The music is of course interesting in many ways - the interview beyond that rounds out a person, glimpsed via her website and notes.

Pensive! i like the sound design just before the 4 minute mark.

Esta es mi última colaboración.
Está basada en la composición original escrita por Maria Bourgeois and Bryan McDaniel (https://soundcloud.com/user-217204530/glacial-melt)

Manuel de la Flor: composición instrumental y producción.
María Bourgeois: vocal y melodía vocal.

Foto: Ana Stube
**************************************************************
This is my last collaboration.
It is based on the original composition written by Maria Bourgeois and Bryan McDaniel (https://soundcloud.com/user-217204530/glacial-melt)

Manuel de la Flor: instrumental composition and production.
María Bourgeois: vocal and vocal melody.

Glacial Melt (MARIA BOURGEOIS AND DELAFLOR)

A wonderful gift from DComposeuR 
https://soundcloud.com/dcomposeur
Thank you very much!!

DCOMPOSEUR - OPEN COLLAB (SOUND ZYGOTE COVER Raðulfr Maganhar)

Push Ahead

Frolic 2

Last Time- Original Song by:

Recording sessions from 24-01 / 25-01-2023.
3 MOOG vst Arturia tracks,
1 Addictive Drums track,
1 Spark vst Arturia track,
1 MPS vst track,
presets, mixing, processing and editing: Pier WILL.

Photo credit: unknown/Pinterest
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

Little Cat - Little Pussy

Here a first collab with HyLGZ22 :
https://soundcloud.com/user-618736932

On his excellent music, I wrote a poetry and played sitar and flute, with owls:

Déjà se décline du delta la symphonie vespérale de quelques prêtresses ainsi purpurines et hymnes aux ruines qu'affine de platine la poussière bientôt stellaire serres par sortilèges soufflés à la bouche en prières d'Alice. 
Elle n'a pas l'emprise des siècles celle qui se fait désirer de frissons en frissons lissés par ce lapis lazuli couché à l'horizon et parure de la bientôt nuitée mais elle est sut irrémédiablement d'Alice ainsi enténèbrée de secrets aux glyphes des cieux, à leurs paroles de pierres, à leurs amours occultes qu'elle en serait prête à sacrifier son hymen à Amon afin de jouir du geyser scintillant tout là haut où se gorgera l'esquisse astrale par augures abyssales des sables néanmoins éteints d'une destinée diamantifère.
D'un soupir, Alice redessine ce monde bien trop carcéral affirmant sa quête céleste et d'une caresse sur l'albâtre dépose le petal écarlate d'un ancien cerisier maître des floraisons explosives d'orient.
Par le socle de cette confiance, par son cœur éclatant, par son souffle ciseleur, par son clin d'œil qui enflamme l'instant, Alice attend la comète Ikeya-seki dans les ruines de Tanis, telle l'adorable horreur de la mort fécondant l'existence à l'aurore.

Alice Waiting For Comet Ikeya–Seki In The Ruins Of Tanis - HyLGZ22 & Wivresse

English text follows

Pick up the Thread wurde für das Projekt "50 Jahre MOERS 50 weeks – 50 greets, musikalische Flaschenpost" komponiert. (Online-Projekt, Dezember 2021 bis Dezember 2022)

Klavier - Sebastian Berweck

Nach der Komposition hört man eine kurzes Interview mit der Komponistin Sibylle Pomorin
___________________________

Pick up the Thread was composed for the project "50 years MOERS 50 weeks - 50 greets, musical message in a bottle". (Online project, December 2021 to December 2022)

Piano - Sebastian Berweck

After the composition you hear a short interview with the composer Sibylle Pomorin

Pick up the Thread  für Klavier

Video with short tutorial (in polish) can be watched here:
https://youtu.be/JHm5t6ObQK4

Radio Ga Ga, Queen, acoustic cover

Esta pieza es un fragmento del lugar o lugares donde me está llevando últimamente la música. Va empezando a tomar forma duracional, a ser piezas de alrededor de una hora. La serie armónica, el espacio armónico y sus infinitas posibilidades, derivaciones y relaciones, explorada a través de guitarra, arco, ebow, delays, loops y warping, está siendo el lugar donde, a veces, la mente queda en blanco, el oído se abre y el devenir temporal se manifiesta

Sin Título

O-Rhein

Composer Contemporary Music

Sibylle Pomorin (*1956) studied from 1975 until 1980 flute and saxophone at the Staatliche Hochschule für Musik in Münster, Germany. 

In 1984/85, she studied composition under Ernst Bechert in Hamburg, Germany and in 1994, she received composition lessons and an introduction to electroacoustic music from the American composer and electronic musician Alice Shields during a six-month stay in New York. 

Between 1982 and 1994 she toured with improvising musicians of the international scene and toured with her own groups and compositions through Europe and Israel. 

She received composition commissions for ensembles, festivals, broadcasting, and theatre as well as numerous prices and awards and was promoted by various working scholarships – inter alia in New York, Istanbul and Iceland. Scores publications and CD releases inter alia by Moers Music and in the Furore Verlag. 

Her music has been performed at international festivals for contemporary music in Europe, Israel, Mexico, Australia, Canada, Georgia, Japan and the USA.

Pick up the Thread für Klavier

Sibylle Pomorin

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