Name: a small, flat rectangle of balsa by shanelatimer
Duration: 5 min 30 s
Description: Guitar

Drum Synth + Sequenced Pad Test

From the album 'I Love You Computer Mountain' available March 2014 on Vinyl/CD/Download from Diatribe records. 

Pre-order your copy here: www.shop.diatribe.ie/album/i-love-you-computer-mountain

This music is presented with funding from the Music Network / Arts Council Music Recording Scheme 2011.

www.diatribe.ie

Magnet Paste

Shane Latimer - Guitar, electronics
Nick Roth - Saxophone, electronics
Shane Clear - Trumpet
Paddy Kiernan - Bass
Shane O'Donovan - Drums

Diode/The Corded Ware - Live at Concrete Soup, Block T, Dublin, 16th May 2015

Paddy Kiernan: Bass/compositions
Shane Latimer: Guitar
Shane Clear: Trumpet
Shane O'Donovan: Drums

The Corded Ware - Live at Concrete Soup, Block T, May 16th 2015

Released in a set of six through First Earth Records. An exploration with drum sampling which immediately worked into heavier sound and propulsion. Plays with abstract or verse/chorus arrangement all glued by beats and a loosely melodic style of harsh composition.

Original release, featuring gumdropO and Excell Breth:
https://firstearthrecords.bandcamp.com/album/delicious-so-paraly

Download / Cd

I've 10

Spring Kalimba Sample Bank - Free Download

Free Cells Drinking The Medium 

Recorded in concert at the Royal Irish Academy of Music, Dublin, July 2016.

Electric Guitar – Barry O'Halpin 
Bass Flute – Lina Andonovska
Viola – Sebastian Adams

This piece is a response to an eerily captivating piece of interference microscopy footage from 1958 that I came across by chance in the Wellcome Collection. 

https://www.youtube.com/watch?v=R5Ekhhhj_WI

On surface level, the film is a very clinical document of normal and cancerous cells. However, the longer I looked at these alien shapes floating in a blue void, the more abstract and visually captivating the images became, like a moving painting with distinct edges blurred by the warmth of grainy film. The rich colour palette of the footage and its fluttering, pulsating, sometimes jarring movements are sonically reflected in the piece’s microtonal harmony, rhythmic fluidity and blurred instrumental identity. As the name–taken from a title card in the film–alludes, I visualise the often fleeting, unstable musical material that jumps between the players as emerging and retreating into in its own dark liquid medium.

a small, flat rectangle of balsa

shanelatimer

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