Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

Never Sol is the alias of Prague-based musician, composer, and producer Sara Vondrášková. With modular synths and vocal at the forefront of her creative process, she creates emotionally charged compostitions that fuse analog synths, reverb-heavy production and cathartic vocal textures.

Once rooted in cinematic dark pop, her music has shifted into a more heavier, noisier sound full of distortion- processed vocals are treated both as narrative and abstract sonic elements and rythmical foudnations lay grounded in heavy industrial drums. Built on feedback, drone, glitch, and deep introspection, her new language embraces fragile resistance, vulnerability and existential sonic urge that’s marked marked by the post-industrial grit of Eastern Europe.

Her latest release Tell The Sea I’m Coming Back (Stoned to Death) is a 23-minute long mini album consisting of three compositions for pipe organ and voice. With solo project Never Sol she released two studio albums: Under Quiet (Denovali Records)  and Chamaleo (Supraphon) with which she toured in Europe and performed in venues and festivals like Lunchmeat Festival, Superbooth Berlin, Eurosonic Noorderslag, Pohoda Festival, Colours of Ostrava, Electronic Music Festival EMAF Tokyo, Knockdown Centre, Union Pool, Alphaville, Non Plus Ultra, Open The Portal, Essen Denovali Festival, Haldern Pop Festival and more.

'Projector Gulab' Out Now on Nowadays Records  >>>>>

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OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

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For over 20 years, Richard Marx has consistently and powerfully made his mark on the music industry. His debut single “Don’t Mean Nothing” and self-titled debut album kicked off his career as a solo artist in 1987 and went on to sell 3 million copies. His 1989 follow-up CD, “Repeat Offender,” became even more successful, selling over 7 million copies worldwide. From 1987 to 1990, he became the first male solo artist in history to have his first 7 singles reach the top 5 on Billboard’s singles chart, including the 1 hits “Hold On to the Nights,” “Satisfied” and the worldwide classic, “Right Here Waiting.” This feat remains unchallenged.

He was nominated for Grammy awards 3 times and received an American Music Award nomination for favorite male singer. In 1992, he was awarded Best Selling Adult Contemporary Artist at the Billboard Music awards, and received the International Song of the Year Award at the Australian Music awards for his song, “Hazard,” from his double platinum CD, “Rush Street.” 1994′s “Paid Vacation” CD also went platinum and featured the single, “Now and Forever” which not only went top 10 on the Billboard Pop Chart, but spent a nearly record breaking 13 weeks at #1 on the Billboard AC Chart. In addition to selling over 30 million records, and writing, as of 2009, thirteen #1 songs, he remained a fixture on pop and adult contemporary radio for years, even as he emerged as a top producer working with some of the biggest names in the music business. Among those artists, *NSYNC, Barbra Streisand, Josh Groban, Vince Gill, 98°, Luther Vandross, Kenny Rogers, Sarah Brightman, Lara Fabian, Sister Hazel, The Tubes and SHeDAISY. More recently, he has written and produced records for Daughtry, Leann Rimes, Katherine Jenkins, Travis Tritt, Emerson Drive, Natalie Cole, Keith Urban, Paulina Rubio, Kenny Loggins, Chris Botti, Michael Bolton, and actor Hugh Jackman.

As his career began in 1987, Richard immediately got involved with many charitable organizations. By donating the royalties from his 1987 hit single, “Should’ve Known Better,” he helped build a room at the NYU Medical Center where pediatric cancer patients can play while at the hospital. In 1989, he wrote and recorded the song “Children of the Night” about the plight of homeless children on the streets and donated all the song’s royalties to the Children of the Night Foundation, which houses and reforms street kids. To date, the song has raised over $500,000. Additionally, he has performed benefit concerts for many organizations, including the TJ Martell Foundation, Toys For Tots, Make A Wish Foundation, the American Cancer Society, Best Buddies, and the Special Olympics. In 2005, Richard and his band flew to Kitzingen, Germany to perform for US troops stationed there, and as of 2008, he hosts an annual event in Chicago for the Ronald McDonald House Charities. The first event featured a concert by Richard and the legendary Kenny Rogers.
Perhaps closest to Richard’s heart is the Cystic Fibrosis Foundation, whom he aligned with in 2000. He organized what has become an annual benefit concert to raise funds for research to cure the disease. The multi act, all-star concerts have, thus far, raised over $3 million.

In February 2004, Richard won the Song of the Year Grammy for “Dance With My Father,” which he wrote with the late Luther Vandross. It was a big night for several reasons. “It was the award itself,” says Richard. “For me and more importantly for Luther. I was proud.”

2005′s “Better Life,” a song written by Richard and Keith Urban which was included in Keith’s CD, the triple platinum “Be Here,” was the biggest hit single from the CD, spending 6 consecutive weeks at number 1 on Billboard’s Country Singles chart.

In the summer of 2006, Richard was asked to join “Ringo Starr’s All-Star Band” for a North American tour of 22 cities. Richard played guitar in the band supporting Ringo and others, including Billy Squier, and performed his own hits at each show. Ringo and Richard recently co-wrote a song for Ringo’s upcoming CD in 2010.

In 2007, Keith Urban released another song co-written by Richard, “Everybody” from his “Love, Pain and the Whole Crazy Thing” CD. The song went top 5 on the Country charts.

In 2008, Richard began touring with Vertical Horizon lead singer, Matt Scannell, as an acoustic duo. They released a CD, “Duo” on iTunes, and played shows throughout the US. They continue to do occasional shows together and are releasing a live CD in early 2010, followed by an electric rock record as a duo.

On September 22, 2009, Richard will release a new solo CD, “Emotional Remains.” The modern rock record, produced by Richard, features contributions by Matt Scannell, Jennifer Hanson and Kenny Loggins. Richard will be touring internationally to support the CD.

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