wow---Oh i mean WOW--i love This work--Beautiful!!

A Place To Be

Ein Weg Des Himmels

Check out the original track right here:
https://soundcloud.com/shockthealgorithm/ramona

and here: https://www.youtube.com/watch?v=ZGvWZ_Gp7Ao

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(p) & (c) 2024, the original track taken from the upcoming debut album of STA called "Rock and Roll Kills"

Ramona ft. AI Donald Duck

W-Gymnopedie

F-Self-Punishment

Composer: Jacques Hotteterre: 1674-1763. 
From: Deuxiéme Suite De Pieces, Op. 6 {1717} Les heureux moments.
For Alto Recorders Duo. 
Enjoy!

Trés tendrement (Deuxiéme Suite de Pieces: Les heureux moments)

All-Union

method: looping, layering, lapsus - the three L's - and a clock moving slower than time
narration: the poem closing my collection auslegpapier (2020)
image: copyright jo richter

poem / copyright jo richter:

nach dem auslegen
betrachtet der kunde
den teppich, achtet auf
muster, webweisen

interlinear translation:
interpretation // after placing it  / the client looks at / the carpet, focusses / on patterns, weaves

ausleg

Original music by : FPMORINSTUDIO/Francois Pierre Morin musician composer INDIE

WINTER END

WINTER END 2024

At a Dead Party

I Believe In You

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

ausleg

sonic structures and silent stretches

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The Pharmaceutical Phaggot

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