72 weeks.

On September 2nd, 2013, UB40 released their latest album ‘Getting Over The Storm’ on Universal/Virgin Records.

FREE 2GB Dubmatix Reggae/Dub Loop Pack
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Dubmatix is continually evolving his style, taking new influences on board on each new recording; by now it simply doesn’t do justice to the incredible breadth of his work to slap a ‘dub’ sticker on it. 

"...collaborations see him effortlessly incorporating all conceivable facets of reggae and dub with a striking self-assurance and combining them with an exceptional willingness to experiment and take new directions."

This kaleidoscope of variety is particularly in force of his upcoming brand new album. As well as working as a musician and producer, Jesse King is also a sought-after remixer and app designer, with recent remixes including tracks for the Easy Star All-Stars, John Brown's Body, Zion Train, Martha & The Muffins, Don Letts and Mungo’s HiFi. 

For his new album he spent 2 years in the past and a lot of time in tweaking the knobs on high class Roots Tunes inna crossover style…! 
SOUND CLOUD REVIEW DEC 2014

FIREFLIES - New Album Available Now on Easy Star Records:

➲ JBB store (CD / vinyl / merch): http://geni.us/FirefliesJBBStore
➲ iTunes: http://geni.us/FirefliesiTunes
➲ Amazon: http://geni.us/FirefliesAmazon
➲ Google Play: http://geni.us/FirefliesGP

Tour Dates: http://johnbrownsbody.com

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