"Futuristan" by Shasau is an innovative collaboration between human and data. It heralds a new chapter in the evolving saga of electronic music. The tracks on this album were recorded entirely with Artificial Intelligence, then combined into one recording with added samples and synthesizer parts. 

That's one small step for AI, one giant leap for mankind.

Created by UDIO.AI, curated, mixed and polished by Vadim Militsin.
Mastered by Bill Sellar @ Super Audio Mastering
Video by SEGMENTALITY
Released by OMNINORM
(c)(p) 2004

Futuristan

Joy Ride

Stream/donwload

Format: CD, 7"vinyl, Book, DL
Pre-order: 16th May 2025
Release date: 22nd May 2025

Sailing Through Silence è un progetto audio-video che racconta l’esperienza di ricerca di mio padre durante la spedizione Italiantartide del 1998, attraverso materiale video e fotografico registrato durante il viaggio. Sailing through silence è arte performativa, ma anche un occasione di denuncia e riflessione sulla questione del cambiamento climatico e della tutela dell’ambiente. 

- - 

Sailing Through Silence is an audio-visual project that tells the story of my father's research experience during the 1998 Italiantartide expedition, through video and photographic material recorded during the journey. Sailing through Silence is performative art, but also an opportunity for awareness and reflection on climate change and environmental protection.

Copyright © 2025 ROHS! RECORDS, All Rights Reserved

previews. Michele Di Martino - Sailing Through Silence | ROHS!

Henrik Meierkord is a Swedish artist based in Stockholm. His main instrument is the cello, although his work often incorporates viola, double bass, guitar and subtle electronic elements too. His sound blends the emotional pull of classical music with the meditative depth of Ambient and Henrik’s intuitive creative process draws inspiration from film scores, minimalist composers like Pärt or Ligeti, and Ambient pioneers such as Popol Vuh and Biosphere.

Italian composer Marco Lucchi from Modena brings plenty of experience to this collaboration, having been active in experimental and Ambient music since the late 1980s. A former music teacher and scholar, Marco's approach is grounded in kosmische music, minimalism and Ambient styles. In this album, he joins Henrik in a continuation of their longstanding creative dialogue. Swedish flautist and producer Pawel Kobak adds a third strand to this project, layering processed flute textures into some of Henrik and Marco’s evolving pieces.

The Book of Dreams explores themes of sleep and dreams. What began as a collaborative piece for the Sleeplaboratory5.0 compilation grew into a fully realised collaboration. Henrik and Marco exchanged ideas from across the borders, building lush, drifting pieces through a process of inspiration and response. Pawel's flute recordings, gently pitched, time-stretched, and transformed, were later woven into the fabric of this album. The result is an album that lives between the conscious and the unconscious, where layered strings, gentle drones, and evolving Ambient passages unfold slowly like distant memories.

Themes of restlessness and retreat run throughout the album, echoing the growing tension many of us can feel in modern life. It acts as both an ode and antidote to sleeplessness, intended not just for passive listening but as a contemplative aid. Whether heard during late-night solitude or the quiet morning hours, The Book of Dreams offers a space to wander, drift, and dissolve into stillness.

The Book Of Dreams

wlr185 Henrik Meierkord, Marco Lucchi & Pawel Kobak - The Book Of Dreams

Ashes

Remember Me

https://shimmeringmoodsrecords.bandcamp.com/album/views-of-mind

"Views of Mind” continues my recent trend towards ambient chamber music, blending electronic soundscapes with acoustic instruments, and moving towards a kind of contemporary classical music. 

Through its minimalism, this new album is introspective, unwinding the threads of a slow, fluid, serene and meditative musical reverie. 

Like a sonic screen on which to project intimate films, “Views of Mind” encourages contemplative listening, away from the tumult of the world...

releases July 21, 2025 

Compositions, sound design: Christian Wittman 
Recorded and produced at Nina Studio, Paris, May-June 2024. 
Mastered by James Edward Armstrong 
Artwork: Christoph Harbonnier 

Bandcamp: christianwittman.bandcamp.com 
Spotify: open.spotify.com/artist/4q4V7ci4nsWYEoPSb09voh 

Blog: christianwittman.blogspot.com 
Facebook: www.facebook.com/profile.php?id=100083593063457 
web: lightwave-musique.com 
Links: linktr.ee/christianwittman 

SHM 348 
Shimmering Moods Records 2025

Christian Wittman - Introspection

https://shimmeringmoodsrecords.bandcamp.com/album/in-bel-m


A series of solo piano recordings registered in Belém, Brazil at a cultural centre in the Praça da república run by the Universidade Federal do Pará (UFPA) downtown. I had a 1 hour window to record one evening thanks to Margaret Refkalefsky. This series of recordings took place in the moment and also was mediated by the sounds of the city. I was listening intently to the city's soundscapes while playing. My friend, musician and producer Nick Schofield, generously took these recordings and worked with them to bring out some of the rich tones that were registered simply on a Zoom H4n recorder. 

Thank you for listening. – Stefan Christoff

releases July 21, 2025 

Recorded by Stefan Christoff 
Mixed by Nick Schofield 
Artwork, “Vistas” is by Ionaldo Rodrigues 
Thank you to Margaret Refkalefsky 

SHM 349 
Shimmering Moods Records 2025

Stefan Christoff - In Belém VI

https://shimmeringmoodsrecords.bandcamp.com/album/deep-completions

Gentle drones lure the listener in, punctuated by shards of tape hiss and electronic hum. 
Synchronised voices rise and fall, synthesisers exhale, all ushered forward by the pulse of distant static. It’s the sound of a highway at night, the sound of a digital sea, the sound of time passing. 

DEEP COMPLETIONS is a self-titled 8 track album of choral and ambient music, written and recorded in Berlin between 2023 and 2025. Released in the year 2025 on Amsterdam’s Shimmering Moods Records.

releases July 21, 2025 

Written and produced by Deep Completions 
Mastered by Andrea Porcu 
Artwork and video by Andrew Binnie 

SHM 350 
Shimmering Moods Records 2025



Deep Completions - Flutter Rate

https://shimmeringmoodsrecords.bandcamp.com/album/spaces-between-words

In a world where every word carries weight, UK based electronic producer Simon Vince (HERE) invites listeners into a sonorous exploration of the unnoticed silences and spaces. With his latest ambient album and second release on Shimmering Moods ; Spaces Between Words. HERE crafts eight beautifully fragile and melancholic electronica tracks that delve into the delicate nuances of love and loss. 
Each piece is a hauntingly wistful soundscape, woven from electro-acoustic ambience and drones to shimmering synths, delicate textures, and gentle pulses that evoke the bittersweet essence of separation. 

From the emotive echoing tones in “Spaces Between Words” to the nostalgic reverberations and drawn out chords of “I Find You In Whispers" this album invites you to embrace the unspoken and the unshared, allowing you to linger in the quiet spaces that define our connections.

releases July 21, 2025 

Music & Cover Design By Simon Vince (HERE) 
Mastering By James Woodsmith 

SoundCloud : @here_music 
Instagram : @here.music.official 

SHM 351 
Shimmering Moods Records 2025

HERE - Spaces Between Words

hello friends

#20 our sublabel @sedubtive + t.me/sedubtive , enjoy the dark side of dub electronic <3
-> https://sedubtive.bandcamp.com/album/akmuo-grace-of-god

also our projects:

► ambient field recordings label - @secretdomainlabel
- t.me/secretdomain
- www.secretdomainlabel.bandcamp.com
- www.instagram.com/secret.domain

► nature dub glitch label - @20label21
- t.me/label20_21
- www.2021.bandcamp.com

► hello ▼ strange
- t.me/hellostrange ( all podcasts )
- www.hellostrange.bandcamp.com
- www.instagram.com/hello.strange

Buy & Support

Akmuo - Language of the Clouds

Traditionally a real-time improviser, Thorn applies the same method here: live improvisation, spontaneous structure-building, and experimental mélanges of violin and code. Many of its foggy textures derive from Haze, a tool he developed for generating densely patterned lo-fi soundscapes.

A sonic memoir imbued with violin and experimental code, a curious doubling of terms begins at the churning waters of Necarney Creek merging with the Pacific. Unfolding from pure lyricism into machinic textures, the music summons the verdant twilight of the primeval forest and the glow of the city lights it ad-umbrates. The machinic is both refuge and trial in this work, though the final word is the fracturing, hard-driven logic-become-logistics that may signal a morbid dénouement.

Bandcamp

Seth Thorn - What Lies Before

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

*S O U N D S C A P I N G*
Contact: Shimmeringmoodsrecords@gmail.com

Other projects:
Slow Tone Collages 
https://soundcloud.com/analogue-chat

*Monthly Radioshow @ Resonance Extra: First Wednesday at 8pm / 21:00-23:00 CET www.extra.resonance.fm