This track released for the open remix project by :zoviet*france about his new soundwork "Hidden-by-the-Wall" commissioned by Green Croft Arts as part of its Collision and Conflict project.

More on :zoviet*france:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Inside Ice Wind Fence, Oak Leaves Dropped Into Horsetail Ponds At Walltown Sur Rêve

Palette 101 synth (Intellijel case, Atlantis, Dixie, Joranalogue Contour 1, FLD6). ValhallaDelay used for looping, echo, reverse delay, reverse pitch delay.

Folding Engine

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS: DOWNTOWN

Explore the moons of our Solar System with Moon Voyager. Explorative and atmospheric deep space ambient music. soundscapes and drones by Nairb One.

Recorded August 2025
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Website

Titania

It's been months already. I can only see water surrounding me, wave after wave after wave, rhythmicaly crashing onto the ship's hull. The engine is flooded, but still, everyday I try to start it, who knows, maybe today is my lucky day. 
I really need to find some land, although this feeling can also be quite soothing.

Adrift

Crystal

I've Never Been Able To Wedge My Smiles And My Panic Attacks

paaapii

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

from https://oberlin.bandcamp.com/album/live-in-a-corridor

Folding Engine

seancostello