Remember In Reverse is out now on Delicacies as part of DELI018. 
You can listen to the track in full on Spotify: https://open.spotify.com/album/2ZHDRS6PdFsrxfqCiizCUZ

Remember In Reverse (clip)

OFFICIAL WITH COPYRIGHT

In 1995 at a party Applied Arts on the Boat, followed by Roxy, regular nights in clubs XT3, Acropolis Palace Theatre bar and a newly established club in Usti nad Labem, along with DJs Blastique and Groof or perhaps Joseph Sedlon and BLN. New Year's Eve at Mersey club night in Brno, E-party in Radost FX, parties on Prague's Academy of Art and finally the production of No Way Out event in Liben factory hall with DJ Twix (aprox. for 1000-2500 people). Bigger party at Swamp. At Roxy, like support Mare Negrum with Dj Bolond. Somewhere on Venceslav square at Club with Dj Blue. Vernisage and private parties. Café Colibris, CZ beat, Piraňa etc. Dj performance with theatre Tri-nec 69 at Nod and Gallery Doubner.

From 1998 as a dj in projects and Ultrasweet and Eturnity (Paul Anthony, Thaddeus Messany, Tobias Jirous, Eve Turnova or David Kabzan, people who appear in projects DG 307, Svistu Noise, Models and Body Wounds, Ecstasy of St.Therese, Madera.) At Styx, Amsterdam pub, Futurum like Panika support, shop party, at club with france electro band, concert at Cous-Cous seria, at Styx, other) Eturnity released ep, where he participated on two ventilating. Since 2006, formed his own tracks, when David's song, Maybe it's true, Shiva, Coki in the cage, Lollypop, Seaside and Crazzy Pennis heard on the airwaves Radio 1. Remixed Midi Lidi, United Flavour, Eturnity, Ocean, Yellow Sisters or Nebiba, Moby, Chick on speed, Shakira, International pony and other.

Again as a DJ in clubs Palac Akropolis, where he prepared the night called Soft electro night (the assistance should Call me Radeq, Toyz, Chicago Hope, Dj Lillu, DJ Radio) or be at the 2nd floor two nights under the name Do not stay at home and Protišedi (13.pátek) and Groove bar again with dj dj Groof and still Funtomas. Or with MIDI LIDI, XT3 again. Two privat parties at Avion 58. Back Doors gig last night called Lights goes down, at Roxy chill-out DJ on party with Crazibiza or Glitch Mob and Cosmic Gate and Climax night. Also at Pekelnej Bar.

Preaparing party at Vila Štvanice and remix for STP, maybe also one studio realise for new album Rány těla (at nineteens support Bob Dylan, Tindersticks, Ministry, for future wish him luck and concert with Primal Scream). Newly at Radost FX with Kuba Soulcheck (Liquid Harmony, Dafonic). For friends, basket players and beer drinkers at Na Baště/Letná feat. Martin and beach Šeberák (this or next season)

I am KAT. Poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause. It asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury. It is breath.

It began with words. Spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others.
Turning poems into sound.
Shaping collaborations that were fearless and alive.

Some of these “others” are human.
Some are digital.
AI tools like Suno have become instruments in my hands,
responding to tone, language and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation. It is extension.
It allows art to reach beyond skill and structure
into pure intention and consciousness.
It is not a replacement for the human,
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself.
The breath between words.
The shimmer beneath the audible.

And from that stillness grew Play Life.
Life as instrument.
Movement and breath as rhythm.
Sunlight and wind as collaborators.

Recently, this path opened into a new field:
Art Electronica and Urban EDM.
A place where spoken word meets pulse.
Where concrete, neon and poetry blend.
What began as experiments became something else.
Unexpectedly danceable, rhythm-driven,
yet still intimate and human.

This is where a new voice emerged:
DJ KAT - not as a performer on a stage,
but as an artist exploring what the city sounds like
when feeling becomes beat.
A space for future collaborations,
for remixes,
for DJs who sense poetry inside the pulse.

With The Pulse & The Breath,
I step into this electronic language.
Urban, atmospheric, alive.

Not algorithmic. Just alive.

I make what feels true.
I listen to silence.
And now also to the city.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
katpoetryvoices.gumroad.com/

#KATseries #ArtElectronica #UrbanEDM #SpokenEDM #ElectronicPoetry
#SoundArt #PoeticBeats #Cityskin #PulseAndBreath #EDMArt
#ArtPop #FuturePoem #AtmosphericEDM #NeonBeats #PoetryProducer
#DJKat #AIxArt #PlayLifeSeries #QuietExperiments #PresenceArt

„Weißt du, was ich manchmal denke? 
Es müsste immer Musik da sein. 
Bei allem was du machst. 
Und wenn's so richtig Scheiße ist, 
dann ist wenigstens noch die Musik da. 
Und an der Stelle wo, 
wo es am allerschönsten ist, 
da müsste die Platte springen 
und du hörst immer nur diesen einen Moment.“

Remember In Reverse (clip)

Simian Mobile Disco