Bronski Beat x Destinys Child - Smalltown Boy - Say My Name (Jay Bee Remix)

Launching Slouk mixtape series with this first funky italo & synthpop mix ☀️🌴.

I don't own any copyrights to the music. Please remember to support the artists and buy their music.

YT link: https://www.youtube.com/watch?v=9tUlR4kI4VQ&t=2205s

Slouk mixtape series - Sms001

Mix of the Week #567 is "In the Right Place" by Bobby Myseh
Follow and include @bobbymyseh in your track ID requests
https://www.instagram.com/bobbymyseh/

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Dream Chimney 'Mix of the Week'

Mix of the Week #567: Bobby Myseh - In the Right Place

This is the record of the January QMLS Show with a special Totem Projects guest mix by Grant Williams (ECLECTICS).  
PART I with George:

01.Ferdi Schuster - Resonance
02.Wallace (UK) - Masada [CWPT]
03.Hillside Feat. Quinn Lamont Luke - Crossing
04.Nipplepeople - FRKA
05.La Groove Machine - Arabic Disco
06.Sea Raven - Heart Way
07.Fernando - Search of Indigo (LTJ Xperience Dirty Mix)
08.Bjarno & Dalholt - Indiana

PART II Guest Mix by Grant Williamas (ECLECTICS)

PART III with George:

11.Chillum Trio - Beyond the Trees
12.Julian Sanza - Caterpillar (Ilya Santana remix)
13.D.D. Mirage - So Hot (Jura Soundsystem Dub)
14.The Menzia - The bass Cave (Dennis Kane remix)
15.Simon Sheldon & Deep Division - Our Children (Omar V Remix)
16.The Secret Soul Society - Is it daylight
17.Högt I Tak - Warped Train
18.The Vendetta Suite - The Man Behind The Counter
19.Aimes - Grandiose Visions (The Beat Broker Remix)

George Mihaly's QMLS January Show with Guest Mix by Grant Williams

Mix of the Week #572 is by Lago
Follow and include @laaago in your track ID requests

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Mix of the Week #572: Lago

Recorded live at the k hole disco (Lunacy party), Angel Bar, 2025.

Aradea Barandana, widely known as Dea, began his DJ career in high school, spinning records as background music for a breakdance crew. What started as a casual exploration of rhythm soon blossomed into a passion for building community through music. Dea launched his own club night in Jakarta, where his eclectic taste began to take shape.
While studying in London, Dea delved deep into the world of underground and obscure cosmic sounds, honing a style that defies strict categorization. His sets are a rich tapestry of exotic psychedelia, infused with electronic grooves that transcend traditional genre boundaries.
Dea has released numerous records under his own name and as part of projects like Precious Bloom and Zatua. His collaborations span diverse fields, from co-creating a short film soundtrack with DJ Harvey to contributing to albums by A Mountain of One and Ricardo Villalobos. He also made waves with an EP released on Peggy Gou’s Gudu Records.
Looking ahead, Dea is set to release his highly anticipated solo album on Rush Hour Records in summer 2025, a testament to his ever- evolving artistry and deep connection to the global music scene.

H.A.N.D. MIX 068 : Dea Barandana

The breezy sound of the Canadian Riviera, from Mood Hut's Pender Street Steppers.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/pender-street-steppers/episodes/pender-street-steppers-4th-march-2025

Pender Street Steppers w/ Dane 040325

Colored Craig Live @ B.P.T. February 2025

Mix of the Week #577 is "The Big Blue" by frangi.
Follow and include @frangiparis in your track ID requests

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Mix of the Week #577: frangi. - The Big Blue

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Sound Metaphors podcast 05 – Castro Moore

"Lasers, smoke machines and any type of music as long as the bassline is groovy" 🛸

Slouk mixtape series - Sms001

Slouk

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