Wow, So Jazzy my friend--What a cool setting for this great poem:)

Wonderful piece...Sonic peculiarity in its best distinct-form! Awesome to listen to this one Dear Jo XOXOXO

I agree with Jeff about the jazzy touch to the keys, a nice element to throw into the mix, very interesting work as always Jo!

wunderbare Aufnahme, das Klavier ist super!<3

Fantastische Stimme zu diesem Stück! Nice work👌

Great piece, wandering ideas, one minute heading towards jazz, then going somewhere else

fumbling improv. as per : )  6 yrs ago.
take a deep breath
X

in the water ～ in the air

'f I were you (instrumental)

Dark Matter Conversion

Shivas Moves

Stefano Manotti -  Endless Road

Performed by Stefano Manotti

Written by Stefano Manotti

All rights reserved ©

Arrangement and mixing : Giulio Carmassi (ex Pat Metheny group)

Executive production and mastering : Paolo Schianchi and OmniaMusica Recording Studio


The wind of hope
Rushes through the night 
Like a swift bird passing by 
And a love light shines 
Silver in the distance
Where fatigue and sadness leave
And a need appears

I’m waiting to meet you 
On an endless road
With a free wind blowing even more

And you are a stranger
You are one of those
That could help inflame
inflame my soul

Now sadness plays the blues 
Without notes or beats
With a strong desire to erase 
Blank faces in the street


What you perceive 
Has just cooled inside
But the past, like a dream
Will always warm your cry 


I’m waiting to meet you 
On an endless road
With a free wind blowing even more

And you are a stranger
You are one of those
That could help inflame
inflame my soul

Endless Road

noxpox - Congo Bongo Dub

The Ellipsoidal Belligerent Capacitor

22 8 31

L-Falling Stone

method: some atonal fun with the plastic midi keyboard on a rainy evening
narration: the poem is quite some decades old - last century, millennium even, and all that. it was quite a different life I led back then. the original title is: "an antenna cast into the open" - this also was the first line when I wrote the poem .... but I skipped it for this version, jettisoning the poem into the imbalance that suits its sonification's atonal qualities. 
image: copyright jo richter

poem / copyright jo richter:

a fishing rod fishing the water
a probe probing deep space
to welcome that other me
out there - infinty bait

there's a mirror to wait
on you - twin travesty
of being tired and stirred by hoping
weak and strong forces that matter
in watching and running the race

infinity bait

Infinity Bait

I recently spent 2 weeks sitting by my fathers bedside with my brother and sister ,until he Passed and moved on to the next life. Our family for many years have been practising Spiritualists. hopefully he is now in the Happy Hunting Ground as his spirit guide was a Native American Indian.
I wrote this Music on my IPAD during this time.
Love you dad see you in the next life.

Where Are You Raymond

Purple Rain (Prince Cover)

Music( Jim Nall)-Vocals-Jaya DharmaCheck out Kane Roenor on #SoundCloud
https://on.soundcloud.com/vPas8

Sanguinary- Music played and recorded by Jim Nall.singing by Jaya

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Infinity Bait

sonic structures and silent stretches

Recent comments

Norman Freund

GEBR K.

Wiborg Bamford

Tea R. Sea

Related tracks