method: recording, then overdubbing. eventually; a friend I asked encouraged me to just dish it out ;-) I like that dirty, berliny backdrop of the sound, although it comes from quite a different reach of this country and from a moment in time that has very nearly  been forotten  
narration: the poem says it all, does it not?
the title:  https://en.wiktionary.org/wiki/compleo#Latin
image: apart from the cropping and the writing, this photograph is a hundred percent unaltered, as is. Copyright jo richter 


poem / copyright jo tichter:

lured into life 
by orpheus' silence
he has been dreaming in verse
just to survive

is there a word to express
both the presence and absence
of beauty, he wonders

observing his fingers
cradle the table's edge
he holds his breath
for just a moment too short

complerit

I NEVER USE ANYTHING LIKE SUNO AI.
EVERY SUNDAY UPLOAD THE  LATEST TRACK
Composition and Sampling collage by Synline
Instant theatrical music tweets everyweek. 
”The song that is born today can only be born today.” That's why I keep writing it down in the computer every day like a diary.
Music is a kind of feeling I can not express in words. I will write that feelings with Synthesizers. 
I am glad I can share it with you.

I think, as Ryuichi Sakamoto said, AI should be used not for composing music but for solving global issues such as weather forecasting and population problems.

I am an artist, writer and musician from Hastings, UK.  I make slightly wonky acoustic folk-pop, often with unusual guitar tunings, along with instrumentals that mix acoustic and electronic textures. 

Musically my current obsession is Judee Sill.
But it always comes back to the music of my childhood- The Cocteau Twins, The Waterboys, ABBA, The Beatles, Joni Mitchell, Kate Bush.

Dude from the hills. Thankyou for taking the time to listen and supporting my works, it is very much appreciated.

My new EP, 'all of heaven is against you' under CRSY is out now. Check it out via the links below :-) if you'd like a free code for the Bandcamp release then just give us a shout
Still CRSY, just fancied a name change 😁

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

New single PLAY LOUDER out now❣️
You can listen on major platforms👍
Click link & Enjoy🌈

THE BOY is a Japanese singer-songwriter. He is disabled, but he keeps making original music alone.

Template Legato, also known as Hirotaka Kato, is a songwriter & composer based in Sendai, Japan.

Thank you for taking the time to listen,  please 'like' my work if you are so inclined, and please comment, I do this by myself, so I appreciate all feedback..
It goes without saying, but no AI or Music Maker here, I'm responsible for every chord, melody and word, mix and master, for better or worse! (I do use VST's and samples)

Thank you all for listening and your incredible comments, I appreciate them all

New album coming soon. 

I set the words to chords on piano. Kind of singing along. I recorded the Casio electric piano, then my sawed-body Austin bass guitar, both plugged in directly. Bass played with a pick. (a square corner of my old driver's license)

The organ pretty much follows the piano chords. Two different organ sounds were used for each song on The Black Cat Record. The same Casio.

Vocals. I recorded one, then muted it and recorded another. So that the second vocal wouldn't be an imitation. One vocal is only on the left, and the other is only on the right.

I recorded electric guitar plugged into a Blackstar amp, direct-in. Same pick used. I had a Lyon Disturbed signature guitar with a kill switch for The Black Cat Record, and a Squire with a whammy bar for Hex. Rhythm guitar was usually done twice, and only on the left or right, like the vocals. I like to think the left headphone is a slightly different album than the right.  Microphone used: Shure SM57.

Words: Riley Robinson
Music: Ryan Bulliner

All songs recorded in my room on an Hp laptop, through a Focusrite interface. On Audacity. One piece at a time. 

No A.I. 
No auto-tune. 
No metronome. 
No samples.

- Osatethe

Shout out to Ali Sky, Aziza Eskender, Sofia Marietta. Their YouTube channels inspired me a lot at the time. 

SC shouts:
MNOTR
!mmortal Creatures
Laura Hell



* Personal Music projects:

     - Gonzo J. Francès: Alternative songs

     - Morosgovanyi: Experiments with noise and FX

     - DJ: next upcoming...


* Other bands or parallel projects in link section

Thanks for stopping by. Listenings & comments are very appreciate it.

Contact: gonzojfrances@gmail.com

Salut i soroll!

Personally recognized by Flume himself as the second coming of Dance Music.

I am overjoyed to partake in sounds beautiful:
https://youtu.be/1TnalFltP_Q?si=VidMVZ9VDKGZiNUm  by Dan and
https://stonerjazz.bandcamp.com/album/up-up-out by Jeff.

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

complerit

sonic structures and silent stretches