• Excerpt from live gig, The very first embryo of Silent Chaos music •

http://silentchaos.co.uk/

https://silentchaos.bandcamp.com/

EMBRYO [Live impro]

Silent Chaos - http://silentchaos.co.uk/ - (Marta NoOne: modular synthesiser, vocals, FX, laptop and video programming & Ugo Vantini: electronic and acoustic drums and percussions, loops, samplers, field recording manipulation) is an experimental audiovisual project founded in Rome, IT, in 2016. Their music
expands in non-linear time, of conceptual and performing circularity: ancient and futuristic sounds advance in spirals. Their sound is structured but not predictable, in an impromptu composition based on channeling through improvisation. Past, present, and future times mash up in ancient
sonorities and electronic twisting, filtered through interpersonal musical experiences.
They released an album (“micro” - Eclectic Productions 2017), of which the track “Insania” has been used in two different compilations, three pieces, “Daedalus of Possibilities” - “Chains of Abyss” - “Cotard's Syndrome - The waking dead”, included in four international compilations, and an album “Osclltr 012” released in 2018 with the Berlin music label Osclltr Records. They have sonorized various art exhibitions, acted in theatrical and radio performances, and have performed, with their audiovisual show, at the Italian contemporary art museum MAAM and in various different venues.
Currently based in the north-east of Scotland, they have performed their work “Synbals” at the King’s College Chapel concert for Shift-Enter, a live coding and electroacoustic ensemble, and The University of Aberdeen Music Department.
They have also presented their composition “Schizophrenia in Schizophonia” in a live performance at the SERG International Postgraduate Research Conference 2018 “Sonic Realities” in Aberdeen.
They have performed with their A/V project “Permutations” at the Kirk of St. Nicholas Uniting in Aberdeen for the sonADA inTransit III, 3rd event.
They also have performed, with their new A/V project “Origins”, at the Glasgow’s CCA for Cryptic Nights on the 7th of March 2019. 

Marta NoOne 
is a musician and visual artist from Rome, Italy, engaged in an aestheticphilosophical style research that uses sounds and images to filter historical moment and related distress through her art, drawing from other possible etheric worlds. In this path she has organised unconventional events of electronic music and contemporary art, collaborated with several Italian artists of the Roman area in live and theatrical performances, and collaborated internationally for original soundtrack productions.

Ugo Vantini, 
eclectic drummer and producer of Rome, Italy, has collaborated with different groups of progressive rock extraction such as: Divae, Balletto Di Bronzo, Ezra Winston, VU Meters. He has shared the stage with artists of the caliber of B.M.S., Orme, Osanna, Gary Green (Gentle Giant), Jack Bruce (Cream), Area, Arena, Anekdoten, Carl Palmer (E.L.&P.), Jefferson Starship and many others. He worked with Entropia, a historic Italian band that offers electronic music contaminated by influences of various kinds, with Entropia Techno Department, the side project of Entropia exclusively oriented to techno, and label Eclectic Productions.

.. dann machte ES blubbb,
Alles, wircklich Alles ergab Sinn, HochschulStudium, im Alleingang

MasterOFtheDesasterFraster
ab in die Zukunft, and back, und bissl hin und a Her, pickn bliebeb, mit Seitenhieben und Konsequenzen gewachsen, fur diese Wichtigste, Mission der Missionen, die 80er MSDOSbros und frenemys, Asterix, PaCWoMen😌👆
mit Hilfe von Gelehrten, Platonen und Einsteine, Teslas, Piraten der Caribik, unendliche Welten mit Kirk, McKoy, Spock, statt BOLT Scotty beam me Up rufen, we used the Illusion 1+2
im Nirvana, rapend unserMind fickend, den Smell des Teen Spirits gezogen, bad religion, die Hart, mehrmals, supernaturally begleited vom House of the Winchesters,, walking withe dead, throuh the Vampire Diaries, meeting the Originals, im Black MirrorOFHer
schlümpfe, Fragglez, BabaPappas, knisterndes, sicher nicht Veganes, auf der Zunge zerolatzende, fraktaleSinnesTasteOhrgasmen, Soundtrack, tekk tekk, pulp your fiction, what was in the Box? now I have a pretty good guess! 


Mario Lino Stancati: musician, composer, vocal performer.

If you wanna Collab, PM me. Also check out @cliffordwolfenstein @fireneverlies @rocketmonsterking and @worthlesspos  for some other quality music/songs.
So this is the musical account of what I always wanted to be a noise music.  Turns out I wanted to do more stuff with a vocaloid program, and then it was a softer music in the end.  I don't know what I'll do next, but it will be more with this style of vocals.

In a way it's sort of an operatic style, but without regards to the content.  It sort of becomes more about the message and less at the same time.  I find it really interesting since I've always worked with the meaning of the vocals and how they fit and music and with this I don't have to.  It's more about the pattern and in the details of song writing about the syllables of the notes but I try to keep it to just what words I want to write.

Zuhé is an ambient project  by Jesús Lastra

Other projects: 
@jalastram
@flat-stone
@0x4b (Forgotten Password)
@rawpinkbmp(Forgotten Password)

There is geometry in the humming of the strings. There is music in the spacing of the spheres. 
~Pythagoras

- Virtual Instruments
- Audacity
- Cubase LE AI Elements 6
- Interface Scarlett 2i2
- Condenser Microphone(CM25)
- Audio-Technica ATH-M50X
- Arturia MiniLab - USB/MIDI Controller
- Nikon D3200
- Adobe Photoshop CS2
- M-Audio Axiom 61
- M-Audio Oxygen 61
- M-Audio Hammer 88
- M-Audio BX5 D3 (Studio Monitors)
- AKG Headphones

My musical research is oriented toward a diverse branch of electronic and experimental music such as ambient, electroacoustic and industrial.

I'm a sound designer and composer . My practice could be characterized as “sculptural sound environment”. The use of the live sound and other pre-recorded sources(field recordings or music) are the primary matter of my work. In my practice, I try to exploit the creative possibilities of sound system reinforcement, spatialization and processing. Throughout my career, I've collaborated and toured around the world with Dimitris Papaioannou, Fritz company Bigi / Paoletti and others. I also have diversified my craft to other creative and technical specialties such as special props design.

Eclectic label run by two hermits living in the Scottish Highlands.