album on Bandcamp

Blazing Away (2021 remix)

faraway monster

Nightfolk

Up Up High

Was happy to participate in another Josh Clary jam!  
This one has an awesome vocal from Steve's Planet and the usual line up brings it here as well with...
Josh on the monster bass
Tez ripping the guitar rhythm and leads
Ken pounding out the beatz and 
JJ making it pretty with those keys. 
I was able to work in the solo in the second half and, with the help of K2 Ken get out a solid production with a nice mix and master.   I believe Tez may have added a bit as well to the post production. 

Basically it was really a true group effort.   Josh is really good with keeping things group focused and having the whole band work within his idea and vision for a song and yet still having the ability to contribute your own unique sounds.

Another fun time with a great group!

Home's Album

Second Floor  - (Eclectic Collective)

Nothing much to say here, as the title says it all. Hope you'll enjoy this sonic portrait of a spaceship crew saying goodbye to a few dozens Plutonian birds.
I made this out of a few recordings and experiments I had in my HD. More numbers will follow, sooner or later. I'm currently working on several tracks, aiming at putting an album together someday. 
I'd like to thank all you SC people who are still listening to my stuff even though I've spent a couple of years mostly on Pluto... I guess I'm finally taking off now, in a way or another. Hope you're all doing good, my friends.

Teth Sin : electric guitars, vocals, synthesizers, field recordings, sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Crew KMST3579 Bidding A Flock Of Plutonian Birds Farewell

OPEN COLLAB no one invited personally this time.
please download and use it for your own stuff if you might...
would be glad if you contact me for a playlist...
130BPM

2023

noxpox - Patt ☻ (OPEN COLLAB)

New Album on Bandcamp. This is the closing track of Album
https://burythejar.bandcamp.com/album/the-naturalness-of-being-eternal

Something To Die For

method: layering, understanding which kind of noise suits where
narration: what happens to characters in children‘s stories after the fairy-tale‘s told? to follow up on grimm‘s tale of two children lost in the woods, this soundscape drowns the first and the last poem of my kaleidoscope-cycle in apt kinds of noise. this static arises along the edges, ledges, margins and rims where the uncollected and recollected protrudes into the unknown. ah, the wind sings! 
image: copyright jo richter

headphones recommended

poem 1 (originally title: morvarid) /copyright jo richter:

All Gretchen‘s life
she had made haste
to catch up on
refractions of her youth,

yet all the scattered
crumbs of light only
led her deeper and
deeper into the dark:

The world‘s a forest -
she placed her bounty
on a tree stump – with
sugar-coated death
patiently waiting
for her to arrive.


poem 2 (original title: yeohanan) /copyright jo richter:

By and by, Hänsel lost sight
of everyone. His parents vanished
in the maze of their empty pantry.
His sister, he lost in the dark.
He then left the forest, simply,
and was shanghaied in a hustle.

Having crossed the equator
on numerous seas, he managed
to blindside the crew and be left behind
on some remote jungle island.

Blinded by the bright
southern sun, he lived on
in a kaleidoscope world, con-
fusing himself for light‘s shadow.

the static after the fairy-tale

Electroacoustic music December 2023

edited and unedited piano sounds

Harmony

Composer Contemporary Music

Sibylle Pomorin (*1956) studied from 1975 until 1980 flute and saxophone at the Staatliche Hochschule für Musik in Münster, Germany. 

In 1984/85, she studied composition under Ernst Bechert in Hamburg, Germany and in 1994, she received composition lessons and an introduction to electroacoustic music from the American composer and electronic musician Alice Shields during a six-month stay in New York. 

Between 1982 and 1994 she toured with improvising musicians of the international scene and toured with her own groups and compositions through Europe and Israel. 

She received composition commissions for ensembles, festivals, broadcasting, and theatre as well as numerous prices and awards and was promoted by various working scholarships – inter alia in New York, Istanbul and Iceland. Scores publications and CD releases inter alia by Moers Music and in the Furore Verlag. 

Her music has been performed at international festivals for contemporary music in Europe, Israel, Mexico, Australia, Canada, Georgia, Japan and the USA.

Air

Sibylle Pomorin

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