This Mixtape is a compilation of tracks produced by the participates of the 'Take it from the bird - creating music inspired by the Superb Lyrebird' workshop I lead for Unthinking / Unlearning - an online laboratory and residency, a part of the Year of Germany in Russia 2020/21 and collaboration between Klammklang label, Sound Studies and Sonic Arts (M.A.) at the Universität der Künste Berlin and Sound Art and Sound Studies (M.A.) at HSE Art and Design School, Moscow.

‘The Superb Lyrebird’ is an Australian Native bird, which is capable of mimicking natural and synthetic sounds from its natural environment — Participants created their own music sampling biorhythms and timbres from an animal sound open-access archive.

Track list:
Alexandra Kopelyan - In a Bittern Voice
Isa sO.any - Myai
Alexey Berezhnoy - Flat ES Ecosystem
Anton Anishchanka - Bear Habitat
Ira Afanaseva - Dogs in the yard
Lera Elagina - Kozhuhovo Birds
Masha Alexandrova - Fin 
Ystalost Dimecres - Untitled.

Take it from the bird - creating music inspired by the Superb lyrebird U/U workshop mix tape

MUSIQUE INFINIE, Earth, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2401, EAN: 0602343041797

Tracklist:
1. Creation (14:25)
2. Destruction (12:53)

Credits:
Composition and production by Musique Infinie
Mixing and mastering by Suoni Speziali
Photos by Jean-Marc Avila
Design by Laurin Huber
Essay by Laurin Huber

Supported by Popkredit Zürich and Kanton Zürich.

Earth

Musique Infinie - Creation (HG2401)

Session #5 - NKNWN

Dylan Henner (AD 93, Phantom Limb) returns to Dauw with 'performs Raymond Scott’s Soothing Sounds for Baby’, a new album where he reinterprets a selection of Raymond Scott’s iconic work originally released in 1962. The album will be released on May 31 and available on limited edition vinyl and digital. Artwork is provided by Skrew Studio in reference to the original releases.

The contributions of Raymond Scott to our world are immeasurable and pioneering, and his records still sound totally unique. But one could say that, viewed through the lens of what we now understand to be "ambient" music, the meaning of his compositions have changed since their inception. Now, we (mistakenly or not) see them as archival or documentarian pieces preserving an era of early electronic music and the capabilities and limitations of the technology of its time. It has become an artefact, a means to an end. So, with huge reverence to Scott's foresight and genius, Dylan Henner wanted to recontextualise those same ideas into the mindset and studio of a musician in 2024, to create a version of what Scott left us that corresponds with Henner's own perception of this music's purpose: soothing baby. He returned to the original records only once or twice, transcribing melodies and taking notes on timbre, before setting off his own journey.

“I didn't want to take too much from Scott or his music, as it is untouchable, both creatively and culturally. But I wanted to offer my baby (and any babies whose parents play this record) something soothing and meaningful of my own.” Dylan Henner

All music composed by Raymond Scott, performed and produced by Dylan Henner
Mastered by Ian Hawgood
Artwork & design by Skrew Studio

Dylan Henner - Lullaby

Marie-Pascale Hardy debuts her latest moniker / personality, Alonē Etimis for her EP, NIGHTVISIONS recorded over a 18-month isolation period in an ancient stone stable in the mountains in the South of France. The writing process of the four-track EP draws from the idea of ‘alchemical transmutation’, channelling her personal ancestral lineage through to humanity as a collective body: ‘Putrefaction. Purification. Rebis.’ 

Mastered by John Tejada

Full EP available on Bandcamp now: https://doyenne-books.bandcamp.com/album/d-06-nightvisions-alon-etimis

Hand-bound book - edition of 20: https://doyenne-books.bandcamp.com/merch/nightvisions-book-marie-pascale-hardy

D E A D D R E A M S - Alonē Etimis

~ LAAPS 038 ~ [SEQ.05 - LP38]

artist : Build Buildings
album : Ecotone
duration : 43 mn
date : September 09th, 2024

edition :
-  vinyl : limited to 200 copies / red LP / selective UV varnish (front+back) / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : August 08th, 2024 / official release : September 09th, 2024
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Ben Tweel: guitar, lap harp, ukulele, mbira, piano, sampler
Mia Tweel: clarinet on "Scattering Shreds of Wickerwork"
Louis Tweel: lap harp on "Picking Mortar from the Bricks"

Recorded at home in Brooklyn, New York

Mastered by Taylor Deupree
Artwork by Matthias Heiderich
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/music
https://www.instagram.com/iikki_laaps/
https://buildbuildings.bandcamp.com/

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℗ & © 2 0 2 4 - L A A P S - L A A P S 0 3 8

Ecotone

Build Buildings - Knoll

LP available directly from Imprec.com 

On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." 

This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance. 

Recorded in 1971, percussion and repetition emulate the pounding rhythms of machinery on this unique pair of conceptual Bertoia compositions. Bertoia utilizes innovative performance techniques to create new sounds unheard in his ouevre. Even in the busy factory of Bertoia's mind, distant stillness rises up as Bertoia exhibits the massive amount of control he possesses over his many looming sculptures. 

"Mechanization" is just one of the many sonic directions Bertoia took while composing and recording between the late 1950's and his death in 1978. He documented all of his ideas and directions in notes accompanying the hundreds of tapes discovered in his barn. 

This first edition of 500 is printed using metallic inks. Mastered by Tom Eaton at Sound & Substance. 

Bertoia's recordings are as much a celebration of sustained tones, intervallic relationships, healing vibrations, deep listening and shimmering harmonics as Indian Classical music, singing bowls, The Well Tuned Piano or Benjamin Franklin's glass armonica. Through these rich harmonics and pulsing pure tone, Bertoia was able to more clearly articulate his inner spirit than he could with sculpture alone – a point he made himself many times in interviews. 

Harry Bertoia first came into artistic prominence in the late 1930s and his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, were soon modernist furniture classics. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a greater logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

Find out more at Sonambient.com

Harry Bertoia - Mechanization II - From Mechanization LP - Available: 11.15.24

**لو بتحن للزمن الجميل، فإنت في المكان الصح.**  
بلاي ليست دي فيها أغاني مصرية نادرة، مواويل من اللي بيقطعوا القلب، وطرب أصيل من القرن العشرين.  
هتسمع أصوات منسية، جمل موسيقية مش بتتكرر، وكلمات بتغنيها الروح قبل اللسان.  
 من أول المواويل الشعبية لحد المونولوجات اللي كانت بتتقال في القهاوي، ومن صوت عبد المطلب لحد مواويل زكريا أحمد، هنا هتلاقي مصر اللي كانت بتغني من قلبها.  افتح ودنك، وسيب الزمن ياخدك في حضنه.**  
  #طرب_أصيل #أغاني_نادرة #الزمن_الجميل #مواويل_مصرية

الشيخ محمد سليم - موال الحب من الحب

The Parels: Mineral Kingdom (LAL-88 / IKU-050)
The Parels is a duo of Jim Goodall and Eddie Ruscha from L.A. This LP is their second release after their self titled tape on Lal Lal Lal. Inside the grooves of this record they continue their strange exotica mission through the jungle and towards the mysterious grottos of the Mineral Kingdom. The trip is listened through a kaleidoscope: Small details and miniature symphonies change places and blend together, enchanting scenes morph into others. Limited edition of 300. Co-release with Ikuisuus.

The Parels - A Camel

snf04 : giuseppe ielasi "even when they speak of space" out dec.15th 2017.

music for whistling, microphone and digital degradation. 
recorded in november 2016 and august 2017. 
to be played at low volume.

www.senufoeditions.com

snf04 : giuseppe ielasi "even when they speak of space" part 1

Taken from 'V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997' (MFM050)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2020 Music From Memory

snf04 : giuseppe ielasi "even when they speak of space" part 1

Senufo Editions