This is the first movement of a larger work named "Obelisk".  Obelisk is a piece about inner strength that holds us together in hard times.  I envision an ancient obelisk that has stood for thousands of years with no supports to hold it in place while more ornate temples have collapses under the ages from earthquakes, wars & any number of disasters yet they stand as a testament their own power.  We should all strive to stand strong like the Obelisk.  The larger work called Obelisk is one I'll composer over the course of my life showing the different stages of my existance & hope to imulate the ancient monuments that still stand.  

(Free Download)

Obelisk (Prelude) (Free Download)

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▁ ▃ ▄ ▅ ▆ █ If you are here please take note. These are my echoes - this project is one of my time capsules. Keep your lanterns lit. Forever yours


Thought criminal, poet psychohistorian & ecologist | 3rd generation hippy 2nd generation punk | ♬ 100%improvisation.

“Any fool can tell a crisis when it arrives. The real service to the state is to detect it in embryo.”
― Isaac Asimov, Foundation 


All my music is hereby Creative Commons!
I encourage my work to be downloaded, shared, edited, and included in other projects. All I ask is that I be given credit. Do what you like, most of this music is 100% FREE


|  A WORD ON HISTORY IN THE MAKING |
"As the times intensify, political polarization take the place of meaningful dialogue- it is becoming more and more clear to me that the complex problems of our age demand intersectional politics, compromise, and dialogue that gets beyond pigeon-holing, and name calling that only creates mere division.

I think that it is clear that no party, ideology, or movement has all the answers. Too many politically charged arguments end when the participants plant their heels, and take to hurling absolutes, and slinging mud.

What is needed is to address the tragic consequences of globalization on people and the environment - this cannot be the "free market" because that does not confront the problems, it merely permits them, nor ought a government control everything- states rights, social programs, and free expression must all co-mingle somehow, though still perhaps not at all. 

Much to our peril, there are indeed axioms that refuse to cooperate: I belong to some, and that is the living division. Perhaps our great lesson, as history reveals, that ideas are living things; they possess us, they linger, grow, change, and endure the times even though we are mortal, and temporally bound.

I speak now of war; of ideas. And in this battle, we see the deeper concepts tinkle in the murky depths of our humanity- the drumming grows stronger, our pulses quicken as we witness a cry for blood, for sacrifice, for sweat, and for tears.

As we step closer to the presidential elections here in our (my) country, as the wold is increasingly endangered by militarization, and entropy that will haunt us as the specter nourished on the fragrant, and dangerous notion of limitless expansion- there is emerging from its hidden conclaves, the vanguard, the defenders, and aggressors- summoning minds the world over to fight in this storm. 

Beneath all this turmoil (of which more will develop as a necessary consequence of the primordial struggle) our lives will be touched by the hue of dusk, as a shadow promises a night-marish sleep, just as the sun begins to freeze beneath an ideological winter.

Is this the beginning of a dark-age? If our affairs worsen enough, as they taunt, yes-and then what are we then? Are we individuals defined by our identities, will events of scale swallow us? Is there a middle road in these extreme times? Is there time still yet, to navigate the rough waters, made all the more rough, as this ancient boat we ride in (civilization itself) threatens to capsize, as the waves lick upwards; the depths of self-conflicted hatred, envy, and zealotry hungrily promise a chaotic embrace...

Do not mistake me, this is the crescendo that rages on within the hollow halls, in the plate glass towers, in the poverty of stricken streets- a clamor no amount of screens, and slick ads can suppress.
There is danger friends, and I worry...
That is all."

STORM RIℤING 5/9/2016

WAKE UP│✦ Life is an Inside Job
save the earth ☮ pay it forward
posted below are is some artistic 
and intellectual contents that
i feel are worth more than sharing

Angelos Tsoutsis was born in Florina Greece .He started classical guitar lessons during the academic year 1991 to 1992 , taught by Laertes Koulis and later continued his studies at the Macedonian Conservatory of Thessaloniki , from which he graduated in 2002. Then he worked as a guitar teacher at the conservatory of Florina Municipality during the academic year 2003-2004 and the High School Musical of town Amyntaion during the years 2008-2009 , and small , local music schools , as  school of Aristotle . Alongside his studies in classical guitar  he was also educated in music therapy from ms  D. Psaltopoulou during the years 2005-2008 .From there he took his first degree in the process Bonney Guided Imagery and Music with supervising professors  dr Peter Jampel and dr Barbara Hesser. He did his practical training , with particular success in K.E.K.Y.K.A. WITH A.(Center of Education Social Support and Training for Handicaped people) of Florina. Until the year 2007 has written music for plays, the most important was called  ''Polis''(Η Πόλις) an attempt on performing  Costas Cavafy 's poetry in theatrical form . Director was mr Asteris  Peltekis and the actor was mr Nickolaos Naoumidis . In 2020 , July 1st , he played and got his Guitar Diploma in Florina Conservatory . The professor was Eleni Tsilipakou.

 Angelos Tsoutsis  has begun giving recitals for classical guitar from an early age in various local theaters  of Greek and while older also abroad . He has attended several seminars classical guitar with great teachers such as Hubert Keppel, Gerhard Reichenbach, Nora Buschmann, Carles Trepat, Alekos Vegοs and others .

  He is  very experienced in concerts in small spaces and in various musical genres. His teaching experience ( about 100 pupils in their entirety ) , has demonstrated that pupils of all ages and from childhood to old age , are experiencing extra ordinary transmissibility during the lesson . Trying to reach each learner with separate terms to suit the particular idiosyncrasies of each of them simultaneously but the lessons remain inside the formal matter of the official conservatory books. So it has been shown that students within a relatively very fast timescale are developing the musical perception and can perform entire compositions.

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Soprano, graduate from the Royal College of Music London Masters of Vocal Performance. GRCS.  Singing is my passion, welcome to my world

Obelisk (Prelude) (Free Download)

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