mad miran — live from Boiler Room at Dekmantel Festival 2022.

mad miran | Dekmantel 2022 | Saturday

We are thrilled to present our 97th installment of our Truancy Volume series from Pariah himself. Where the not long past Karenn and Works The Late Nights releases are centred around music that is meant to be elevated by the club atmosphere, Pariah’s Truancy Volume digs further into the origins of where this emphasis stems from. This mixtape is a solid representation of Pariah’s sonic ethos and the mix itself features the inclusion of records like the definitive Oni Ayhun track “OAR002-A,” Sven Vath and a more current Trilogy Tapes release in its introduction, that all focus on the spacious and warmer side of techno. On the other hand, it later showcases a more merciless and weighty side alike in atmosphere to recent productions of his own, such as Power Vacuum and SCKT. Truancy Volume 97 is a welcome addition to our series and a rightful interpretation of the musical tastes and various influences from the producer cum DJ. 

Read more/tracklist: http://truantsblog.com/2014/truancy-volume-97-pariah

Truancy Volume 97: Pariah

https://www.instagram.com/ronlikehell
https://www.instagram.com/ccl_url

The Space Between Spaces with Ron Like Hell and CCL @ The Lot Radio 03-19-2024

AUGUSTUS 04

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-13th-january-2025

Soup To Nuts w/ John Gómez 130125

FIRST TRACK!

MORE TO COME XXX

MIX AND MASTER DONE BY @LUWCK

B4 - DEMON (LUWCK MIX&MASTER) (FREE DL)

prod rucrazy


bih my wrist is cut
scars covered up w ink
i'm tran see sum blood
bitch i'll make u bleed
walk up n the function , only goin w my team
these rick owens look like converse u still rockin cdg
i told my bih i love her i don want these hoes 2 talk to me 
i spent 10 dollars on this shirt , i spent a thousand on these jeans 
fpc fit on my waist , jus need a holder for my jeans
i told this bih that i smoke loud it always feels like i am dreamin

#yoti scars covered w ink @rucrazy

The random upload onslaught continues...
Clearing through some hard drives and I find a couple of dusty Aphex Twin live recordings from my good mate Paul. The least I could do is share them with you all. First up is the second part of his ATP DJ set in 2003. Breakcore/jungle and a few Drukqs-era tracks. Tracklist is here... first half looks even better... but I don't have it :-(

http://livespotting.wikia.com/wiki/Aphex_Twin_-_2003-04-05_-_All_Tomorrow's_Parties,_England

Aphex Twin: All Of Tomorrow's Parties (DJ Set 2003, Part 2)

I have heard so much amazing things about the Freerotation festival, I've felt really honoured to have been invited to play this year . 
Thank you S&S for having me . Thanks to the amazing crowd !

Freerotation 07.07.17 live recording ( Dj Set )

Reminiscent electronics from a British pioneer. 

Download and tracklisting: https://www.xlr8r.com/podcasts/2018/03/podcast-533-µ-ziq/

@mikep
@planetmurecords

XLR8R Podcast

Download & Tracklist

XLR8R Podcast 533: µ-Ziq

Interview + Download: http://truantsblog.com/2019/truancy-volume-233-peverelist/

Soundcloud: @peverelist

For our first Truancy Volume of the year we welcome Peverelist, a producer and DJ whose long ties with Bristol have given him the means to document a thriving and visionary community over the last thirteen years. Genres have held almost no relevancy to him throughout his career, and he's described his vision and role as a label owner as simply being able to forge and create new narratives in dance music while simultaneously showcasing the talent the city of Bristol regularly had to offer. Whilst a large part of his story harks back to breaking down the framework of what the-then emerging sound of dubstep could be, it's the genre diversifying nature of his three labels, Punch Drunk, Livity Sound and sister label Dnuos Ytivil that have made him such an important figure in UK dance music. As a producer himself, it's almost too easy to recall to mind any of the classics or the one-day-to be in his discography - the now Drake sampled "Roll With The Punches", "Over Here" with Appleblim, "Aztec Chant", "Infinity Is Now", "Under Clearing Skies" from his most recent album Tessellations and his numerous collaborations with Kowton, Asusu and Hodge have made him revered by fans and his peers. 

Where many young producers from Bristol will cite Peverelist as an influence, he in turn will say Smith & Mighty paved the way for artists such as himself and and fellow DJ and friend, Pinch. Ashley Road Sessions 88-94, a collaborative label release via Punch Drunk and Tectonic that came out in November, marks the 30th anniversary of Rob Smith and Ray Mighty's first single as a duo. As well as kickstarting our 2019 Truancy Volumes, we caught up with Peverelist to discuss the landmark compilation, his working working relationship with Rob Smith, producing IDLE50 and the element of learning as you go when running a label.

http://truantsblog.com

Peverelist

Truancy Volume 233: Peverelist

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@user-381614661 (trackfx)
@user-626612322 (Made in Chedzoy)
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass
@10inchpress
@user-118560124-972751930 (hardscore)

Aphex Twin: All Of Tomorrow's Parties (DJ Set 2003, Part 2)

Selectabwoy