The music of American composer Andrea Reinkemeyer has been described as, “haunting,” “clever, funky, jazzy and virtuosic” (Detroit Free Press, Schenectady Daily Gazette); it explores the intersection of the visual, aural and natural worlds through lush melodic lines and textures teeming with new timbres and churning rhythmic figures.

Ms. Reinkemeyer is a free-lance composer and member of the ADJ•ective Composers' Collective. She has enjoyed recent commissions from: Rodney Dorsey for the University of Oregon Wind Ensemble and Symphonic Choir, Lacroute Arts Series at Linfield College, In Mulieribus, Albany (NY) Symphony Orchestra, H. Robert Reynolds and The Detroit Chamber Winds & Strings, Jeffrey Heisler for the Primary Colors Trio, Miller Asbill and the Texas Tech University Concert Band, The Wild Swan Theater, Iowa Music Teachers’ Association, Kyle Acuncius, Natalie Haworth-Liu, Jay Bordeleau, Alan Huckleberry, Tayva Singer, and Kathryn Hallor, artists Carol Jacobsen and Patricia Olynyk. Upcoming commissioned projects include: a new work for women's vocal ensemble.

Her music has been performed both nationally and internationally, by the American Composers Orchestra Underwood New Music Readings, North-South Chamber Orchestra, The Fire Wire Ensemble, Great Noise Ensemble, Thailand International Composition Festival, the University of Michigan Symphony Orchestra and Concert Band, Northern Arizona University Percussion Ensemble, Pacific Rim Gamelan, and new music ensembles at: Bowling Green State University, University of Wisconsin-Whitewater, and Susquehanna University. Her electroacoustic compositions have been performed on the SEAMUS Conference, Spark Electronic Music Festival, University of Central Missouri New Music Festival, Electronic Music Midwest Festival, and Threshold Electronic Music Festival. Her music has also received recognition from the International Alliance of Women in Music. The A/B Duo recorded her piece, "Wrought Iron" on their release Variety Show on Aerocade Records.

Dr. Reinkemeyer enjoys exploring music with students of all ages. She is an Assistant Professor of Music Composition & Theory at Linfield College in McMinnville, Oregon (2014-). Previously, she served as a Part-time Lecturer in the Mahidol University International College, in Salaya, Thailand (2011-12) and as an Adjunct Assistant Professor of Composition, Theory and Technology at Bowling Green State University, Ohio (2005-10). Reinkemeyer has been the Composer-in-Residence with the: Michigan Philharmonic’s, “The Composer in Me!” education pilot program (2010-11), American-Romanian Festival’s Fusion Project (2011), and Burns Park Elementary School (2004, 2005, 2010). She has mentored public school students through outreach programs with the Detroit Chamber Winds & Strings (2007) and Michigan Mentorship Program (2002, 2004). Her work with young musicians has been supported by a Meet the Composer/MetLife Creative Connections Grant.

Reinkemeyer holds degrees in music composition from the University of Michigan (MM 2001, DMA 2005) and University of Oregon (BM 1999). Her primary composition teachers include: Michael Daugherty, Bright Sheng, Evan Chambers, Susan Botti, James Aikman, Robert Kyr, Jack Boss and Harold Owen. While a student, her work was recognized with a Rackham Predoctoral Fellowship, Regents’ Fellowship, Christine Rinaldo Memorial Scholarship, Graduate Student Instructor position in electronic music composition, the Ruth Lorraine Close Musical Fellows and Outstanding Creativity in Composition Award.

A native Oregonian, she has also lived in Ann Arbor, Michigan and Bangkok, Thailand.

For music created after 2020, please visit https://joowonpark.bandcamp.com/ 
I love to create music that makes people laugh like a mad scientist. I am also the director of EMEWS. More info on www.joowonpark.net

DC-based Composer, Audio Engineer, Sound Artist, Educator

Originally from the Pacific Northwest, Stephen ventured east to study composition at the University of Maryland and stayed.

Theatricality, language, and abstraction are themes that continually resurface in his creative work, the majority of which is scored for chamber ensembles, incorporating signal processing and computer generated sounds.  

Stephen has written works for CoMA (Contemporary Music for All) Britsol, the DMC (Devil May Care) Duo, pianist Hayk Arsenyan, saxophonist Steven Leffue, and soprano Stacey Mastrian and has worked closely with a collective of composer-performers he helped found, the Bay Players Experimental Music Collective. His writings on contemporary experimental music have been published in Organised Sound, Performance Research, Perspectives of New Music, and Computer Music Journal. Recordings he has engineered have been released on Navona and Albany Records.

its my job, i twist knobs

sound-designer, music producer, engineer, drummer and apparently a comedian

agentmethod.net

www.stephenryanjackson.com

This is a small online portfolio of my music. I hope you enjoy it. My email is stephenjacksoncomposer@gmail.com if you have any questions,  commissions, performance requests etc. please feel free to contact me. I'm always happy to start another project or collaboration!

mixed and edited by Rachelle Bonja 
all photos by Hrithik Saride (@hrithik.saride)

@patchwork.theband | patchworkbanddc@gmail.com

slilly is following